Point Blank / John Kay & Steppenwolf
King Biscuit Flower Hour Show #KB-375
Point Blank The Orpheum Theater, Memphis, Tennessee
Steppenwolf Lyceum Theatre, London, England
For Broadcast July 12, 1981
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included
From The Collection Of JustDave
Brought To You By The Collective Of Live Music
Digitized From An Original 3 Sided 2 Record Radio Broadcast Set.
Lineage: Pre-FM 2x Vinyl LP Set > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking & Azimuth Set: Tone Arm Pressure Digitally Dialed In at .84: Anti-Skid set 1.0) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (LAME) (encoding, tagging) > Flac Level 8 24bit/96khz
Hosted By Bill Minkin
01 King Biscuit Flower Hour Show #KB-375 Intro & Break - Bill Minkin
02 Commercial - Pioneer Hi-Fi Systems
03 Point Blank Introduction - Red Beard
04 Point Blank - Turning Back
05 Point Blank - The Way You Broke My Heart
06 Point Blank - Cadillac Dragon
07 Point Blank - Getaway
08 Point Blank - Nichole
09 King Biscuit Flower Hour Show #KB-375 Break - Bill Minkin
10 Commercial - Miller Beer - Bellamy Brothers
11 King Biscuit Flower Hour Show #KB-375 Intro - Bill Minkin
12 Point Blank - Mean To Your Queenie >
13 Point Blank - Highway Star (Deep Purple)
14 King Biscuit Flower Hour Show #KB-375 Break - Bill Minkin
15 Commercial - Honda Motorcycles
16 King Biscuit Flower Hour Show #KB-375 Intro - Bill Minkin
17 John Kay & Steppenwolf - Magic Carpet Ride
18 John Kay & Steppenwolf - Give Me News I Can Use (John Kay)
19 King Biscuit Flower Hour Show #KB-375 Break - Bill Minkin
20 Commercial - United States Navy
21 Commercial - Nestle's $100,000 Candy Bar
22 King Biscuit Flower Hour Show #KB-375 Intro - Bill Minkin
23 John Kay & Steppenwolf - Ain't Nothin' Like It Used To Be (John Kay)
24 John Kay & Steppenwolf - Born To Be Wild
25 John Kay & Steppenwolf - Hot Night In A Cold Town (John Cougar Mellencamp)
26 King Biscuit Flower Hour Show #KB-375 Break - Bill Minkin
27 Commercial - Honda Motorcycles
28 Commercial - United States Navy
29 King Biscuit Flower Hour Show #KB-375 Wrap Up - Bill Minkin
30 King Biscuit Flower Hour Show #KB-375 Promo Bed w/Voiceover - Bill Minkin/Point Blank
31 King Biscuit Flower Hour Show #KB-375 Promo Bed w/Voiceover - Bill Minkin/Steppenwolf
Total Playing Time: 1hr 2sc
Point Blank:
Rusty Burns (R.I.P.) lead guitar, vocals
Mike Hamilton keyboards
Bubba Keith lead vocals, guitar (credited with "lead bass" on cue sheet
Kim Davis (R.I.P) lead guitar, vocals
Bill Randolph bass, vocals
Peter "Buzzy" Gruen drums, vocals
Steppenwolf:
John Kay lead vocals, lead guitar
Steve Palmer drums
Michael Palmer guitar
Brett Tuzzle keyboards
Runout Grooves:
Label A: KB-375-A MCR JOE (Script)
Label B: KB-375-B MCR JOE (Script)
Label C: KB-375-C MCR JOE (Script)
Label D: Blank
JustDave's Notes:
- A big thank you to my fellow members of The Collective Of Live Music for the continued support and all the recordings (and we're just getting started!).
- This one actually fills a gap in the King Biscuit Flower Hour Collection of Sam Elliot's Mustache and the collection of The Collective Of Live Music as a whole.
Known Faults:
- A couple spots that went thump could only be lessened, however I am not going to point them out because you may not notice without instructions like "play track 86 backwards and you will hear the thump just before the secret message telling you how to find Jimmy Hoffa".
- Before cleaning Side C, which is the major section of the Steppenwolf show, seemed to have been played less having more dust than the Point Blank parts of the show which were a lot cleaner.
