Supertramp - King Biscuit Flower Hour #99-42 (Pre-FM) Royal Albert Hall, London, England, 1977 (1999 Master)

Supertramp
King Biscuit Flower Hour #99-42
The Royal Albert Hall, London, England, U.K. February 5, 1977
For Broadcast The Week Of October 11th to 17th, 1999
Pre-FM Recording
Flac Level 8 & MP3 320kbps
Cue Sheet & CD Scan Included

MP3 LINK FIXED!

Digitized From An Original Radio Broadcast CD

Original Lineage: Silver Broadcast CD > dbPower Amp Secure Rip > Flac Level 5

JustDave Additional Lineage: Trader's Little Helper > Wave 16bit/44,1khz > Goldwave v6.83 (editing) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8

Hosted By Ed Sciaky

01 King Biscuit Flower Hour #99-42 Intro - Ed Sciaky
02 Commercial - United States Army
03 Commercial - Campbell's Chunky Soups
04 Commercial - Halloween Collector's Edition
05 Commercial - Sound & Vision Magazine
06 King Biscuit Flower Hour #99-42 Intro - Ed Sciaky
07 Supertramp - Give A Little Bit
08 Supertramp - Bloody Well Right
09 Supertramp - Sister Moonshine
10 King Biscuit Flower Hour #99-42 Break - Ed Sciaky
11 Commercial - Campbell's Chunky Soups
12 Commercial - United States Army
13 Commercial - Halloween Collector's Edition
14 Commercial - Vaccaro Guitars & Basses
15 King Biscuit Flower Hour #99-42 Intro - Ed Sciaky
16 Supertramp - Hide In Your Shell
17 Supertramp - Poor Boy
18 Supertramp - Dreamer
19 King Biscuit Flower Hour #99-42 Break - Ed Sciaky
20 Commercial - United States Army
21 Commercial - Campbell's Chunky Soups
22 Commercial - Halloween Collector's Edition
23 Commercial - Sound & Vision Magazine
24 King Biscuit Flower Hour #99-42 Intro - Ed Sciaky
25 Supertramp - Fool's Overture
26 King Biscuit Flower Hour #99-42 Wrap Up - Ed Sciaky

Rick Davies – vocals, keyboards, piano, harmonica
Roger Hodgson – vocals, piano, keyboards, bass, guitar
Dougie Thomson – bass
Bob Siebenberg – drums, percussion
John Helliwell – saxophone, clarinet, keyboard, backing vocals

Thank you goes to BurnBoy For The Original CD Rip!

JustDave's Notes:
- Received as 4 flac files and dbPoweramp Secure Rip Log.
- Found Cue Sheet & CD scan on internet.
- Decoded files and indexed tracks, re-encoded to flac level 8 aligning sector boundries.
- This version is a King Biscuit Flower Hour Rebroadcast of an old show with a new 1990s master. It is different from the 2 versions on the Traders Den as one is an FM broadcast recording and the other is a Pre-FM without the commercials and in the upload explanation says it was made from more than one CD and that the uploader thinks that the spectrum analysis shows the upload may actually be from an FM source, so lineage seems in doubt. This upload is ripped from 1 single King Biscuit Flower Hour CD with confirmed lineage.

Like the notes above state, this is an updated version of a classic Supertramp show. It's been remastered by King Biscuit and re-released for broadcast on CD. If you already have this show this would most likely be a sonic upgrade for you.

Flac

MP3

Corrosion of Conformity - Westwood One Absolutely Live High Voltage #02-10 Disc 2 Of 2 (Pre-FM) Disc 2 Not Included

Corrosion of Conformity
Westwood One Absolutely Live High Voltage #02-10 Disc 2 Of 2
Recoded At The Metro, Chicago, Illinois, August 2, 1997
For Broadcast The Weekend Of March 09/10, 2002
Pre-FM Recording
Flac Level 8 & MP3 320kbps
CD Scan Only

Digitized From An Original Radio Broadcast CD

Lineage: Pre-FM Siver CD > E.A.C. (secure) > Wave 16bit/44,1khz > GoldWave v.6.83 (editing) > Wave 16bit/44,1khz > Traders Little Helper (align sector boudaries) > Flac Level 8

Hosted By Tawn Mastrey

01 Westwood One Absolutely Live High Voltage #02-10 Intro - Tawn Mastrey
02 Corrosion of Conformity - Fuel
03 Corrosion of Conformity - Wiseblood
04 Corrosion of Conformity - Albatross
05 Westwood One Absolutely Live High Voltage #02-10 Break - Tawn Mastrey
06 Commercial - PGA Masters.org
07 Commercial - United States Navy
08 Commercial - Trident Sugarless Gum
09 Commercial - Folgers Coffee
10 Westwood One Absolutely Live High Voltage #02-10 Intro - Tawn Mastrey
11 Corrosion of Conformity - King Of The Rotten
12 Corrosion of Conformity - Vote With a Bullet
13 Westwood One Absolutely Live High Voltage #02-10 Break - Tawn Mastrey
14 Commercial - 1-800-CALLATT
15 Commercial - GEICO Insurance
16 Commercial - Penut Butter TWIX
17 Westwood One Absolutely Live High Voltage #02-10 Intro - Tawn Mastrey
18 Corrosion of Conformity - Drowning In Daydream
19 Corrosion of Conformity - Deliverance
20 Corrosion of Conformity - The Snake Has No Head
21 Westwood One Absolutely Live High Voltage #02-10 Wrap Up - Tawn Mastrey
22 Westwood One Absolutely Live High Voltage #02-10 Promo Bed - Tawn Mastrey

Total Playing Time: 37mn 42sc

Pepper Keenan- guitar, vocals
Mike Dean – bass, vocals
Woody Weatherman – lead guitar, backing vocals
Reed Mullin – drums, percussion, vocals

JustDave's Notes:
- I received this in a box of Pre-FM CDs & FM CD-rs sent to me by an online friend.
- This is only CD2 of 2, CD1 was not sent to me in said box of shows.
- No cue sheet for this CD was included either.
- I had to lower the voice over volumes 3db as they over powered everything else.
- Preservation being key the show was encoded with the commercials and voice overs.
- Commercials & voice overs indexed so the may be omitted if you so wish.
- There were 16 commercials after the show promo called "spots in the clear" not encoded.
- Also on this bill were Machine Head, Drain STH, The Muffs & Fu Manchu

Digitized by JustDave December 20, 2024

Another from my Westwood One collection a Pre-FM Corrosion of Conformity show, which really blew my mind when I found out about it. I have posted this in an edited form before but this time I encoded the whole thing.

