Sunday, July 20, 2025

Pat Metheny Quartet - Jazz Baltica 2003 ~ Landeskulturzentrum Salzau: Konzertscheune Salzau, Germany July 5, 2003 (SBD)

Pat Metheny Quartet
Jazz Baltica 2003
Landeskulturzentrum Salzau, Konzertscheune
Salzau, Germany
July 5, 2003

Digital TV Broadcast/Soundboard Recording
Flac Level 8
No Cover Art

Uploader Given Source/Lineage: CD Trade of Professionally Recorded Broadcast (lineage below) > EAC > Audacity > TLH > TTD

Original Recording Lineage: Source Digital TV (signal 11954 mhz, 27500kbs) > SPDIF Cable > PC > Wavlab > wav 44.100hz, 16 bit > Flac

JustDave's Additional Lineage: Trader's Little Helper (align sector boundaries) > Flac Level 8


01 Soul Cowboy 10:08
02 What Do You Want 8:10
03 James 9:37
04 PM Intros and comments 1:42
05 Everyday I Thank You 13:02
06 Song For Bilbao 9:40
07 As I Am 8:01
08 Question & Answer 20:49

Pat Metheny - guitar
Mike Brecker - sax
Christian McBride - bass
Antonio Sanchez - drums

Just one this Sunday Morning but it's Live Metheny with Michael Brecker and Christian McBride. Throw in Antonio Sanchez on drums and you have one hell of a Quartet!!

Flac

MP3

The Charlie Daniels Band - Westwood One Live From Gilley's #LG-87-06 (Pre-FM)

The Charlie Daniels Band
Westwood One Live From Gilley's #LG-87-06
Gilley's Rodeo Arena, Pasadena, Texas, November 11, 1986 or November 21, 1986
For Broadcast The Week Of February 2, 1987
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz

Label, Certficate & Delvery Schedual Scans Included

From The Collection Of BiginV3

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Single Album

Lineage:  Pre-FM Single Vinyl LP > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing, tagging) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boudaries) > Flac Level 8

Hosted By Jim Duncan


01 Westwood One Live From Gilley's LG-87-06 Intro - Jim Duncan
02 The Charlie Daniels Band - Love Pouring Out Of Me
03 The Charlie Daniels Band - The South's Gonna Do It Again
04 The Charlie Daniels Band - What'd I Say (Ray Charles)
05 Westwood One Live From Gilley's LG-87-06 Break - Jim Duncan
06 Commercial - The Everly Brothers Reunion Concert Album
07 Commercial - Hamburger Helper Chili Tomato
08 Westwood One Live From Gilley's LG-87-06 Intro - Jim Duncan
09 The Charlie Daniels Band - Can't You See (The Marshall Tucker Band)
10 The Charlie Daniels Band - Uneasy Rider
11 Westwood One Live From Gilley's LG-87-06 Break - Jim Duncan
12 Commercial - Campbell's Zesty Tomato Soup Sauce
13 Commercial - Mineral Ice
14 Commercial - Rolaids Antacid - Davey Johnson
15 Westwood One Live From Gilley's LG-87-06 Intro - Jim Duncan
16 The Charlie Daniels Band - Class of '63
17 The Charlie Daniels Band - In America
18 The Charlie Daniels Band - Long Haired Country Boy
19 Westwood One Live From Gilley's LG-87-06 Break - Jim Duncan
20 Commercial - Hamburger Helper Chili Tomato
21 Commercial - Rolaids Antacid - Davey Johnson
22 Westwood One Live From Gilley's LG-87-06 Intro - Jim Duncan
23 The Charlie Daniels Band - Drinkin' My Baby Goodbye
24 The Charlie Daniels Band - Dixie On My Mind
25 Westwood One Live From Gilley's LG-87-06 Break - Jim Duncan
26 Commercial - Le Menu Lifestyle Dinners
27 Commercial - Value Right Pharmacy - Tom Bosley
28 Commercial - Rolaids Antacid - Davey Johnson
29 Westwood One Live From Gilley's LG-87-06 Intro - Jim Duncan
30 The Charlie Daniels Band - The Devil Went Down To Georgia
31 Westwood One Live From Gilley's LG-87-06 Wrap Up - Jim Duncan (over "Orange Blossom Special")

Total Playing Time: 54mn 12sc

Charlie Daniels lead vocal, guitar, fiddle
Tom Crain guitar, vocals, steel guitar
Taz DiGregorio keyboards, vocals
Charlie Hayward bass
Fred Edwards drums, percussion

Runout Grooves:
Side 1 : (etched) LG-87-06 JS KM
Side 2 : (etched) LG-87-06 JS KM

JustDave's Notes:
- Thank you to BiginV3 for sending his vinyl to be encoded.
- Thank you to Draftervoi, Sam Elliot's Mustache and avnut for help and inspiration.
- Thank you to the people who put together the Discogs Runout Groove Forum.

Known Faults:
- Westwood One packs over 50 minutes of music and commercials on one Live From Gilley's LP.
- That makes for tighter grooves, making it harder to fight needle damage noise.
- Cue sheet was not included with purchase, found a small copy on the internet.