Recording Notes:
- There is a locked groove test tone on Side A for the DJ to set levels before broadcasting the show, it has not been encoded.
- There are two locked groove show promo beds at the end of Side B. Each with a voiceover by Bill Minkin, one with Point Blank music the other with Steppenwolf music.
Editing Notes:
- A Zerostat Positive Ion gun was used on LPs prior to playback.
- A carbon fiber record brush, then a microfiber disc cleaner was used on the records prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System using distilled water prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable & tone arm balanced: Needle Tracking & Azimuth set: Needle Pressure & Antiskid digitaly set:
- Computer Soundcard stereo field maximized.
- Goldwave set to record while filtering any DC Offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served the situation.
- Raised the volume of the commercials to match that of the music and voice overs.
- A rumble filter with an initial cut off of 50khz and a static steepness of 2 was used to lessen the needle noise on the commercials due to having to raise the volume to match that of the music and voice overs.
Other Notes:
- When people talk about the Classic Era Of Southern Rock you will hear the names The Allman Brothers Band, Lynyrd Skynyrd, The Marshall Tucker Band, The Charlie Daniels Band, Blackfoot, ZZ Top, Molly Hatchett and The Outlaws. There are lesser spoken of bands that have been almost lost to time like The Johnny VanZant Band, Atlanta Rhthym Section, Sea Level, Stillwater and one of my personal favorites Point Blank.
- When editing this show Draftervoi was working on a few Southern Rock shows as well. What struck me about when conversing with Draftervoi about his research is how much Southern Rock was a regional thing. The Southern Rock bands just didn't cut through the noise in some cities and states here in the USA. The Classic Era Southern Rock bands I know that had a career in The World Markets are The Allman Brothers Band, Lynyrd Skynyrd, ZZ Top, The Outlaws, Blackfoot and The Marshall Tucker Band. Which is the Southern Rock Classic Era Legends.
- When Point Blank played Detroit for their The Hard Way Tour they closed their show with Deep Purple's "Highway Star" which amazed some of the Detroit Rockers who had came out due to the song "The Hard Way" being played on one of the FM stations we had back then. Actually I think they played The Center Stage which was actually in Canton Michigan. The fact that a Southern Rock band would rip through a Deep Purple song just stunned some of the Detrroit audience.
- Michigan, and especially in the Greater Detroit area, it was the Auto Factories that made it possable for Southern Rock to have an audience here. So many Southerners of all races came to Detroit for jobs in the huge Automotive Assembly Industry. Brought form the South was Country, Blues, Soul, Rock a'Billy and Jazz. The Mid-West was a market custom made for Souther Rock.
- Point Blank guitarist Rusty Burns died from lung cancer February 19, 2016, he was 63.
- Point Blank guitarist Kim Davis died by a self inflicted gunshot October 18, 2010 at the age of 58.
- The song "Nichole" was Point Blank's biggist hit making #20 on Billboard Magazines Rock Tracks and #39 on Billboards Hot 100.
- This was Point Blank's first album and tour cycle with new vocalist Bubba Keith. Original vocalist John O'Daniel left the band after the tour for The Hard Way. John O'Daniel died from cancer Novmber 17, 2018 at the age of 70.
- Point Blank's drummer Peter "Buzzy" Gruen is the only original member of the band still alive
Digitized By JustDave For The Collective Of Live Music
Project Started: June 22, 2026 Project Finished: June 28, 2026
FLAC 24
FLAC 16
MP3
Sunday, July 19, 2026
Point Blank / John Kay & Steppenwolf - King Biscuit Flower Hour Show #KB-375 (Pre-FM)
Sunday, June 14, 2026
Huey Lewis & The News with Tower Of Power Horns / Bobby & The Midnights - King Biscuit Flower Hour Show #KB-418 (Pre-FM)
Huey Lewis & The News with Tower Of Power Horns / Bobby & The Midnights
King Biscuit Flower Hour Show #KB-418
Huey Lewis & The News The Country Club, Reseda, California April 6, 1982
Bobby & The Midnites The Capitol Theater, Passaic, New Jersey November 1, 1980
For Broadcast May 9, 1982
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz & MP3 320kbps/48khz
Cue Sheet & Label Scans Included
From The Collection Of Sam Elliot's Mustache
Brought To You By The Collective Of Live Music
Digitized From An Original 3 Sided 2 Record Radio Broadcast Set.