Flac

MP3

Maria Pia De Vito, Nguyên Lê & The NDR Big Band - A Tribute to Pink Floyd ~ Rolf Liebermann Studio Hamburg, Germany 05-17-2013 (FM)

Maria Pia De Vito, Nguyên Lê & The NDR Big Band
Il Cartellone - Radio Tre Suite Jazz
Play The Dark Side of the Moon - A Tribute to Pink Floyd
Rolf Liebermann Studio, Hamburg, Germany
Recorded: May 17, 2013
Broadcast: October 22, 2014
Radio 3 RAI Italy FM Broadcast Recording
Flac Level 8 & MP3 320kbps
Front Cover Only

Repost & Flac Upgrade

Lineage: Sony ST-S370 FM tuner > Sony PCM-D50 linear PCM recorder > 44.100khz/16bit wav on Sony Memory Stick ProDuo [mark2] > usb > Audacity 2.0 Beta (editing and track splitting) > 44.100khz/16bit flac's (level 8)

00 - Radio Introduction by Pino Saulo
01 - Speak To Me  2.34
02 - Breathe  4.20
03 - On The Run  2.55
04 - Time  8.03
05 - Breathe (Reprise)  1.59
06 - Magic Spells  2.12
07 - Hear This Whispering  2.02
08 - The Great Gig In The Sky  2.23
09 - Gotta Go Sometime  3.26
10 - Money  7.19
11 - guitar intro  0.56
12 - Us And Them  7.56
13 - Purple or Blue (trumpet intro)  1.19
14 - Any Colour You Like  8.50
15 - Brain Damage  4.12
16 - Eclipse  3.18

Total Playing Time: 1hr 8mn 1sc

Track 00 - Radio Introduction by Pino Saulo indexed as song 00 so it can be omitted from play without ruining continuity of play.

Maria Pia De Vito vocal
Nguyên Lê guitar, arrangement

The NDR Big Band:
Thorsten Benkenstein trumpet
Nicolas Boysen trumpet
Claus Stötter trumpet
Reiner Winterschladen trumpet
Klaus Heidenreich trombone
Jon Welch trombone
Stefan Lottermann trombone
Ingo Lahme bass trombone
Fiete Felsch alto sax
Peter Bolte alto sax
Christoph Lauer tenor sax
Lutz Büchner tenor sax
Frank Delle baritone sax
Vladyslav Sendecki piano, keyboards
Jürgen Attig bass
Gary Husband drums
Marcio Doctor percussion

This is an amazing tribute to one of Rocks Classic Albums. Nguyên Lê has played with the arrangements of each track, putting his own unique Jazz twist to Pink Floyd's creations. Fans of Jazz and of Pink Floyd should check this one out. I personally am very addicted to this recording.

Flac

MP3

Rita Marcotulli - Omaggio ai Pink Floyd ~ Casa del Jazz Roma, Rome, Italy 03-17-2008 (SBD)

Rita Marcotulli
Omaggio ai Pink Floyd - (Casa Del Jazz – CdJ305)
Casa del Jazz Roma
Rome, Italy
March 17, 2008
Soundboard Recording
MP3 192kbps
Cover Art Included

Jazz Pink Floyd Tribute

01 Astronomy Domine (Barrett)
02 Melodico (Rita Marcotulli)
03 Cirrus Minor (Waters)
04 Intromoney (Michele Rabbia)
05 Money (Waters)
06 Goodbye Blue Sky (Waters)
07 Burning Bridges (Waters, Wright)
08 San Tropez (Waters)
09 Crying Song (Waters)
10 Set The Controls For The Heart Of The Sun (Waters)
11 Us and Them (Waters, Wright)

Total Time 1hr 2mn 

Rita Marcotulli - piano & keyboards
Andy Sheppard - tenor & soprano sax
Fausto Mesolella - electric guitar
Giovanni Tommaso - contra bass
Matthew Garrison - electric bass
Michele Rabbia - electronic percussion
Alfredo Golino - drums
Raiz - vocals

This CD was part of the Jazz Italiano series.This series created by Luciano Linzi, artistic director of Casa del Jazz of Rome, was produced in collaboration with publishing group "la Repubblica/L'espresso". The series was published for four consecutive years, 2006, 2007, 2008, 2009. The recordings are all original live productions. These CDs were not for sale, but were distributed in Italy with the weekly magazine "L'espresso".

With the response I got from the last Jazz Pink Floyd Tribute I posted from Maria Pia De Vito, Nguyên Lê & The NDR Big Band I figured every one would like this one as well. Great arraignments done by Rita Marcotulli and a wonderful performance by all, highly recommended.

MP3

Black Sabbath - Earth: The Legendary Lost Tapes ~ Studio Demo (Studio)

Black Sabbath
Earth: The Legendary Lost Tapes - (2025, Big Bear Records ~ BEARCD60)
Zella Studios, Birmingham, England, U.K.
Circa: 1969
Studio Recording
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cover Art Included

01 Blue Suede Shoes
02 Evenin'
03 Wee Wee Baby
04 Untitled
05 Free Man
06 Song For Jim (Guitar Version)
07 Song For Jim (Flute Version)
08 Wicked (Demo)
09 Warning

Ozzy Osbourne vocals
Tony Iommi guitar, flute
Terence "Geezer" Butler bass
Bill Ward drums, percussion

JustDave's notes:
- These are all complete songs not like "When I Come Down" or "The Rebel" which were bits of complete tracks. These are demos submited to labels for consideration. The Black Sabbath sounds, vibes and tones were still embrionic at this point.
- "Blue Suede Shoes" is the Carl Perkins song made extra famous due to an Elvis Presley cover version. While it sounds like the version on the Musicladen performance it has extra "speaking" before and after by I'm assuming Ozzy.
- "Song For Jim" was used by Earth and early Black Sabbath as the live vehicle for Bill Ward's drum solo. They would use both flute and guitar live.
- "Wicked (Demo)" is the demo version of "Wicked World" and uses the lyrics that Ozzy sings on the Live At Last version.
- "Warning" is an early demo version of the song that would end up on Black Sabbath's first album.