Recording Notes:
- There was no show promo on this album
- Live from Gilley's theme song is not used for this broadcast.
- Jim Duncan's intro is over the first few seconds of "Love Pouring Out Of Me".
- Jim Duncan's show wrap up is done over The Charlie Daniels Band's performance of "Orange Blossom Special"

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.

Other Notes:
- Charlie Daniels was a highly sought session player before he finally reached his career high in the late 1970s to the mid 1980s playing fiddle on a lot of Capricorn Records Artist's recoords.
- Charlie Daniels played fiddle on Hank Williams Jr's cover of Marshall Tucker's "Losin' You", "Stoned At The Jukebox" and "Family Tradition".
- Charlie Daniels also played fiddle on a few of The Marshall Tucker Band's albums including the live & studio tracks on the double album Where We All Belong. He also played on the Marshall Tucker albums: Carolina Dreams, Searchin' For A Rainbow, and A New Life.
 - Charley also played fiddle on a recording by Elvis Presley (on a song Charlie Daniels wrote). Also recordings by Bob Dylan, Leonard Cohen, Ringo Star and produced the Youngbloods album Elephant Mountain.
- Charlie Daniels even played on Bob Dylan and Leonard Cohen's tour together in 1971.
- After Charley Daniels became a Born Again Christian he changed the "Long Haired Country Boy" lyrics from "I get stoned in the mornin'/Get drunk in the after noon" to "I get up in the mornin'/Get down in the afternoon". He also removed Hippy Culture references from his songs including changing the Peace sign in the rear window of his car in "Uneasy Rider" to a gun rack.

Digitized By JustDave For BiginV3 & The Collective Of Live Music

Project Started : July 6, 2025           Project Finished : July 8, 2025

Flac 24bit

Flac 16bit

MP3

Charley Pride - Birmingham Symphony Hall, Birmingham, England 05-13-1995 (FM)

Charley Pride
Birmingham Symphony Hall
Birmingham, England
May 13, 1995
BBC Radio2 FM Broadcast Recording
Flac & MP3 320kbps
Cover Art Included
 
New Links Added 07/20/2025

01 BBC Radio 2 Intro - Ken Bruce
02 A Whole Lotta Things To Sing About
03 Mountain of Love
04 Me And Bobby Mcgee
05 Streets of Baltimore
06 Amy's Eyes
07 Someone Loves You Honey
08 Do What You Do Do Well
09 Crystal Chandeliers
10 Is Anybody Going To San Antone?
11 Why, Baby, Why?
12 I Hope (You Never Cry Again)
13 I Don't Know Why I Love You But I Do
14 All I Have To Offer You Is Me
15 Medley: Snakes Crawl At Night/Just Between You And Me/Does My Ring Hurt Around Your Finger
16 Mississippi Cotton Picking Delta Town
17 Kiss An Angel Good Morning
18 Green, Green, Grass Of Home
19 Kaw-Liga
20 Louisiana Man
21 Jeannie Norman
22 Cotton Fields
23 BBC Radio2 Outro - Ken Bruce

Country Music Legend Charley Pride......I don't need to say any more than that do I?


Crosby, Stills & Nash - Westwood One Startrack Profile - In Concert #PC 84-04 (Pre-FM)

Crosby, Stills & Nash
Westwood One Startrack Profile - In Concert #PC 84-04
Universal Amphitheatre, Los Angeles, California, November 28, 1982
For Broadcast The Week Of January 23, 1984
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz

Label Scans Included

From The Collection Of JustDave Brought To You By The Collective Of Live Music

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast 2x Vinyl Album Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 16bit/44,1khz > Trader's Little Helper > Flac Level 8


01 Westwood One Startrack Profile In Concert #PC 84-04 Intro & Break
02 Commercial - Snickers Candy Bar
03 Westwood One Startrack Profile In Concert #PC 84-04 Intro
04 Crosby, Stills & Nash - Chicago / We Can Change the World (Graham Nash)
05 Crosby, Stills & Nash - Just A Song Before I Go
06 Crosby, Stills & Nash - Wooden Ships
07 Commercial - Budweiser
08 Westwood One Startrack Profile In Concert #PC 84-04 Break
09 Crosby, Stills & Nash - Dark Star
10 Crosby, Stills & Nash - Barrel of Pain (Half-Life) (Graham Nash)
11 Commercial - Gillette Good News Razor
12 Westwood One Startrack Profile In Concert #PC 84-04 Break
13 Crosby, Stills & Nash - You Don't Have To Cry
14 Crosby, Stills & Nash - Blackbird (The Beatles)
15 Crosby, Stills & Nash - Wasted On The Way
16 Crosby, Stills & Nash - Magical Child (Graham Nash)
17 Commercial - Budweiser - Orleans
18 Commercial - Gillette Good News Razor
19 Westwood One Startrack Profile In Concert #PC 84-04 Break
20 Crosby, Stills & Nash - Suite: Judy Blue Eyes
21 Crosby, Stills & Nash - The Southern Cross
22 Commercial - Gillette Good News Razor
23 Commercial - Budweiser - Joe Jackson
24 Westwood One Startrack Profile In Concert #PC 84-04 Break
25 Crosby, Stills & Nash - Long Time Gone
26 Crosby, Stills & Nash - For What It's Worth (Buffalo Springfield)
27 Crosby, Stills & Nash - Love The One You're With (Stephen Stills)
28 Crosby, Stills & Nash - Teach Your Children (Crosby, Stills, Nash & Young)
29 Westwood One Startrack Profile In Concert #PC 84-04 Wrap Up
30 Westwood One Startrack Profile In Concert #PC 84-04 Promo Bed