Lineage: Pre-FM 2x Vinyl LP Set > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking & Azimuth Set: Tone Arm Pressure Digitally Dialed In at .84: Anti-Skid set 1.0) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (LAME) (encoding, tagging) > Flac Level 8 24bit/96khz
Hosted By Bill Minkin
01 King Biscuit Flower Hour #KB-418 Intro & Break - Bill Minkin
02 Commercial - Jensen Car Audio
03 King Biscuit Flower Hour #KB-418 Intro - Bill Minkin
04 Huey Lewis & The News - Change Of Heart
05 Huey Lewis & The News - Givin' It Up For Love (Phil Lynott)
06 Huey Lewis & The News - Trouble In Paradise
07 Huey Lewis & The News - Don't Make Me Do It
08 King Biscuit Flower Hour #KB-418 Break - Bill Minkin
09 Commercial - Honda Motorcycles
10 Commercial - Nestle's $100,000 Candy Bar
11 King Biscuit Flower Hour #KB-418 Intro - Bill Minkin
12 Huey Lewis & The News - Tell Me A Little Lie
13 Huey Lewis & The News - Do You Believe In Love (Supercharger)
14 Huey Lewis & The News - Hope You Love Me Like You Say You Do
15 Huey Lewis & The News - Working For A Living
16 King Biscuit Flower Hour #KB-418 Break - Bill Minkin
17 Commercial - United States Navy
18 Commercial - Honda Motorcycles
19 King Biscuit Flower Hour #KB-418 Intro - Bill Minkin
20 Band Introductions - House MC
21 Bobby & The Midnites - Fly Away
22 Bobby & The Midnites - Bombs Away
23 Bobby & The Midnites - Too Many Losers
24 King Biscuit Flower Hour #KB-418 Break - Bill Minkin
25 Commercial - Nestle's $100,000 Candy Bar
26 Commercial - United States Navy
27 King Biscuit Flower Hour #KB-418 Wrap Up - Bill Minkin
28 King Biscuit Flower Hour #KB-418 Promo Bed w/Voiceover - Bill Minkin
29 King Biscuit Flower Hour #KB-418 Promo Bed Music Only
Total Playing Time: 59mn 38sc
Huey Lewis & The News:
Huey Lewis lead vocals, harmonica
Chris Hayes lead guitar
Johnny Colla saxophone, guitar
Mario Cipollina bass
Billy Gibson drums
Sean Hopper keyboards
Tower Of Power Horns:
Emilio Castillo tenor saxophone
Marc Russo alto and tenor saxophones
Stephen "Doc" Kupka – baritone saxophone
Greg Adams – trumpet, flugelhorn
Mic Gillette – trumpet, trombone
Bobby & The Midnites:
Bob Weir (Grateful Dead) lead vocals, guitar
Billy Cobham (Mahavishnu Orchestra) drums, vocals
Bobby Cochran (Steppenwolf) guitar, vocals
Alphonso Johnson (Weather Report) bass, vocals
Dave Garland keyboards, saxophone, vocals
Runout Grooves:
Side A: KB-418-A MCR JOE
Side B: KB-418-B MCR JOE
Side C: KB-418-C MCR JOE
Side D: Blank
JustDave's Notes:
- Thank you Sam Elliot's Mustache for sending in you King Biscuit vinyl to be transfered.
- Thank you to all the members of The Collective Of Live Music for the continued help and support.
Known Faults:
- No actual faults like skips or bumps just the normal possible faults in vinyl sources detailed below.
- A few artifacts may be heard here and there that were not possible too remove without marring the sound more than the artifact itself.
- There also may be vinyl noises that were missed in editing.
Recording Notes:
- There is a test tone at the beginning of Record 1 Side A for DJs to set levels and balance before broadcasting the show. It was not encoded.
- There are 2 loked groove show promo beds athe the end of Record 1 Side A one with a voiceover from Bill Minkin one with music only. They were encoded and moved to the end of the show.
- This is the only King Biscuit Flower Hour broadcast of Bobby & The Midnites in concert.
