Bill Evans Trio
Live In Europe 1972 - (Remastered Live On Broadcasting)
Unknown Date & Location
1972-00-00
FM Broadcast Recording
Flac 16bit/44,1khz
Front Cover Only
01 - Announcement 1:27
02 - Very Early 6:32
03 - Gloria's Step 7:45
04 - Re- Person I Knew 7:00
05 - How My Heart Sings 5:05
06 - Twelve Tone Tune (T.T.T.) 6:36
07 - What Are You Doing the Rest of Your Life 6:01
08 - Nardis 16:03
09 - Waltz for Debby 5:48
10 - I'm Getting Sentimental Over You 4:28
I have no info on this recording. I downloaded it from a site called hd24bit.com. The site is for downloading mostly copyrighted commercial releases. Sometimes a nice bootleg will pop up. They usually give no info on anything, sometimes there is a sample to listen to. The name of the bootleg company that released this recording is Remastered On Broadcasting, that doesn't necessarily mean the recording is remastered. I have a few from this company that definitely are not remastered versions.
What I can tell you about this show is the sound quality is very nice and the performance is what any fan of Bill Evans would expect, nothing less than stellar! I love the fact that he seems to always play my favorite piece by him "Twelve Tone Tune (T.T.T.)". I first learned of 12 Tone composition through the work of Frank Zappa. Late in his career Frank Zappa did a lot of 12 Tone compositions on his Synclavier. He talked about it in an interview, explaining the 12 tone composition process in great detail. A simple explanation is a 12 tone composition is not in any key, all 12 notes of the chromatic scale are used in the composition and all are equally emphasized. That's not exactly it but will suffice for now.
Fans of Piano Jazz should add this to their collections, you will not be disappointed. As for Bill Evans fans, You already know if you do not have this show, it's a must have!!
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Sunday, July 27, 2025
Bill Evans Trio - Live In Europe 1972 (FM)
Chuck Mangione - Mishawaka Inn, Bellvue, Colorado, U.S.A 09-03-1994 (SBD)
Chuck Mangione
Mishawaka Inn
Bellvue, Colorado
September 3, 1994
Soundboard Recording Dat Master
Flac & MP3 320kbps
No Cover Art
Rest In Peace 11/29/1940 - 07/22/2025
Source: SBD > Panasonic 255 > DAT(Master) @ 16/48
Transfer: DAT/m > Tascam DA-20 MKII > MacMini(Audacity) >xACT(FLAC/TAG)
01 Manhã de Carnaval (Luiz Bonfá)
02 Here 'Tis (Lou Donaldson)
03 Slow Ro
04 Piña Colada
05 Chase The Clouds Away
06 Land Of Make Believe
Set Break
07 Once Upon a Love Time
08 Children of Sanchez (Main Theme)
09 Consuelo's Love Theme / Hot Consuelo
10 Bellavia / Children of Sanchez (Finale)
11 Feels So Good (includes America the Beautiful)
Chuck Mangione flugelhorn, trumpet, keyboards
Gerry Niewood saxophones, flute
Bob Sneider guitars
Tom Brigandi bass
Charles Ruggiero drums
Chuck Mangione was actually making great Jazz records years before the single "Feels So Good" was released. He was a member of Art Blakey's Jazz Mesengers recording on 2 Art's releases Buttercorn Lady & Hold On, I'm Coming. Mangione released his first solo record in 1970. However after the 1977 single hit #2 on The Billboard Singles Chart, and #4 on The Billboard Adult Contemporary Chart, Manjione was unfairly labeled as the Kenny G of the flugelhorn. This kick ass recording from 1994 is a great example why that label was wrong and why Chuck Mangione is still touring and recording to this day.