Thank you to Record Collector the original uploader on Guitars101

Flac

MP3
 

Meshuggah - P3 Radio Session: Piteå, Sweden December 5, 1998 (FM) - Low Gen Cassette

Meshuggah
P3 Radio Session
Piteå, Sweden
December 5, 1998
P3 FM Broadcast Recording - Unknown Generation Cassette
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cassette Scan Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Lineage: Low Gen Trade Cassette > Nakamichi RX-505 Cassette Deck (EX1-EQ120) - Azimuth Adjusted > Sony TA-AV561 AV Control Integrated Amplifier > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (LAME) > Flac Level 8 24bit/96khz

01 P3 Radio - Meshuggah Interview #1
02 Meshuggah - Concatenation
03 Meshuggah - Sickening
04 Meshuggah - Sane
05 Meshuggah - Suffer in Truth
06 Meshuggah - Soul Burn
07 Meshuggah - Neurotica
08 P3 Radio - Meshuggah Interview #2
09 Meshuggah - Transfixion
10 Meshuggah - Elastic
11 Meshuggah - Future Breed Machine
12 Meshuggah - Gods of Rapture
13 P3 Radio - Broadcast Wrap Up

Total Playing Time: 55mn 52sc

Jens Kidman – lead vocals
Fredrik Thordendal – lead guitar, backing vocals
Tomas Haake – drums, spoken word vocals
Mårten Hagström – rhythm guitar, backing vocals
Gustaf Hielm – bass

JustDave's Notes:
- A big Thank You to my fellow members of The Collective of Live Music for continued suport and inspiration.
- Thank you to whoever I got this tape from, it was a long time since I have traded and I have forgotten who I received this from and what generation you said it would be.

Recording Notes:
- A cassette from a box of tapes I have that have no labels and or j-cards.
- There is a small pop between "Transfixion" and "Elastic" not sure of the cause.

Editing Notes:
- Recording and editing done in 24bit/96khz.
- Due to recording being done on a 120 minute tape there was no tape flip to edit.
- The only tampering I did with this tape was to add a fade in at the beginning of the show and cleaning up the fade out at the end.

Other Notes:
- Meshuggah is a Swedish metal band that plays a type of Extreme Metal sometimes called Math Metal.
- The Metal community, especially those who do not like Meshuggah's style, made up the new genre name of Djent for Meshuggah and bands influenced by them. This name came from an interview where one of Meshuggah's guitarists was talking about tuning the guitars and said something to the effect of "you have to tune the guitars till you get the proper djent sound from them"
- Rolling Stone magazine has called them one of the ten most important Hard Rock and Heavy Metal bands.
- Rolling Stone did say the only drawback to Meshuggah was Jens Kidman's Hardcore Punk vocals.
- The song "Soul Burn" was used in an episode of The Osbournes where Ozzy was having a feud with his neighbor about the neighbors loud music. Jack turns his speakears to the window and says "this'll get em it's Swedish Death Metal called Meshuggah. It did not stop the neighbors but it got Meshuggah on the next Ozzfest Tour.
- The band uses Polyrhythms, Polymetered Riff Cycles, Rhythmic Syncopation, Rapid Key and Tempo Changes, and Neo-Jazz chromatics in their song writing.
- In Polymeters typically used by Meshuggah, the guitars might play in odd meters such as 5/16 or 17/16, while drums play in 4/4. In one song, drummer Haake keeps the hi-hat and ride cymbal in 4/4 time but uses the snare and double bass drums in 23/16 time.
- The band uses downtuned 8 string guitars and 6 string basses to get their particular sound, and are always trying to challenge their audience as well as their musical ability.
- The challenging of their audience, besides the music, also comes in the way they release their albums. After the success of the Nothing CD (2002), the band released an EP consisting of one 21 minute song called I (2004). After I, the band released Catch Thirtythr33 (2005), a full length album consisting of one 47 minute track divided into 13 subtitles. Next, they released a re-recorded version of Nothing before finally releasing a proper follow up album, obZen (2008).
- The reason for re-recording the Nothing album was because they intended the album to be the 1st recorded with their 8-string guitars. The special ordered guitars were not finished in time so they tuned 7-string guitars to somewhat match 8-string instruments.
- The band was never happy with the results so re-recorded all the guitar parts. Drum parts were also re-recorded and some vocal touch ups as well. Both versions of the album are awesome but myself I prefer the original over the re-recorded version by a small margin.
- Nothing and the albums that followed have all charted on the Billboard 200. Koloss, released March 23, 2012, was the most successful yet.  It debuted at number 17 in the USA.
- In 2006 and 2009 the band was nominated for Swedish Grammy Awards.
- This show was recorded while the band was promoting their 3rd full length album Chaosphere.

Digitized By JustDave For The Collective Of Live Music

Flac 24bit

Flac 16bit

MP3

Joe Cocker - Live In Denver ~ Denver, Colorado, U.S.A. 05-02-1981 (SBD)

Joe Cocker
Live In Denver - (Superior ~ SU 29505 A)
Denver, Colorado, U.S.A.
May 2, 1981
Soundboard Recording
Flac Level 8 & MP3 320kbps
Cover Art Included

Rosebud's Pick

Lineage: My Silver Double CD Set > E.A.C. (secure) > Wave 16bit > Traders Little Helper > Flac Level 8

CD 1

01 - Feelin' Alright
02 - I Can't Say No
03 - Put Out The Light
04 - Look What You've Done
05 - Whiter Shade Of Pale
06 - Sweet Little Woman
07 - I Don't Wanna Live With Out Lovin' You
08 - Just Like Always
09 - Shocked
10 - Seven Days

CD 2

01 - Jealous Kind
02 - Hitchcock Railway
03 - Watching The River Flow
04 - You Are So Beautiful
05 - Sweet Forgiveness
06 - With A Little Help From My Friends
07 - The Letter
08 - The Moon Is A Harsh Mistress
09 - I Heard It Through The Grapevine

justdave's notes:
This CD is much like the Chicago Toronto Rock'n' Roll Revival recording from 1969. It's one of those grey area CDs. It's considered a legal release, but is not officially recognized by Joe Cocker's Organization. It's been released on many different labels that "licensed it" from some other label. It's had just as many titles, too. No one really knows it's actual legality. It is not listed by Joe Cocker's webpage which is selling all his CDs including a few live albums. I actually bought this double disc at Walmart for 5 dollars U.S.

There is a single CD version of this show floating around trade circles. I however haven't seen a double disc version anywhere myself. This is the entire show. I do believe it is a Pre-FM source but I can not prove that so I labeled it a soundboard recording.