Editing Notes:
- A Zerostat Positive Ion gun was used on LPs prior to playback.
- A carbon fiber record brush, then a microfiber disc cleaner was used on the records prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System using distilled water prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable & tone arm balanced: Needle Tracking & Azimuth set: Needle Pressure & Antiskid digitaly set:
- Computer Soundcard stereo field maximized.
- Goldwave set to record while filtering any DC Offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served the situation.
- Raised the volume of the commercials to match that of the music and voice overs.
- A rumble filter with an initial cut off of 50khz and a static steepness of 2 was used to lessen the needle noise on the commercials due to having to raise the volume to match that of the music and voice overs.
Other Notes:
- Bobby & The Midnites was the main solo vehical for Bob Weir of The Grateful Dead in the early 1980s.
- The band also had some famous Jazz Fusion players as members, Billy Cobham of Mahavishnu Orchestra and Weather Report and Alphonso Johnson also from Weather Report.
- Midnites lead guitar player Bobby Cochran played in Steppenwolf amongst others and Dave Garland was a successful songwriter and session player.
- The Huey Lewis portion of the show, if I am right about the date, was broadcast by MTV.
- Huey Lewis was the harmonica player on Thin Lizzy's Classic Album Black Rose playing on both "Sarah" and "With Love". He also played on Phil Lynott's Solo In Soho tracks "Tattoo (Giving It All Up for Love)" whichj he covers here and "Ode to a Black Man". Heuy Lewis also played harmonica on Nick Lowe's Labou Of Lust, Dave Edmunds' Repeat When Necessary, City Boy's The Day The Earth Caught Fire and on USA For Africa's "We Are The World".
Digitized By JustDave For Sam Elliot's Mustache And The Collective Of Live Music
Project Started: June 1, 2026 Project Finished: June 3, 2026
Flac 24bit
Flac 16bit
MP3
Friday, August 21, 2015
John Kay & Steppenwolf - My Fathers Place, Roslyn, New York, USA 02-16-1980 (Pre-FM)
My Fathers Place
Roslyn, New York, USA
February 16, 1980
Pre-FM Recording
Flac & MP3 320kbps
Cover Art Included
Lineage: Pre FM cassette master > ??? > cdr > Flac
01 - Intro I'm Movin' On
02 - Down In New Orleans
03 - Hey Lawdy Mama
04 - The Best Is Barely Good Enough
05 - You
06 - Snowblind Friend
07 - Hot Night In A Cold Town
08 - Band Intro / Underworld Figure
09 - Sookie Sookie
10 - Ain't Nothing Like It Used To Be
11 - Magic Carpet Ride
12 - Give Me Some News I Can Use
13 - Business Is Business
14 - Born To Be Wild
15 - Crowd / The Pusher
16 - Crowd / Monster Jam
John Kay - Guitar & Vocals
Michael Palmer - Guitar
Jared Perry - Bass & Vocals
Steven Palmer - Drums
Danny Ironstone - Keys & Vocals
Monday, June 23, 2014
Steppenwolf - Ride With Me ~ Konserthuset, Gothenburg, Sweden, 09-20-1972 (FM)
Ride With Me
Konserthuset
Gothenburg, Sweden (Upgrade)
September 20, 1972
FM Broadcast Recording
Flac & MP3 320kbps
Cover Art Included
FM broadcast-> Reel to reel tape->Cool Edit Pro 2.0->Wav->Flac
01 - Ride with Me
02 - Foggy Mental Breakdown
03 - Tighten up Your Wig
04 - Monster
05 - Magic Carpet Ride
06 - The Pusher
John Kay – lead vocals, rhythm guitar, harmonica
Kent Henry – lead guitar, backing vocals
George Biondo – bass, backing vocals
Alan Herron – keyboards
Jerry Edmonton – drums, backing vocals
A really good sounding recording from the band that gave the genre it's name. In the lyric "I like smoke and lighting, heavy metal thunder, racin' in the wind, and the feeling that I'm under" heavy metal thunder referred to the roar of a motorcycle on the highway not the style of music. The name however stuck to the genre since critics need some type of descriptive title to give all music. Never the less, the Hard/Acid Rock of Steppenwolf was influential to young Metal Heads around the globe.