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Merle Haggard - Silver Eagle II #TBS-SE-3 (Pre-FM)
Merle Haggard
Silver Eagle II #TBS-SE-3
Dewey Groom's Longhorn Ballroom, Dallas, Texas March 26, 1981
For Broadcast February 13, 1982
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz
Label Scans Included
Canadian Version Of Silver Eagle Cross Country Music Show
From The Collection Of JustDave
Brought To You By The Collective Of Live Music
Digitized From An Original Radio Broadcast 2 Vinyl LP 3 Sided Record Set
Lineage: Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave V6.83 (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8 16bit/44,1kz
Hosted By Larry Kenny
01 Silver Eagle II #TBS-SE-3 Intro & Break - Larry Kenny
02 Silver Eagle II #TBS-SE-3 Intro - Larry Kenny
03 Merle Haggard - Misery And Gin
04 Merle Haggard - I Think I'll Just Stay Here And Drink
05 Merle Haggard - Back To The Barrooms
06 Merle Haggard - Our Paths May Never Cross (mis-named Paths May Never Cross Again on cue sheet)
07 Silver Eagle II #TBS-SE-3 Break - Larry Kenny
08 Silver Eagle II #TBS-SE-3 Intro - Larry Kenny
09 Merle Haggard - Make-Up And Faded Blue Jeans (mis-named Downtown Modesto on cue sheet)
10 Merle Haggard & Dewey Groom - A Special Message From Dewey
11 Merle Haggard - It's Been A Great Afternoon (mis-named Great Afternoon on cue sheet)
12 Merle Haggard - My Favorite Memory (mis-named Favorite Memory on cue sheet)
13 Silver Eagle II #TBS-SE-3 Break - Larry Kenny
14 Silver Eagle II #TBS-SE-3 Intro - Larry Kenny
15 Merle Haggard - Mama Tried
16 Merle Haggard - The Mule (Unreleased Track Maybe?)
17 Merle Haggard - Fiddle Breakdown (mis-named Breakdown on cue sheet)
18 Merle Haggard - Brain Cloudy Blues (Bob Wills)
19 Silver Eagle II #TBS-SE-3 Break - Larry Kenny
20 Silver Eagle II #TBS-SE-3 Intro - Larry Kenny
21 Merle Haggard - Tulare Dust (not listed on cue sheet)
22 Merle Haggard - The Way I Am
23 Merle Haggard - Good Old American Guest
24 Merle Haggard - Always Late (With Your Kisses) (Lefty Frizzell) (mis-named Always Late on cue sheet)
25 Silver Eagle II #TBS-SE-3 Break - Larry Kenny
26 Silver Eagle II #TBS-SE-3 Intro - Larry Kenny
27 Merle Haggard - Pennies From Heaven
28 Merle Haggard - Right Or Wrong (Mike Markel's Orchestra)
29 Merle Haggard - Today I Started Lovin' You Again
30 The Strangers - Merle Haggard Walk Off Music
31 Silver Eagle II #TBS-SE-3 Break - Larry Kenny
32 Silver Eagle II #TBS-SE-3 Wrap Up - Larry Kenny
33 Silver Eagle II #TBS-SE-3 Promo w/Voiceover - Larry Kenny
Total Playing Time : 1hr 14mn 19sc
Runout Grooves:
Side 1 : TBS-SE-3-A
Side 2 : TBS-SE-3-B
Side 3 : TBS-SE-3-C
JustDave's Notes:
- This one is for the 6 foot 8 inch ghost in my house, my Father In-Law Alphonse if I only knew you were a Merle Haggard Fan when you were with us.....We miss you always!
- As always a Big Thank You to my fellow members of The Collective Of Live Music for all the help and inspiration.
- I also want to thank BiginV3 for setting me on a search for what he called the holy grail of Merle Haggard Collectors.
Known Faults:
- No Cue sheet included with the records when purchased.
- The show promo included is actually for the wrong show. The one on the record is for Merle Haggard & The Strangers at Opryland in Nashville, Tennessee. The show on the record is from Dewey Groom's Longhorn Ballroom, Dallas, Texas. The location is identified a few times by Merle Haggard. Also Dewey Groom would not be yelling at the guests to sit down if it was Opryland.
- Some vinyl artifacts may still be audible as sometimes it's better to leave them alone than make a worse sound with the"cure".
Recording Notes:
- Silver Eagle II is the Canadian version of Silver Eagle Cross Country Music Show produced by the D.I.R. Broadcasting Corp.