Total Playing Time : 1hr 21mn 11sc

David Crosby (R.I.P.) – vocals, guitars
Stephen Stills – vocals, guitars, keyboards
Graham Nash – vocals, guitars, organ

Michael Sturgis – guitar
Mike Finnigan (R.I.P.) – keyboards
Efrain Toro – percussion
George "Chocolate" Perry – bass
Joe Vitale – drums
James Newton Howard – keyboards

Runout Grooves:
Side 1 : PC-84-04-A (RM2) K² KM
Side 2 : WW1 PC-84-04-B (RM2) K² KM
Side 3 : WW1 PC-84-04-C (RM2) K² KM
Side 4 : PC-84-04-D (RM2) K² KM

JustDave's Notes:
- As always a big Thank You to my partners in The Collective Of Live Music for the help and inspiration.

Known Faults:
- When I initially "auditioned" the albums the grooves on side one were so dirty the needle just slid across the LP like the anti-skid was off. After the cleaning ritual I go through for each album, the set played and looked near mint.
- The only bad point was 2 spots during Segment 2 where the album skipped. See editing notes.
- 2 very small scratches on Side 2 Segment 2, very easy to over look, caused the above problem.

Recording Notes:
- There is a locked groove show promo at the end of Side 4, which has been encoded.
- Show is hosted but the host never identifies himself.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Both manually de-clicked and some Pop Fix used depending on what got the best result, although not a lot of clicks and pops needed fixing since this was on of the best vinyls I have encoded in a while.
- There was 2 spots during Segment 2 where the album skipped. One during "Dark Star" and one during "Barrel Of Pain". I had to re-record Segment 2 again. To get the segment to not skip I had to adjust my anti-skid pressure on the fly. To 2.5 during "Dark Star" then back to 1.5 during "Barrel Of Pain". It took about 5 or 6 tries to get it right and to not make a bump noise with my hand when touching the turntable.

Other Notes:
- Westwood One also released this concert under there Westwood One Concerts & Specials "Pop Concert Series". I have that album somewhere but can not locate it to re-encode or get the show number of it. I do have an encoding with the commercials and voice overs edited out.
- The 2 releases were almost identicle except for the commercials, none of the song edits are different and the running order is the same.
- Show identified as Universal Amphitheatre, Los Angeles, California, November 28, 1982 by comparing the Mike Millard audience recording of the show. Song introductions and performances match.
- Both "Suite: Judy Blue Eyes" and "You Don't Have To Cry" were written by Stephen Stills for his then girlfriend singer Judy Collins. Both were written about their relationship ending.
- "Dark Star" was written by Stephen Stills for Joan Baez, with whom Stills was having an affair.
- George "Chocolate" Perry and Joe Vitale are known for also being long serving members of Joe Walsh's recording and touring bands.
- Westwood One was only a little creative about the set list. The full set from Universal Amphitheatre, Los Angeles, California, November 28, 1982 is listed below:

01 Turn Your Back On Love
02 Chicago
03 The Lee Shore
04 Just A Song Before I Go
05 Dark Star
06 Barrel Of Pain (Half-Life)
07 To The Last Whale...a. Critical Mass b. Wind On The Water
08 Wooden Ships
09 Love The One You're With
10 See The Changes
11 You Don't Have To Cry
12 Blackbird
13 Wasted On The Way
14 Delta
15 Guinevere
16 Magical Child
17 Treetop Flyer
18 Suite: Judy Blue Eyes
19 Cathedral
20 Southern Cross
21 Long Time Gone
22 For What It's Worth
23 Carry On

Digitized By JustDave For The Collective Of Live Music

Project Started : June 21, 2025 Project Finished : June 27, 2025

Flac 24bit

Flac 16bit

MP3

Steve Winwood / Steely Dan - The Colosseum at Caesars Palace: Las Vegas, Navada, USA June 19, 2016 (ExAud) - GMan

Steve Winwood / Steely Dan
The Colosseum at Caesars Palace
Las Vegas, Navada, USA
June 19, 2016
Excellent Audience Recording

Flac & MP3 320kbps
No Cover Art

Repost New Links Added 07/20/2025

Recorded by Gman
Recorded using a Tascam DR-05 left breast pocket mics sticking out
Recording Location 2nd Mezzanine, Row G, Seat 310 One section off of center
amplify the volume with Audacity (as usual I needed to pull down the bass and boost the treble, as well as amplifying the end result)