I was actually lucky enough to catch Joe Cocker live once. He was on tour with Stevie Ray Vaughan as his opening act! So I was able to catch Stevie Ray as well. It was at Pine Knob in Clarkston Michigan. Stevie Ray came out and played a full headlining set. An hour and a half of Stevie Ray kicking major ass. He was sober and on fire that year. He died after that tour if my memory is correct (It's always possible that I remember wrong). After Stevie played, Joe Cocker came out and played a blazing hour and a half of his own. When Joe came back for his encore Stevie Ray came out with him. They jammed for at least another half hour before leaving the stage. I actually almost didn't go to the show. My ex-wife's (my wife at the time) Grandmother had day died days earlier. I was unable to take the time off work to travel out of state for the funeral so I stayed home. My friend Gypsy Dan called and said he had tickets to see Cocker (did not mention Stevie Ray). I said I was going to stay home because I would feel guilty going to the show since my wife was going to a funeral. Dan say's "she will understand", (she didn't) then says "just don't tell her" (I did of course). I went, and thinking back, I feel like I did the right thing, so does Rosebud.

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Bob Seger & the Silver Bullet Band - The Beginnings Club, Schaumburg, IL 06-23-1976 (FM)

Bob Seger & the Silver Bullet Band
The Beginnings Club
Schaumburg, Illinois, USA
Recorded June 23, 1976
Broadcast November 1976
Flac Level 8 & High Quality MP3 320kbps/48khz
Cover Art Included

Dedicated To The Memory Of  My Cousin Jamie R.I.P.

lineage: CDR > plex tool professional XL > wav > flac

01 Dj Intro / Bo Diddley (Bo Diddley)
02 Travelin' Man >
03 Beautiful Loser >
04 Katmandu
05 Feel Like Wakin' Up in Somebody Elses Bed (Ronnie Hawkins)
06 Lookin' Back / Dj talks / Mary Lou*
07 Ramblin' Gamblin' Man
08 Let It Rock (Chuck Berry)
09 Rosalie
10 Whole Lotta Love Boogie (Led Zeppelin)
11 Lucifer

Bob Seger lead vocals, guitar, keyboards
Drew Abbott lead guitar, backing vocals
Chris Campbell bass, backing vocals
Charlie Allen Martin drims, percussion, backing vocals
Robyn Robbins keyboards, backing  vocals
Tommy "Alto Reed" Cartmell saxophone, flute, backing vocals

This recording comes from comes from a time of transition for Bob Seger. The highly successful Live Bullet was released in April 1976. This album will help Bob Seger achieve a higher level of commercial success. The tour to promote Live Bullet was kind of a telling as to Bob's success being regional . He had headlined a concert at The Pontiac Silverdome with Todd Rundgren, Elvin Bishop and Point Blank in front of 78,000 people. The next day was this concert in Schaumburg, Illinois, at a Shopping Mall Club (as it's called by the DJ in his intro) in front of less than a thousand people. The tour would wrap up and Bob Seger would record the fabulous Night Moves album which sends Bob into the Billboard Charts landing at #8 and now certified 6x Platinum in sales. Live Bullet is 5x Platinum in sales.

So download this recording from the time period where the World figured out what Detroit knew all along Bob Seger Can F%#@king Rock. And yes that is a Boogie  Araingment of Led Zeppelin's "Whole Lotta Love"

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Stomu Yamashta's Go - Great American Music Hall: San Francisco, California, USA September 26, 1977 (FM) - KSAN

Stomu Yamashta's Go
Great American Music Hall
San Francisco, California, USA
September 26, 1977
KSAN-FM Broadcast Recording
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cover Art Included

Lineage: TDK-D C90 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment > CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182.
Tape and conversion and editing by Michael Cariola.

01 Mysteries Of Love 9:09
02 Surf Spin 2:49
03 Crossing The Line 5:45
04 Wheels Of Fortune 5:39
05 Beauty 8:04
06 You And Me 5:00
07 Man Of Leo 8:11

Total Playing Time: 44mn 37sc

Stomu Yamashta: drums, percussion
Kevin Shrieve: guitar
Ava Cherry: vocals
Jess Roden: vocals
Patrick Gleeson: synthesizers
Michael Shrieve: drums
Paul Jackson: bass
Doni Harvey: guitar
Brother James: percussion
Peter Robinson: keyboards

This great show from a really awesome band is for our longtime friend shmoopatties. He recently asked me if I had heard of them and I hadn't. He asked if I could use my snooping out powers to try and find a couple gigs that he knew about. This was one of them, I found it on the Traders Den torrent tracker posted by Innerear. There is a remastered version floating around the internet which I do not have a copy of yet, but I will.

You may not know the band leader Stomu Yamashta but you may know his drummer Michael Shrieve of Santana fame. The band was founded by Stomu Yamashta along with, Al DiMeola, Steve Winwood, and Michael Shrieve when each of the musicians were in between musical projects. They released a studio album and played some gigs, I'm not sure if Al DiMeola or Steve Winwood ever appeared on stage with the band or not but Michael Shrieve was there all the way.

Fans of such Progressive bands like National Health, or Jazz Fusion bands would most likely become fans of Stomu Yamashta's Go. The rich soulful vocals and fantastic instrumentation made an instant fan of this old Headbanger!

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Judas Priest - Concert Classics - The Rainbow Music Hall: Denver, Colorado, U.S.A. June 25, 1980 (SBD)

Judas Priest
Concert Classics - (The Store For Music Ltd ~ SFMCD038)
The Rainbow Music Hall
Denver, Colorado, USA
June 25, 1980
Soundboard Recording
Flac Level 8 16bit/44,1khz & MP3 320kbps/48khz
Cover Art Included

Lineage: Sliver CD > E.A.C. (secure) > Flac 16bit/44,1khz (single file with cue)

Further Lineage: Cue Tools v2.2.1 > Split Tracks > Flac Level 8 16bit/44,1khz

01. Hell Bent For Leather 2:54
02. Ripper 2:51
03. Running Wild 3:30
04. Living After Midnight 3:44
05. Sinner 7:50
06. Beyond The Realms Of Death 6:51
07. You Don't Have To Be Old To Be Wise 5:52
08. Grinder 4:00
09. Victim Of Changes 7:51
10. Steeler 5:34
11. Genocide 10:43
12. Tyrant 6:07
13. The Green Manalishi (With The Two Pronged Crown) (Fleetwood Mac) 3:20

Total Playing Time: 1hr 10mn 57sc

Rob Halford lead vocals
K.K. Downing guitar, backing vocals
Glenn Tipton guitar, backing vocals
Ian Hill bass guitar, backing vocals
Dave Holland drums

JustDave's Notes:
- Thank You Sentencia for sharing this at MeTaLMaDNeSS.TeaM ed2k Forum

Judas Priest fans will love this show! Rob Halford is in fine voice and there are songs in the set that will be dropped in later years. The almost 11 minute "Genocide" is worth the download time alone. This tour was the beginning of Judas Priest aiming for a more radio friendly style hoping to really break in the United States yet keeping the core "sound" they had developed over the previous years. At this point in time Judas Priest had yet to headline most US cities it played. The ones they did were in smaller theaters than the arenas they served as opening act in. They had not even played Detroit and wouldn't until headlining their Screaming For Vengeance Tour. Their headlining gig at Cobo Hall Arena even including Iron Maiden as opening act, on tour for Number Of The Beast. It was mind blowing!!