- The Silver Eagle II is pressed on 2 LPs with the 2nd LP only having one side. It still has the same amount of music as the American version there is just no commercials on the albums. The commercials would be for Canadian products since the show would be broadcast over Canadian radio.
- Unlike the Silver Eagle Cross Country Music Show, the Silver Eagle II has no test tone for setting the balance and play levels at the radio station. There are no locked grooves whatsoever. The segments fade out then the next fades in. The show promo is on the 3rd side but is between the 2 music segments.
Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Both manually de-clicked and some Pop Fix used depending on what got the best result.
Other Notes:
- Merle Haggard had the historical distinction of sharing a marquee with The Sex Pistols. When touring the United States The Sex Pistols played The Longhorn Ballroom January 10, 1978. Merle Haggard played there on January 19, 1978 so both names were on the marque at the same time.
- Dewey Groom yells at the crowd, for a minute and a half, that he has a problem with them standing up because people behind them can not see. Can you imagine this guy having to deal with The Sex Pistols and their audience at his club.
- According to my research the song "The Mule" was first performed by Merle Haggard & The Strangers at Dewey Groom's Longhorn Ballroom, Dallas, Texas March 26, 1981.
Digitized By JustDave For The Collective Of Live Music
Project Started : July 14, 2025 Project Finished : July 16, 2025
Flac 24bit
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MP3
Quincy Jones & Friends - Westwood One Concerts & Specials #WPC-83-9 (Pre-FM)
Quincy Jones & Friends
Westwood One Concerts & Specials #WPC-83-9
Budweiser Superfest, Rose Bowl, Pasadena, California August 1, 1982
For Broadcast In 1983
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bir/96khz
High Quality MP3 320kbps
Label Scans Included
Featuring:
James Ingram
Patti Austin
Ernie Watts
Charles "Dune" May
Nick Ashford
Valerie Simpson
Michael Jackson
From The Collection Of JustDave
Brought To You By The Collective Of Live Music
Digitized From An Original Radio Broadcast 2x Vinyl Album Set
Lineage: Pre-FM Double Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8
01 Westwood One Concerts & Specials #WPC-83-9 Intro & Break
02 Commercial - Budweiser
03 Commercial - Chewels Sugarless Chewing Gum
04 Quincy Jones & Friends - The Duke
05 Quincy Jones & Friends - Love Is In Control
06 Commercial - Schick Disposable Razor
07 Commercial - Budweiser - Joe Jackson
08 Commercial - Dentine Chewing Gum
09 Westwood One Concerts & Specials #WPC-83-9 Break
10 Quincy Jones & Friends - Razzamatazz (feat. Patti Austin)
11 Quincy Jones & Friends - One Hundred Ways (feat. James Ingram)
12 Quincy Jones & Friends - Hold On
13 Commercial - Chewels Sugarless Chewing Gum
14 Commercial - Schick Disposable Razor
15 Westwood One Concerts & Specials #WPC-83-9 Break
16 Quincy Jones & Friends - Just Once (feat. James Ingram)
17 Quincy Jones & Friends - Do You Love Me (feat. Patti Austin)
18 Quincy Jones & Friends - Chariots Of Fire (Dance Version) (feat. Ernie Watts)
19 Quincy Jones & Friends - Ai No Corrida (feat. Charles "Dune" May)
20 Commercial - Dentine Chewing Gum
21 Commercial - Schick Disposable Razor
22 Commercial - Chewels Sugarless Chewing Gum
23 Westwood One Concerts & Specials #WPC-83-9 Break
24 Quincy Jones & Friends - Stuff Like That (feat. Nick Ashford, Valerie Simpson, Michael Jackson)
25 Westwood One Concerts & Specials #WPC-83-9 Wrap Up
26 Westwood One Concerts & Specials #WPC-83-9 Promo Bed w/Voiceover
Total Playing Time: 58mn 54sc
Quincy Jones (R.I.P.) - Keyboards, Master of Ceremonies, Musical Director, Composer, Arranger,
The Special Friends:
James Ingram (R.I.P.) - Lead Vocal "One Hundred Ways", "Just Once"
Patti Austin - Lead Vocal "Razzamatazz", "Do You Love Me"
Ernie Watts - Saxophone "Chariots Of Fire (Dance Version)"