Steve Winwood Set

01 I'm A Man (Spencer Davis Group)
02 Pearly Queen (Traffic)
03 At Times We Do Forget
04 Can't Find My Way Home (Blind Faith)
05 Them Changes (Buddy Miles)
06 Low Spark Of High Heeled Boys (Traffic)
07 Higher Love
08 Dear Mr. Fantasy (Traffic)
09 Gimme Some Lovin' (Spencer Davis Group)

Steely Dan set

01 November Afternoon
02 Black Cow
04 Hey 19
05 Black Friday
06 Babaylon Sister
07 Kid Charlomaign
08 Time Out Of Mind
09 Razer Boy
10 Boutissatva
11 Daddy Don't Live In That New York City No More
12 Godwhacker fade out
13 I Want To Do Everything For You fade in
14 Josie
15 Peg
16 My Old School
17 encore break
18 Realin In The Years
19 The Untouchables

Our Good Friend and Follower of The Site, GMan, has sent me a copy of his recording of the Steely Dan, Steve Winwood show in Vegas the year 2016. He said I could post it if I liked it. When he sent it he said it was not one of his better recordings. You hear that sometimes from tapers because there might be a flaw they don't like in the recording. They are their own worst critics which I'm glad to say GMan is no different. This is a really good recording. You can hear everything coming from the stage. There is some talking, not all the time so not too distracting. A couple loud clappers here and a loud whistler there. No real big deal at all...I think you will enjoy it! I added a copy of a ticket on sale on Ebay, and a couple other picks just in case there is someone who wants to make art work for themselves, here is a start.

Flac

MP3

Saturday, June 28, 2025

I Haven't Done This In A While

I received a lot of messages asking if I was alright since there was a long absence from posting. I am very sorry to have worried anyone. I am doing fine and my health is always getting better. I have even lost 45 pounds, now I am back to the weight I was when I met Rosebud 29 years ago.

I actually had gotten lost in my work. I have been encoding a lot of Pre-FM recordings from my ever growing collection. Since me and 3 other collectors kind of eased into becoming The Collective Of Live Music I have been buying Pre-FM vinyl like crazy. I am also assisting Draftervoi encode the very huge collection of Sam Elliot's Mustache. The fruits of this creative burst of energy are posted below.

There are 3 unique versions of the same concert from Smokey Robinson. Each different broadcast has it's own mix, and edits making each one a must have for collectors. Also there is a classic Pat Benatar King Biscuit Best Of The Biscuit from 1982. Another King Biscuit Best Of The Biscuit featuring Canadian Pomp-Prog Rockers Saga paired with Scandal touring for their first EP. One of many David Bowie Westwood One Superstar Concert Series recordings from Tokyo 1990. Country Music singer Gene Watson from one of his many Live From Gilley's appearances. Also something I'm really proud of finding Country Music Legend Roy Clark on the Silver Eagle Cross Country Music Show in 1982!!!!

There is a lot more to come: Eddie Money, Steve Forbet, Asleep At The Wheel, Don Williams, Quincy Jones, The Charlie Daniels Band, Charly McClain, Exile, The Pointer Sisters, April Wine, John Waitt, Aldo Nova, George Thorogood, Merle Haggard, and Charlie Pride. That's just to name a few....

Sorry there has been no Jazz lately. I will be better about that too.

JustDave

Roy Clark - The Silver Eagle Cross Country Music Show #SE-075

Roy Clark
The Silver Eagle Cross Country Music Show #SE-075
The Broadway Theatre, Pittman, New Jersey 1982
For Broadcast December 18, 1982

Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz

Label & Cue Sheet Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Album 5 Sided Radio Broadcast Vinyl Set

Lineage:  Pre-FM 3x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Larry Kenny


01 The Silver Eagle Cross Country Music Show #SE-075 Intro & Break - Larry Kenny
02 Commercial - AT&T Communications - Roger Miller
03 Commercial - Levi's Jeans For Men
04 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
05 Rodney Lay & The Wild West - I Wish I Had A Job To Shove
06 Rodney Lay & The Wild West - I'll Be There (If You Ever Want Me) (Ray Price)
07 Rodney Lay & The Wild West - Foggy Mountain Breakdown (Flatt & Scruggs)
08 Rodney Lay & The Wild West - You May See Me Walkin' (Ricky Scaggs)
09 Rodney Lay & The Wild West - William Tell Overture (Gioachino Rossini)
10 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
11 Commercial - Kodamatic Cameras & Film Sweepstakes - David Copperfield
12 Commercial - Avon Nail Polish
13 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
14 Rodney Lay & The Wild West - Roy Clark Introduction
15 Roy Clark - Tennessee Saturday Night (Red Foley)
16 Roy Clark - Uncle Penn (Bill Monroe)
17 Roy Clark - Love Takes Two (Oak Ridge Boys)
18 Roy Clark - Ghost Riders (Instrumental) (Stan Jones)
19 Roy Clark - Here We Go Again (Ray Charles)
20 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
21 Commercial - Maxwell House Coffee - Ray Charles
22 Commercial - Campbell's Soup
23 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
24 Roy Clark - Thinkin' Tonight Of My Blue Eyes (The Carter Family)
25 Roy Clark - Polka Instrumental
26 Roy Clark - Hits Medley*
27 Roy Clark - Yesterday When I Was Young
28 Roy Clark - Somewhere My Love (Instrumental) (Ray Conniff)
29 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
30 Commercial - Levi's Jeans For Men
31 Commercial - Campbell's Chunky Soup
32 Commercial - Avon Nail Polish
33 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
34 Roy Clark - Rappin' And Pickin'/Dueling Banjos
35 Roy Clark - It Wouldn't Be Christmas Without You
36 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
37 Commercial - Maxwell House Coffee - Ray Charles
38 Commercial - Campbell's Soup
39 Commercial - Kodamatic Cameras & Film Sweepstakes - David Copperfield
40 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
41 Roy Clark - Orange Blossom Special (Ervin T. & Gordon Rouse)
42 Roy Clark - Malagueña (Lecuona) (Instrumental)
43 Rodney Lay & The Wild West - Roy Clark Walk Off Music
44 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
45 Commercial - AT&T Communications
46 Commercial - Levi's Jeans For Men
47 The Silver Eagle Cross Country Music Show #SE-075 Wrap Up - Larry Kenny
48 The Silver Eagle Cross Country Music Show #SE-075 Promo Bed - Larry Kenny