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Frank Zappa - Zappa Zoot Alors! The Legendary Broadcasts (SBD) 4CD Set

Frank Zappa
Zoot Alors! The Legendary Broadcasts - (Coda Publishing – CPLCD248, Stormbird – CPLCD248)
Released August 15, 2017
Sources, Dates & Locations Vary
The Ritz, New York City, New York 17th November 1981
Providence College, Providence, Rhode Island 26th April 1975 With Captain Beefheart
The Ahoy, Rotterdam, Netherlands 25th May 1980
The Capitol Theater, Passaic, New Jersey 13th October 1978
TV Rarities 1976 & 1978
Broadcast Recordings
Flac 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cover Art Included

Lineage: Silver CD Set >  XLD Secure Ripper > Flac 16bit/44,1khz

CD1

01 Trecherous Cretins
02 Easy Meat
03 Drowning Witch
04 Sinister Footwear
05 Stevie's Spanking
06 Cocaine Decisions
07 Goblin Girl
08 Tryin' To Grow A Chin
09 Strictly Genteel
10 Ride Like The Wind
11 Zoot Allures
12 Whipping Post
13 Watermelon In Easter Hay

CD2

01 Camarillo Brillo
02 Muffin Man
03 Stinkfoot
04 I'm Not Satisfied
05 Velvet Sunrise
06 A Pound For A Brown
07 The Torture Never Stops
08 Montana
09 Penguin In Bondage
10 Willie The Pimp

CD3

01 Chunga's Revenge
02 Keep It Greasy
03 Outside Now
04 Bamboozled By Love
05 Pick Me I'm Clean
06 Society Pages
07 I'm A Beautiful Guy
08 Beauty Knows No Pain
09 Charlie's Enormous Mouth
10 Cosmik Debris
11 You Didn't Try To Call Me
12 I Ain't Got No Heart
13 Love Of My Life
14 You Are What You Is
15 Bobby Brown
16 Ms Pinky
17 I Don't Wanna Get Drafted
18 The Illinois Enema Bandit

CD4

01 Dancin Fool (Capitol Theatre 10-13-1978)
02 Easy Meat (Capitol Theatre 10-13-1978)
03 Sy Borg (Capitol Theatre 10-13-1978)
04 Suicide Chump (Capitol Theatre 10-13-1978)
05 Little House I Used To Live In (Capitol Theatre 10-13-1978)
06 Magic Fingers (Capitol Theatre 10-13-1978)
07 Peaches En Regalia (Saturday Night Live 12-11-1976)
08 Purple Lagoon (Saturday Night Live 12-11-1976)
09 I Am The Slime (Saturday Night Live 12-11-1976)
10 Dancing Fool (Saturday Night Live 10–21-1978)
11 The Meek Shall Inherit Nothing (Saturday Night Live 10–21-1978)
12 St. Alphonzo's Pancake Breakfast-Rollo (Saturday Night Live 10–21-1978)

Disc 1: The Ritz, New York City, New York 17th November 1981
Disc 2: Providence College, Providence, Rhode Island 26th April 1975 With Captain Beefheart
Disc 3: The Ahoy, Rotterdam, Netherlands 25th May 1980
Disc 4: Tracks 01-06 The Capitol Theater, Passaic, New Jersey 13th October 1978
Disc 4: Tracks 07-09 Saturday Night Live 1976
Disc 4: Tracks 10-12 Saturday Night Live 1978

Total Playing Time CD1: 1hr 19mn 25sc
Total Playing Time CD2: 1hr 11mn 39sc
Total Playing Time CD3: 1hr 12mn 3sc
Total Playing Time CD4: 57mn 58sc
Total Playing Time All CDs: 4hr 41mn 5sc

That's right! Almost 5 hours of classic Frank Zappa performances. This box set even includes the Saturday Night Live performances from 1976 and 1978! I'll never forget the sketch about Frank meeting a bunch of hippy fans. Someone introduced John Belushi's character to Frank saying something like "We call him Window Pane because he did 100s of hits of Window Pane Acid listening to Freak Out! To reach the state you were in recording it" to which Frank says "I don't do drugs". At the time I didn't believe it. I later read one of the musicians that worked with him said the band would hide their drug use because Frank didn't like his band doing drugs. He remembered a conversation with Frank that went something like Frank "Why do you do drugs anyway?" Musician "Because it magnifies my personality" Frank "Yeah but what if you're an asshole?"

My original young teenage fandom of Frank Zappa came from the songs with the funny lyrics like "Don't Eat The Yellow Snow", "Broken Hearts Are For Assholes", and "Montana". As I grew more mature I grew to like his more serious musical pieces which were more like Jazz Fusion. When I was 16 my favorite Zappa 8-track tape in my car was Sleep Dirt. I then moved to his Classical music and then really started to enjoy the more weird stuff like Lumpy Gravy. Now in my over 60s I have not met a Frank Zappa album I do not like. I have more Frank Zappa CDs and Bootlegs than I do Black Sabbath, Deep Purple or any other band I love. Now that is actually saying a lot!!

Now this box set is pretty big so I divided the Flac files into two downloads to help those without pro MEGA accounts. Both parts will open separately.

Flac Part 1

Flac Part 2

MP3

Eric Clapton, Mark Knopfler & Elton John - The Tokyo Dome Tokyo, Japan November 2, 1988 (FM)

Eric Clapton, Mark Knopfler & Elton John
Tokyo 1988 - (Sonic Boom – SON0364)
The Tokyo Dome
Tokyo, Japan
November 2, 1988
FM Broadcast Recording
Flac & MP3 320kbps
Front Cover Only

CD One

01 Crossroads (Robert Johnson)
02 White Room (Cream)
03 I Shot The Sheriff (Bob Marley)
04 Lay Down Sally
05 Wonderful Tonight
06 Tearing Us Apart
07 Can't Find My Way Home (Blind Faith)
08 After Midnight (J.J. Cale)
09 Money For Nothing (Dire Straits)

