Friday, May 23, 2014

John Cougar Mellencamp - Westwood One Superstars In Concert #PAN84-3 (Pre-FM)

John Cougar Mellencamp
Westwood One Superstars In Concert #PAN84-3
Indiana University Auditorium, Bloomington, In April 10, 1984
For airing the Weekend of November 10, 1984
Pre-FM Vinyl Rip
Flac Level 8 & MP3 320kbps
Cue Sheet, Label, Box Cover, & Affidavit Scans Included

This Comes To Us Thanks To Draftervoi

Lineage: Pre-FM vinyls > ? > HDD > WAV > Audacity > TLH > FLAC (L8)

01 Introduction
02 Heartbreak Hotel (John Cale/Elvis Presley Cover)
03 Don't Let Me Be Misunderstood (Animals Cover)
04 Pretty Ballerina (Left Banke Cover)
05 Ya Ya (Lee Dorsey Cover)
06 Jack And Diane
07 Crumblin’ Down
08 Hand To Hold On To
09 Authority Song
10 I Need A Lover
11 Play Guitar
12 Pink Houses
13 Golden Gates
14 Shoot Out The Lights (Richard Thompson Cover)
15 Serious Business
16 Hurts So Good
17 Jackie O

Total time: 1hr 17mn 02sc

John Mellencamp - vocals, guitar
Larry Crane - guitar
Mike Wanchic - guitar
John Cascella - keyboards
Toby Myers - bass
Kenny Aronoff - drums and percussion

Draftervoi's original notes:

Instead of trotting out the usual “hits plus new songs” set list, Mellencamp takes a tour through his record collection and opens up with four cover songs. His taste is more eclectic than you’d expect. He starts things off with “Heartbreak Hotel.” Yes, the Elvis Presley song... but he’s doing a note-for-note clone of John Cale’s ominous arrangement from the Slow Dazzle album.

Next up is a pretty standard cover of The Animals’ “Don’t Let Me Be Misunderstood” (but he beats Elvis Costello’s cover of the same song by a good two years), followed by a quick run through the Left Banke’s 1966 baroque-pop hit, “Pretty Ballerina.” He finishes up with Lee Dorsey’s “Ya Ya.”

Then he gets down to what you’d expect: songs from John Cougar, Nothing Matters and What If It Did, and American Fool. But he’s not done with showing off his good taste yet: at the end, he pulls out a cover of Richard Thompson’s “Shoot Out The Lights,” and calls him “one of the best songwriters writin’ songs today...” John Mellencamp was taking valuable air time on a nationally syndicated radio show to promote Richard Thompson. Pretty cool...

So this is something a bit different; you get five cover songs, none of which were ever officially released. I also did a painstaking manual removal of each click and pop, so this is about as perfect as this show will ever get. I included scans of the disc label, affidavit, cue sheet, and front cover.


Black Sabbath - Orpheum Theater, Boston, MA 09-09-1992 (FM)

Black Sabbath
Orpheum Theater
Boston, Mass.
August 9, 1992
FM Broadcast Recording
Flac & MP3 320kbps
No Cover Art

Rosebud's Pick
lineage: WBCN - FM radio > Yamaha 500 reciever > Nak. BX-100 cassette deck (dolby off) > Maxell XLII 90 min. cassettes > (part of guitar solo spliced in from FM master of re-broadcast, same lineage) played on Nak. 300 into soundforge (wav) > flac (sb's aligned)

01 Radio Intro & Walk On Music  3:02
02 The Mob Rules  3:30
03 Computer God  6:51
04 Children Of The Sea  6:37
05 Time Machine  5:23
06 War Pigs  8:31
07 I  6:58
08 Die Young  2:27
09 Guitar Solo  11:48
10 Black Sabbath  7:16
11 Master Of Insanity / After All (The Dead) 7:55
12 Drum Solo  4:53
13 Iron Man  7:58
14 Heaven And Hell  11:06
15 Announcer Encore Break  2:46
16 Neon Knights  5:27
17 Paranoid / Heaven And Hell (reprise)  3:50
18 Announcer Closing Credits  3:47

total time: 1hr 50mn 15sc

Black Sabbath 1992
Ronnie James Dio vocals
Tony Iommi guitar
Geezer Butler bass
Vinny Appice drums

Our Dio tribute rolls on with another offering from his days with Black Sabbath. This time from the Dehumanizer Tour. I have a few different versions of this gig and, this one I enjoy the most. When I caught this tour it was at The Capitol Theater in Flint, Michigan. The place held about 2,000 people so it was a great place to catch the tour. Every seat was like being on the main floor of an arena. Thrash Metal Titans Exodus were the opening act along with Skew Siskin. I crowd surfed and was thrown over the barricade in front of Dio. I had to be walked threw the back stage area, out side, then to the front door to be let back in. As we came around the side of the building, security and I ended up in the middle of a verbal fight between Exodus' and Skew Siskens' road crews. Kind of an interesting night.