*Medley (Come Live With Me/Honeymoon Feeling/I Let It Slip Through My Hands/Thank God And Greyhound)

Total Playing Time: 1hr 23mn 28sc

Roy Clark - lead vocals, guitars, mandolin, banjo, fiddle

Fancy:
Mary Beth Anderson - vocals
Sherri Baker - vocals
Carolyn Anderson - vocals

Rodney Lay & The Wild West:
Rodney Lay - bass, lead vocal "I Wish I Had A Job To Shove", Master of Ceremonies

Vernon Sandusky - guitar
Jimmy Henley - banjo, guitar, lead vocal "You May See Me Walkin'"
James Henley - rhythm guitar
Troy Klontz - steel guitar
Shelby Eicher - fiddle
Kenny Putnam - fiddle
Terrell Glaze - drums
John French - piano

Runout Grooves:
Side A : SE-075-A MCR JOE
Side B : SE-075-B MCR JOE
Side C : SE-075-C MCR JOE
Side D : SE-075-D MCR JOE
Side E : SE-075-E MCR JOE

JustDave's Notes:
- Thank you to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!
- "Yesterday When I Was Young" is the first Roy Clark song I remember ever hearing. I was pretty young kid but a big music fan. "Yesterday When I Was Young" is the first song that ever made me cry. It wasn't exactly because of the very sad lyics of a man confronting his winter of life. It was because it was so beautiful in a maudlin sense of the word. It was one of the first singles I remember buying with my own money.

Known Faults:
- The low volume of the commercials contributes to a higher amount of needle noise in the commercials. A highpass filter with a initial cutoff of 40Hz was used to lessen the effect.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There is a locked groove show promo at the end of Side D with a voice over. It was encoded.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually no Pop Fix Noise Reduction was necessary with this rip.
- The commercials had a maked difference in volume to the music. Volume was adjusted to match the body of the show.

Other Notes:
- Roy Clark was a huge influence on Southern Rockers Lynyrd Skynyrd for his guitar playing. Ronnie Van Zant actually name checks Roy Clark by saying things like "Ahhh sounds like some Roy" and "Come on play me some Roy" at various guitar solos on the bands albums.
- In 1976 Arthur Fiedler invited Roy Clark to perform with The Boston Pops for "An Evening at The Pops with Roy Clark and the Boston Pops Orchestra", Arthur Fiedler conducted.
- Roy Clak was just 17 years old when he first played at The Grand Ole Opry in 1950.
- Roy Clark, who started his professional career in 1947, was invited to join the Grand Ole Opry in 1987. Fourty years after he started his career.
- Roy Clark was shamefully not inducted into the Country Music Hall Of Fame until 2009, just 9 years before his passing.
- Roy Clark passed away November 15, 2018 at the age of 85, from complications of pneumonia.
- Roy Clark was also a pilot, obtaining his license in 1953. After Roy Clark died, His 1953 Piper Tri-Pacer was raffled off on December 17, 2012 to benefit the charity Wings of Hope.
- Wings of Hope is a nonprofit organization that partners with organizations in ten countries outside of the U.S. to provide medical evacuation flights and access to health care for remote communities. Wings of Hope also provides free medical air transportation to people within a 900-mile radius of its St. Louis headquarters.- Wings Of Hope info copied and pasted from Roy Clark's Wikipedia page.
- Ray Charles sang the Maxwell House "Good To The Last Drop" jingle for a long time. The jingle itself was written by Joseph Brooks.