CD Two

01 Candle In The Wind (Elton John)
02 I Guess That's Why They Call It The Blues (Elton John)
03 I Don't Wanna Go On With You Like That (Elton John)
04 I'm Still Standing (Elton John)
05 Daniel (Elton John)
06 Cocaine (J.J. Cale)
07 Layla (Derek & The Dominos)
08 Solid Rock (Dire Straits)
09 Saturday Night's Alright For Fighting (Elton John)
11 Sunshine Of Your Love (Cream)

Eric Clapton lead & backing vocals, lead & rhythm guitar
Mark Knopfler lead & backing vocals, lead & rhythm guitar
Elton John lead & backing vocals, piano
Nathan East bass
Steve Ferrone drums
Ray Cooper percussion
Alan Clark keyboards
Katie Kissoon backing vocals
Tessa Niles backing vocals

A nice sounding show from what I'm told is a digital rebroadcast of this classic Eric Clapton Concert. With his friends Elton John & Mark Knopfler in tow Clapton lays down some great Blues Rock for a more than appreciative Tokyo crowd. I love that both Mark and Elton get to showcase some of their material as well. I actually read a review in which someone said that Sonic Boom ruined a perfectly good Eric Clapton boot with too much Dire Straits and Elton John material. Hey it's a great document of a moment in time...a snap shot!

Flac

MP3

John Scofield Quartet - Jazz à Vienne ~ Théâtre Antique Vienne, France 07-12-2011 (FM)

John Scofield Quartet
Jazz à Vienne
Théâtre Antique
Vienne, France
Recorded July 12, 2011
Broadcast Jazz été, France Musique August 28, 2011
Flac Level 8 & MP3 320kbps/48khz
No Cover Art

DVB-S > SkyStar2 > Kaffeine (MP2 256 kbs, 48 khz) > XCFA (WAV conversion) > Wavelab > FLAC (level 8)

01 Ten Taken  10:37
02 Unknown  7:04
03 Intro  1:15
04 I Want to Talk About You  12:12
05 Unknown  11:40
06 Intro  0:43
07 Simply Put  8:04
08 Woody'n You  8:33
09 Intro  1:18
10 Unknown  10:49
11 Intro  1:26
12 Unknown  7:37

John Scofield guitar
Mulgrew Miller piano
Scott Colley double bass
Bill Stewart drums

If anyone could help with the unnamed tracks please leave a note in the comments.

Flac

MP3

John Scofield/Pat Metheny Quartet - Summertime ~ Perugia, Italy 07-12-1994 (SBD)

John Scofield/Pat Metheny Quartet
Summertime - (Bugs Records)
Perugia, Italy July 12, 1994
Ravenna, Italy July 1, 1988
Soundboard Recording
Flac 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cover Art Included

Lineage: Siver CD > E.A.C. > WAV > FLAC

CD1
01 Everybody's Party 18:44
02 The Red One 8:33
03 No Matter What 15:40
04 No Way Jose 17:32

CD2
05 Message To My Friend 10:55
06 Summertime 11:32
07 You Speak My Language 16:33
08 Bass Desires 13:08
09 Samurai Hee-Haw 9:44

Credits:
Pat Metheny guitar tracks 01-07
John Scofield guitar tracks 01-09
Bill Frisell guitar tracks 08-09
Steve Swallow bass tracks 01-07
Bill Stewart drums tracks 01-07
Marc Johnson bass 08-09
Peter Erskine drums 08-09

CD1 Recorded Perugia, Italy July 12, 1994
CD2 Tracks 01-03 Recorded Perugia, Italy July 12, 1994
CD2 Tracks 04-05 Recorded Ravenna, Italy July 1, 1988

This show is also released as You Speak My Language on vinyl. Every release I have came across on the net has the set list in a different order. The sound of this recording is very good and brings together 2 of my Favorite Jazz Guitarists. With Steve Swallow & Bill Stewart rounding out the group you have a line-up that can't lose. To round out the double disc format you get one hell of a set of bonus tracks. John Scofield, Bill Frisell, Marc Johnson & Peter Erskine together, it's a double win!

FLAC

MP3

Black Sabbath - Definitive Ecstacy ~ Pittsburgh, PA 1976 & Fresno, California 1978 (SBD) 3CD Set - (Scorpio – 29)

Black Sabbath
Definitive Ecstacy - (Scorpio – 29) Released 2012
Civic Arena, Pittsburgh, Pennsylvania, USA December 8, 1976
Selland Arena, Fresno, California, USA September 22, 1978
Stereo Soundboard Recordings
Flac 16bit/44,1khz & MP3 320kbps/48khz
Front Cover Only

Rosebud's Pick

CD1

01 Symptom Of The Universe 4:28
02 Snowblind 6:11
03 All Moving Parts (Stand Still) 6:14
04 War Pigs 7:30
05 Gypsy 5:21
06 Black Sabbath 7:22
07 Dirty Women / Drum Solo 8:19
08 Guitar Solo 2:55
09 Electric Funeral 3:27
10 Children Of The Grave 4:40

CD2

01 Introduction/Supertzar 1:51
02 Symptom Of The Universe 4:58
03 Snowblind 6:55
04 War Pigs 8:10
05 Never Say Die 5:37
06 Black Sabbath 7:50
07 Shock Wave 5:22

CD3

01 Dirty Women 7:52
02 Rock N Roll Doctor 3:24
03 Drum Solo 3:13
04 Guitar Solo 14:26
05 Electric Funeral 3:15
06 Iron Man 8:07
07 Children Of The Grave 5:59
08 Paranoid 3:44

Total Playing Time CD1: 56mn 27sc
Total Playing Time CD2: 40mn 43sc
Total Playing Time CD3: 49mn 49sc
Total Playing Time All 3CDs: 2hr 26mn 59sc

CD1: Civic Arena, Pittsburgh, Pennsylvania, USA December 8, 1976
CD2 & CD3: Selland Arena, Fresno, California, USA September 22, 1978

Ozzy Osbourne vocals
Tony Iommi guitar
"Geezer" Butler bass
Bill Ward drums

Touring Members:
Gerald Woodroffe keyboards CD1
Don Airey keyboards CD2 & CD3

This is going to be The Best 2 Hours Black Sabbath Fans will spend after downloading (that is until some else way cooler happens of course). It's 1 CD worth of Pittsburgh, Pennsylvania 1976 and a full length 2CDs worth of Fresno, California, 1978. A full length Never Say Die Show that is not the London show from the video. This is a nice collection for all Black Sabbath listeners. I loved it so did Rosebud, that's why it's a Rosebud Pick.