Charles "Dune" May (R.I.P.) - Lead Vocal "Ai No Corrida"
Nick Ashford (R.I.P.) - Lead Vocal "Stuff Like That"
Valerie Simpson - Lead Vocal "Stuff Like That"
Michael Jackson (R.I.P.) - Lead Vocal "Stuff Like That"
The Friends:
Greg Phillinganes - Keyboards & Vocals
Rod Temperton (R.I.P.) - Keyboards & Vocalss
Carlos Rios – Guitar
Louis Johnson (R.I.P.) – Bass
John Robinson – Drums
Ollie Brown – Percussion
Jerry Hey - Trumpet, Flugelhorn
Jerome Richardson (R.I.P.) - Tenor Saxophone
George Bohanon (R.I.P.) – Trombone
Vivian Cherry – Vocals
Peggy Lipton Jones (R.I.P.) – Vocals
Runout Grooves:
Side 1 : WPC-83-9-A > ALSHIRE (Stamp) L-13215
Side 2 : WPC-83-9-B > ALSHIRE (Stamp) L-13215
Side 3 : WPC-83-9-C > ALSHIRE (Stamp) L-13215
Side 4 : WPC-83-9-D > ALSHIRE (Stamp) L-13215
JustDave's Notes:
- As always a Big Thank You to my fellow members of The Collective Of Live Music for help and insperation
- Also A Big Thank You to Emperor Nobody who did a digitization of this same concert but from the Budweiser Concert Hour transcription disc. Included in his upload was a poster with proof of the recording date and guests. He also included some photos from the gig which confirm that Michael Jackson actually participated and sang co-lead vocals with Ashford & Simpson on "Stuff Like That"
Known Faults:
- No cue sheet included with the records when purchased.
- Side three has a scratch at the beginning which gives a thumping noise each time the needle hits it. I did my best to hide that sound but some artifacts of it are left because to go any farther with noise reduction resulted in a "too prosessed sounding" section.
- A couple times during the concert Quincy Jone's sampler for his keyboard fails and you get some buzzing noises before he can fix it. For some reason Westwood One did not fix this in post production.
Recording Notes:
- The show host never identifies himself.
- There is a locked groove show promo at the end of Side Two. It was encoded and moved to the end of the program.
- The concert took place in an outside sports arena. This resulted in some wind noise through the on stage mics.
- At the beginning of "One Hundred Ways" James Ingram's mic is too low making him a little hard to hear but for some reason it was not fixed in post production by Westwood One
Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- To deal with some of the scratches in the surface of Side 3 an anti-skid level of 3 had to be used. Normally my anti-skid is set at 1.5.
- A Highpass filter with an initial cut off of 30khz and a static steepness of 2 was used to lower the wind noise in the onstage mics.
Other Notes:
- This concert was also released by Westwood One as the highly sought (and expensive) Budweiser Concert Hour Show #82-18.
- This version of the concert is the longer version of the 2 versions released, having one more song, the Grammy and Acadamy Award Winning song "Chariots Of Fire (Dance Version)" from the Motion Picture Soundtrack.
- This version of the concert, Westwood One Concerts & Specials #WPC-83-9, is from the rare Pop Concert Series. Some of these shows were concerts and some artist profiles. Some were even released as the Startrak Profile Series and Startrak Profile - In Concert Series. The Collective Of Live Music is just starting to explore this series in depth.
- Once again on a Westwood One Concerts & Specials sow the host never identifies himself. I am starting to think this is a regular occurrence with the Pop Concert Series since so far it has happened on all I have encoded.
- Ernie Watts toured with The Rolling Stones, Charlie Haden, Pat Metheny, Tom Coster, and former Journey drummer Steve Smith's jazz band. The famous saxophone in the "Theme Song From Night Court" was played by Ernie Watts. Saxophone player Ernie Watts also played on soundtracks for Grease, and The Color Purple.
Digitized By JustDave For The Collective Of Live Music
Project Started : July 7, 2025 Project Finished : July 10, 2025
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