Digitized By JustDave For The Collective Of Live Music

Project Started : June 16, 2025     Project Finished : June 19, 2025

Flac 24bit

Flac 16bit

MP3

Smokey Robinson - Westwood One Budweiser Concert Hour #BC 83-06 (Pre-FM)

Smokey Robinson
Westwood One Budweiser Concert Hour #BC 83-06
The Front Row Theater, Cleveland, Ohio 1982
Pre-FM Recording

Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz

No Cue Sheets
Label Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Album

Lineage:  Pre-FM Vinyl LP > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 16bit/44,1khz > Trader's Little Helper > Flac Level 8

Hosted By J.J. Johnson


01 Westwood One Budweiser Concert Hour #BC 83-06 Intro - J.J. Johnson
02 Smokey Robinson - Tracks Of My Tears (The Miracles) (Ballad Arrangement)
03 Smokey Robinson - Tears Of A Clown (The Miracles)
04 Smokey Robinson - I'll Try Something New (The Miracles)
05 Commercial - Budweiser
06 Westwood One Budweiser Concert Hour #BC 83-06 Break - J.J. Johnson
07 Smokey Robinson - More Love (The Miracles)
08 Smokey Robinson - I Second That Emotion (The Miracles)
09 Smokey Robinson - Mickey's Monkey (The Miracles)
10 Smokey Robinson - Going To A Go-Go (The Miracles)
11 Smokey Robinson - You Really Got A Hold On Me (The Miracles)
12 Smokey Robinson - The Love I Saw In You Was Just A Mirage (The Miracles)
13 Westwood One Budweiser Concert Hour #BC 83-06 Break - J.J. Johnson
14 Commercial - Budweiser
15 Smokey Robinson - Tell Me Tomorrow
16 Smokey Robinson - Cruisin'
17 Commercial - Budweiser - The Gap Band (?)
18 Westwood One Budweiser Concert Hour #BC 83-06 Break - J.J. Johnson
19 Smokey Robinson - Baby Come Close
20 Smokey Robinson - Being With You/Aqui Con Tigo (Rare bilingual English/Spanish Arrangement)
21 Westwood One Budweiser Concert Hour #BC 83-06 Wrap Up - J.J. Johnson

Total Playing Time: 52mn 6sc

JustDave's Notes:
- Thank you to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!

Known Faults:
- No cue sheets included with album.
- When the previous owner wrote Smokey Robinson across the inner white sleeve, they pressed hard enough to leave the words indented into Side One across both Sections 1 which is the acoustic arrangement of "Tracks Of My Tears". This of course made for quite a bit of noise that had to be removed. Some had to be left because removing it damaged the sound worse tha leaving it in. You have to pay attention to hear it, if not listening for it it will just sound like the audience clapping.

Recording Notes:
- No show promo included on the record set.
- This version of the show has tracks that are not on Westwood One Budweiser Concert Hour #BC 82-21. "Tracks Of My Tears", "Tears Of A Clown" and "More Love", "I Second That Emotion", "Mickey's Monkey",

Editing Notes:
- Record hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.

Other Notes:
- The recording is a little rough at the start of "Tracks Of My Tears" but quickly cleans up. Some small fuzz had to be left since it caused bad after effects when cleaned up.
- The show starts with a very special arrangement of "Tracks Of My Tears". Starting acoustically and finishing as an almost Gospel Soul Ballad.
- Smokey sings a very special version of "Being With You". 3 unique versions of the song were released. There was an English version called "Being With You". A Spanish version called "Aqui Con Tigo" and a bilingual English/Spanish version called "Being With You/Aqui Con Tigo". Smokey performs the bilingual English/Spanish version "Being With You/Aqui Con Tigo".
- I have included the Spanish and the English lyrics to "Being With You".
- The Front Row Theater, Cleveland, Ohio 1982 concert was broadcast by Westwood One as Westwood One Concerts & Specials #PC-83-24, Westwood One Budweiser Concert Hour #BC 82-21 and Westwood One Budweiser Concert Hour #BC 83-06. Each was edited differently creating 3 unique broadcasts.
- Westwood One Concerts & Specials #PC-83-24 is a 2 record show edited as just one concert. Westwood One Budweiser Concert Hour #BC 82-21 is said to be Part 2 of the Smokey Robinson concert and is a "all request set". The audience shouts out titles and Smokey plays them. Westwood One Budweiser Concert Hour #BC 83-06 is said to be Part 1 of the Smokey Robinson concert and consists of songs that sound like the edits used for Westwood One Concerts & Specials #PC-83-24.

Digitized By JustDave For The Collective Of Live Music

Project Started : May 31, 2025  Project Finished : June 4, 2025

Flac 24bit

Flac 16bit

MP3

Smokey Robinson - Westwood One Budweiser Concert Hour #BC 82-21 (Pre-FM)

Smokey Robinson
Westwood One Budweiser Concert Hour #BC 82-21
The Front Row Theater, Cleveland, Ohio 1982 or 1983
Pre-FM Recording
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
No Cue Sheets
Label Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Album


Lineage:  Pre-FM Vinyl LP > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By J.J. Johnson