Flac

MP3

Thanks go out to THiNMAN for the original upload on the MeTaLMaDNeSS.TeaM ed2K Forum

Razzy Bailey & Rose / Jo Ann Jones - Star Fleet Presents Jamboree U.S.A. #CSF-25-1981 (Pre-FM)

Razzy Bailey & Rose / Jo Ann Jones
Star Fleet Presents Jamboree U.S.A. #CSF-25-1981
Capitol Music Hall, Wheeling, West Virginia, U.S.A. August 15, 1981
Unknown Broadcast Date
Pre-FM Recording
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
No Cue Sheets Included With Record Set
Label Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original 2 Record 3 Sided Vinyl Record Set

Lineage:  Pre-FM 2x Vinyl LP Set > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking & Azimuth Set: Tone Arm Pressure Digitally Dialed In at .84: Anti-Skid set 1.0) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/48khz > Goldwave v6.83 (LAME) (encoding, tagging) > Flac Level 8

Hosted By Tom Miller

01 Jamboree U.S.A. #CSF-25-1981 Intro & Break - Tom Miller
02 Jamboree U.S.A. #CSF-25-1981 Intro - Tom Miller
03 Rose - Women I've Never Had (Hank Williams Jr.)
04 Rose - I'd Love To Lay You Down (Conway Twitty)
05 Razzy Bailey & Rose - Loving Up A Storm
06 Razzy Bailey & Rose - Tonight She's Gonna Love Me (Like There Was No Tomorrow)
07 Razzy Bailey & Rose - I Ain't Got No Business Doin' Business Today
08 Jamboree U.S.A. #CSF-25-1981 Break - Tom Miller
09 Jamboree U.S.A. #CSF-25-1981 Intro - Tom Miller
10 Razzy Bailey & Rose - Good Hearted Woman (Waylon Jennings & Willie Nelson)
11 Razzy Bailey & Rose - Midnight Hauler
12 Razzy Bailey & Rose - Friends
13 Razzy Bailey & Rose - Me And Bobby McGee (Kris Kristofferson)
14 Jamboree U.S.A. #CSF-25-1981 Break - Tom Miller
15 Jamboree U.S.A. #CSF-25-1981 Intro - Tom Miller
16 Joann Jones - Like A Sad Song (John Denver)
17 Jamboree U.S.A. #CSF-25-1981 Break - Tom Miller
18 Jamboree U.S.A. #CSF-25-1981 Intro - Tom Miller
19 Razzy Bailey & Rose - Lucille: The Rest Of The Story
20 Razzy Bailey & Rose - Old No Homer
21 Razzy Bailey & Rose - Texas (When I Die) (Ed Bruce)
22 Jamboree U.S.A. #CSF-25-1981 Break - Tom Miller
23 Jamboree U.S.A. #CSF-25-1981 Wrap Up - Tom Miller

Total Playing Time: 47mn 34sc

Runout Grooves:
Side A: CSF-25-1981-A M (Script) - The M has a circle around it that looks like a C
Side B: CSF-25-1981-B M (Script) - The M has a circle around it that looks like a C
Side C: CSF-25-1981-C M (Script) - The M has a circle around it that looks like a C
Side D: Blank but looks like there are grooves that could be played

JustDave's Notes:
- A big Thank You to my wife Rosebud, who bought this vinyl set for Christmas of 2025 good music is always the best gift!
- As always a big Thank You to my fellow members of The Collective Of Live Music for continued help and inspiration!

Known Flaws:
- The Joann Jones track "Like A Sad Song" had a couple small vinyl dimples that made small bump noises, I tried to lessen them as much as possible.
- Record has really good sound for a $20.00 (US) vinyl that is a few decades old.

Recording Notes:
- This Star Fleet Blair concert series is new to The Collective Of Live Music brought to our attention by Collective member Draftervoi.
- The Collective Of Live Music is just starting to explore this series hoping to catalog and collect as much of the series as possible
- The are no commercials included with the broadcast, nor is there a show promo bed.
- The one thing I saw as odd is that they place a single song from Jo Ann Jones in the middle of Razzy Bailey's set then continue with Razy Bailey. I personally would like to hear a whole concert set from her.

Editing Notes:
- A Zerostat Positive Ion gun was used on LPs prior to playback.
- A carbon fiber record brush, then a microfiber disc cleaner was used on the records prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System using distilled water prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable & tone arm balanced: Needle Tracking & Azimuth set: Needle Pressure & Antiskid digitaly set:
- Computer Soundcard stereo field maximized.
- Goldwave set to record while filtering any DC Offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with voiceovers.
- Declicked manually and some noise reduction used depending on what best served the situation.

Other Notes:
- This is my second project for the year 2026, my first being a digitation of Alice Cooper's King Biscuit Flower Hour #010 Wendler Stadium, Kalamazoo, Michigan 1978.
- Razzy Bailey's band is called Rose the bass player of which, Milton, is also the band leader. Milton sings the first 2 songs before introducing Razzy Bailey.
- The title to track number 19, "Lucille: The Rest Of The Story" was made up by me since Razzy only sings the first verse of the song then starts telling the story of Lucille's husband, what happens in his life after Lucille leaves.
- I couldn't help noticing that the song "I Ain't Got No Business Doin' Business Today" has a very striking resemblance to the music that Three Dog Night used for their version of Randy Newman's "Mama Told Me Not To Come".
- I could not find any information on Jo Ann Jones but she does a beautiful rendition of John Denver's "Like A Sad Song". I dare say one of the best I have heard. The arraingment is just her powerful voice and a very delicate acoustic guitar. on the listing for this album set at Discogs, the link for her name takes you to a listing of Dance Music 12 inch singles for a different Jo Ann Jones.

Digitized By JustDave For The Collective Of Live Music

Project Started: March 4, 2026        Project Finished: March 8, 2026

Flac 24bit

Flac 16bit

MP3

Jerry Reed/Leon Everette & Special Guests - Silver Eagle II #SE-5 ~ The 1982 Country Music Association Convention (Pre-FM)

Jerry Reed/Leon Everette & Special Guests
Silver Eagle II #SE-5
The RCA Show
The 1982 Country Music Association Convention
Opryland, Nashville, Tennessee, USA
Unknown Broadcast Date
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
No Cue Sheets
Label Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized FromAn Original Broadcast Vinyl 2 Record 3 Sided Set

Lineage:  Pre-FM 2x Vinyl LP Set > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking & Azimuth Set: Tone Arm Pressure Digitally Dialed In at .84: Anti-Skid set 1.0) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (LAME) (encode) > Flac 24bit/96khz