01 Smokey Robinson - Smokey Speaks
02 Westwood One Budweiser Concert Hour #BC 82-21 Intro - J.J. Johnson
03 Smokey Robinson - Going To A Go-Go (The Miracles)
04 Smokey Robinson - I'll Try Something New (The Miracles)
05 Smokey Robinson - You Really Got A Hold On Me (The Miracles)
06 Smokey Robinson - The Love I Saw In You Was Just A Mirage (The Miracles)
07 Smokey Robinson - Way Over There (The Miracles)
08 Commercial - Budweiser - The Gap Band (?)
09 Westwood One Budweiser Concert Hour #BC 82-21 Break - J.J. Johnson
10 Smokey Robinson - Tell Me Tomorrow
11 Smokey Robinson - Smokey Speaks
12 Smokey Robinson - Baby Come Close
13 Commercial - Budweiser
14 Westwood One Budweiser Concert Hour #BC 82-21 Break - J.J. Johnson
15 Smokey Robinson - Being With You/Aqui Con Tigo (Rare bilingual English/Spanish Arrangement)
16 Smokey Robinson - Smokey Speaks
17 Commercial - Budweiser - Jazz Instrumental
18 Westwood One Budweiser Concert Hour #BC 82-21 Break - J.J. Johnson
19 Smokey Robinson - Cruisin'
20 Smokey Robinson - Smokey Speaks
21 Smokey Robinson - Cruisin' Sing Along
22 Westwood One Budweiser Concert Hour #BC 82-21 Wrap Up - J.J. Johnson

Total Playing Time: 51mn 46sc

JustDave's Notes:
- Thank you to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!

Run Out Grooves:
Side One : BC-82-21-A > ALSHIRE L-11448
Side Two : BC-82-21-A > ALSHIRE L-11448-X

Known Faults:
- No cue sheets included with album.
- When the previous owner wrote Smokey Robinson across the inner white sleeve, they pressed hard enough to leave the words indented into Side Two across both Sections 3 and 4. This of course made for quite a bit of noise that had to be removed.
- Westwood One packs over 50 minutes of music and commercials onto one album which causes "groove crowding". This "crowding" can cause vinyl damage while playing. This also causes a low needle rumble when playing which can be audible at times when digitizing vinyl.

Recording Notes:
- No show promo included on the reord set.
- Smokey sometimes speaks to the audience at length so I decided to separate the long spoken parts from the songs as "Smokey Speaks".

Editing Notes:
- Record hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.

Other Notes:
- Smokey sings a very special version of "Being With You". 3 unique versions of the song were released. There was an english version called "Being With You". A Spanish version called "Aqui Con Tigo" and a bilingual English/Spanish version called "Being With You/Aqui Con Tigo". Smokey performs the bilingual English/Spanish version "Being With You/Aqui Con Tigo".
- I have included the Spanish and the English lyrics to "Being With You".
- The Front Row Theater, Cleveland, Ohio 1982 concert was broadcast by Westwood One as Westwood One Concerts & Specials #PC-83-24, Westwood One Budweiser Concert Hour #BC 82-21 and Westwood One Budweiser Concert Hour #BC 83-06. Each was edited differently creating 3 unique broadcasts.
- Westwood One Concerts & Specials #PC-83-24 is a 2 record show edited as just one concert. Westwood One Budweiser Concert Hour #BC 82-21 is said to be Part 2 of the Smokey Robinson concert and is a "all request set". The audience shouts out titles and Smokey plays them. Westwood One Budweiser Concert Hour #BC 83-06 is said to be Part 1 of the Smokey Robinson concert and consists of songs that sound like the edits used for Westwood One Concerts & Specials #PC-83-24.

Digitized By JustDave For The Collective Of Live Music

Project Started : May 22, 2023 Project Finished : May 31, 2025

Flac 24bit

Flac 16bit

MP3

Smokey Robinson - Westwood One Concerts & Specials #PC-83-24 (Pre-FM) - JustDave Remaster

Smokey Robinson
Westwood One Concerts & Specials #PC-83-24
The Front Row Theater, Cleveland, Ohio 1982 or 1983
Pre-FM Recording

Flac Level 8 24bit/96khz
Flac Level 8 16bit/48khz
High Quality MP3 320kbps/48khz

No Cue Sheets
Label Scans Included

As Amended By JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast 2 Album Set

Lineage: Unknown Digitizing Process > Archive.org Flac Download (Downloaded as 2 Flac Files)

Lineage: Trader's Little Helper > Wave 24bit/96khz > Goldwave v6.83 (editing, tagging, encoding) > Flac Level 8 24bit/96khz