Hosted By Larry Kenny

01 Silver Eagle II #SE-5 Intro & Break- Larry Kenny
02 Silver Eagle II #SE-5 Intro - Larry Kenny
03 Ralph Emery - Jerry Reed Introduction
04 Jerry Reed - Entrance Music (East Bound And Down)
05 Jerry Reed - Gimme Back My Blues
06 Jerry Reed - Amos Moses
07 Jerry Reed - Misery Loves Company
08 Jerry Reed - Sugarfoot Rag (Red Foley)
09 Silver Eagle II #SE-5 Break- Larry Kenny
10 Silver Eagle II #SE-5 Intro - Larry Kenny
11 Jerry Reed - Band Introductions
12 Jerry Reed - Moggy Fountain Drake Bown
13 Jerry Reed - Patches (Chairmen Of The Board)
14 Jerry Reed - The Devil Went Down To Georgia (Charlie Daniels)
15 Silver Eagle II #SE-5 Break- Larry Kenny
16 Silver Eagle II #SE-5 Intro - Larry Kenny
17 Jerry Reed - East Bound And Down (from Smokey And The Bandit)
18 Jerry Reed - Hoedowns Medley
19 Jerry Reed - Walk Off Music (East Bound And Down)
20 Silver Eagle II #SE-5 Break- Larry Kenny
21 Silver Eagle II #SE-5 Intro - Larry Kenny
22 Leon Everette - If I Keep On Going Crazy
23 Leon Everette - Don't Be Angry
24 Leon Everette - Betty Ruth
25 Leon Everette - Over
26 Silver Eagle II #SE-5 Break- Larry Kenny
27 Silver Eagle II #SE-5 Intro - Larry Kenny
28 Leon Everette - Midnight Rodeo
29 Leon Everette - Giving Up Easy
30 Leon Everette - Huricane (Band Of Heathens)
31 Ralph Emery - The RCA Country Family Finale Introductions
32 The RCA Country Family - Silver Threads And Golden Needles
33 Silver Eagle II #SE-5 Break- Larry Kenny
34 Silver Eagle II #SE-5 Wrap Up- Larry Kenny
35 Silver Eagle II #SE-5 Promo Bed w/Voiceover- Larry Kenny

Total Playing Time: 1hr 16mn 59sc

Run Out Grooves:
Record 1 Side 1 : TBS-SE-5-A2 A/PK
Record 1 Side 2 : TBS-SE-5-B
Record 2 Side 1 : TBS-SE-5-C
Record 2 Side 2 : Blank

JustDave's Notes:
- Thank you to my fellow members of The Collective Of Live Music for help and inspiration.
- Thank you to my Dad (R.I.P.) for introducing me to Jerry Reed at a young age, this one is for You!!

Known Flaws:
- Records had a lot of tiny scratches across the playing surface which required a lot of editing.
- Record 1 Side 2 Segment B had a lot of scratches and damage that could not be cleaned up very well at all. I did what I would call a best effort on the problem spots but they do not sound well. The tracks harmed by this are track 10 "Silver Eagle II #SE-5 Intro - Larry Kenny" and track 11 "Jerry Reed - Band Introductions".
- The problem clears up toward the end of track 11 "Jerry Reed - Band Introductions"
- I have encoded these tracks only to complete the archive and have indexed them so they can be left off when playing the show. I figured like me there are people who would want them anyway.

Recording Notes:
- This is the Canadian Radio Version of The Silver Eagle Cross Country Road Show as well as The American Eagle. The shows are exact as their American Radio counterparts except the commercials have been left off the vinyl. This is because Canadian advertisements would be used instead.
- There was a show promo bed with a voiceover on Side 2 between Segments B & C. This was encoded and moved to the end of the program.

Editing Notes:
- A Zerostat Positive Ion gun was used on LPs prior to playback.
- A carbon fiber record brush, then a microfiber disc cleaner was used on the records prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System using distilled water prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable & tone arm balanced: Needle Tracking & Azimuth set: Needle Pressure & Antiskid digitally set.
- Computer Soundcard stereo field maximized.
- Goldwave set to record while filtering any DC Offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served the situation.
- Record 1 Side 2 Segment 1 had a lot of scratches and marks that marred the sound quite a bit (See Figure A in Art Folder). I tried to clean this up as much as possible (See Figure B In Art Folder). However the sound is not that god. I left the 2 tracks that it messed up for archive purposes. You can listen to it but you can also leave it out during playback if so desired.
- This area of damage is the reason it took from October 27, 2025 till February 12, 2026 to complete a useable version of the show since I started over many times before getting a result that at least was satisfactory to me.

Digitized By JustDave For The Collective Of Live Music

Project Started: October 27, 2025    Project Finished: February 12, 2026

Flac 24bit

Flac 16bit

MP3

My Dying Bride - The Metal Fest, Movistar Arena, Santiago, Chile 04-14-2013 (FM)

My Dying Bride 

The Metal Fest
Movistar Arena
Santiago, Chile
April 14, 2013
FM Broadcast Recording - Unknown Gen Cassette
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz

Rosebud's Pick

Repost & Flac Upgrade From Low Generation Cassette

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Lineage: Low Gen Trade Cassette > Nakamichi RX-505 Cassette Deck (EX1-EQ120) - Azimuth Adjusted > Sony TA-AV561 AV Control Integrated Amplifier > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz

01 - Kneel Till Doomsday
02 - Like Gods Of The Sun
03 - Turn Loose The Swans
04 - From Darkest Skies
05 - The Raven And The Rose
06 - She Is The Dark
07 - The Cry Of Mankind
08 - The Forever People

JustDave Notes:
- A tape from an old school snail mail tape trade with a fellow Metalhead that went by the name of Nobbi.
- Also aquired in that trade was one more My Dying Bride show and various othe Heavy Metal live tapes.

Known Faults:
- "Kneel Till Doomsday" fades in whoever recorded the master must have missed the beginning of the show.
- Tape flip after "She Is The Dark".
- The DJ talks over some of the beginnings and endings of tracks.
- Not exactly sure of tape generation, it does have some fading and channel phasing.

Editing Notes:
- Other than cross fading the tape split I left the audio as is.
- Recording and editing was done in 24bit/96khz.

Other Notes:
- My Dying Bride is the only band in The Big Three Of British Death Doom that plays anything close to their original ground breaking releases. The other two, Anathema and Paradise Lost both progressed in different directions. Anathema becoming a Progressive Metal act while Paradise Lost went in a more Gothic Metal/Rock direction.
- The sound that set My Dying Bride apart from other Death Doom acts was the violin. An actual violinist who grew up a Metalhaed was used until his departure. Unable to find a suitable replacement My Dying Bride added a keyboardist to cover the violin and add another dimension to their sound.

Flac 24bit

Flac 16bit

MP3