Hosted By Phil Hendrie


01 Westwood One Concerts & Specials #PC-83-24 Intro & Break - Phil Hendrie
02 Commercial - Certs Breath Mints Male Lead
03 Commercial - Gillette Good News Disposable Razor
04 Westwood One Concerts & Specials #PC-83-24 Intro - Phil Hendrie
05 Smokey Robinson - Tracks Of My Tears (The Miracles) (Ballad Arrangement)
06 Smokey Robinson - Tears Of A Clown (The Miracles)
07 Smokey Robinson - I'll Try Something New (The Miracles)
08 Commercial - Chewels Sugarless Gum Female Lead
09 Commercial - Certs Breath Mints Female Lead
10 Westwood One Concerts & Specials #PC-83-24 Break - Phil Hendrie
11 Smokey Robinson - More Love (The Miracles)
12 Smokey Robinson - I Second That Emotion (The Miracles)
13 Smokey Robinson - Mickey's Monkey (The Miracles)
14 Smokey Robinson - Going To A Go-Go (The Miracles)
15 Smokey Robinson - You Really Got A Hold On Me (The Miracles)
16 Smokey Robinson - The Love I Saw In You Was Just A Mirage (The Miracles)
17 Commercial - Gillette Good News Disposable Razor
18 Commercial - Lee Jeans
19 Commercial - Chewels Sugarless Gum Male & Female Duet
20 Westwood One Concerts & Specials #PC-83-24 Break - Phil Hendrie
21 Smokey Robinson - Tell Me Tomorrow
22 Smokey Robinson - Cruisin'
23 Commercial - Gillette Good News Disposable Razor
24 Commercial - Certs Breath Mints Male Lead
25 Commercial - Chewels Sugarless Gum Male & Female Duet
26 Westwood One Concerts & Specials #PC-83-24 Break - Phil Hendrie
27 Smokey Robinson - Baby Come Close
28 Smokey Robinson - Being With You/Aqui Con Tigo (Rare Bilingual English/Spanish Arrangement)
29 Westwood One Concerts & Specials #PC-83-24 Wrap Up - Phil Hendrie
30 Westwood One Concerts & Specials #PC-83-24 Promo Bed - Phil Hendrie

Total Playing Time: 56mn 5sc

JustDave's Notes:
- As always a big Thank You to the guys in the Collective, Draftervoi, Sam Elliot's Mustache and Matt for assistance and input.

Known Faults:
- Vinyl was not properly cleaned before encoding which left quite a bit of vinyl noise to clean up.
- No Cue Sheets or Info Text was given with download.

Recording Notes:
- Encoder had his right and left patch cords crossed somewhere because what is right is left an what is left is right.
- The recording is a little rough at the start of "Tracks Of My Tears" but quickly cleans up.

Editing Notes:
- Connected the files to allow for easier editing.
- Evened out then raised the volume of the files.
- Removed any DC offset.
- Did a De-click with Goldwave with a tolerance of 2000%.
- Some larger clicks removed manualy.
- Some vinyl deffects may still be audible. Some clicks couldn't be removed without further damaging the sound so they were left. Others may have just been missed in the process.
- A rumble/bump filter was used on the files with an initial cutoff of 40khz due to excessive needle noise.

Other Notes:
- The recording is a little rough at the start of "Tracks Of My Tears" but quickly cleans up. Some small fuzz had to be left since it caused bad after effects when cleaned up.
- The show starts with a very special arrangement of "Tracks Of My Tears". Starting acoustically and finishing as an almost Gospel Soul Ballad.
- Smokey sings a very special version of "Being With You". 3 unique versions of the song were released. There was an english version called "Being With You". A Spanish version called "Aqui Con Tigo" and a bilingual English/Spanish version called "Being With You/Aqui Con Tigo". Smokey performs the bilingual English/Spanish version "Being With You/Aqui Con Tigo".
- I have included the Spanish and the English lyrics to "Being With You".
- The Front Row Theater, Cleveland, Ohio 1982 concert was broadcast by Westwood One as Westwood One Concerts & Specials #PC-83-24, Westwood One Budweiser Concert Hour #BC 82-21 and Westwood One Budweiser Concert Hour #BC 83-06. Each was edited differently creating 3 unique broadcasts.
- Westwood One Concerts & Specials #PC-83-24 is a 2 record show edited as just one concert. Westwood One Budweiser Concert Hour #BC 82-21 is said to be Part 2 of the Smokey Robinson concert and is a "all request set". The audience shouts out titles and Smokey plays them. Westwood One Budweiser Concert Hour #BC 83-06 is said to be Part 1 of the Smokey Robinson concert and consists of songs that sound like the edits used for Westwood One Concerts & Specials #PC-83-24.

Slight remaster was done June 6, 2026 by Just Dave for The Collective Of Live Music

Flac 24bit

Flac 16bit

MP3

David Bowie Westwood One Superstar Concert Series Show #CO 91-26

David Bowie
Westwood One Superstar Concert Series Show #CO 91-26
The Tokyo Dome, Tokyo, Japan May 16, 1990
For Broadcast The Weekend Of June 29-30, 1991
Pre-FM Recording

Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
MP3 320kbps

Cue Sheet & Label Scans Included

From The Collection of BiginV3

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Album Vinyl Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Suzy Cruz

Sides 1, 2, & 3


01 Westwood One Superstar Concert Series #CO91-26 Intro & Break - Suzy Cruz
02 Commercial - United States Army Reserves
03 Commercial - Dentyne Chewing Gum
04 Commercial - T.G.I Fridays Restaurant
05 David Bowie - Space Oddity
06 David Bowie - Changes
07 David Bowie - TVC 15
08 David Bowie - Rebel Rebel
09 Commercial - Courtyard Motels
10 Commercial - Greyhound Bus Transportation
11 Westwood One Superstar Concert Series #CO91-26 Break - Suzy Cruz
12 David Bowie - Ashes To Ashes
13 David Bowie - Fashion
14 Commercial - Dentyne Chewing Gum
15 Commercial - Halls Vitamin C Drops
16 Commercial - US Beef Industry
17 Westwood One Superstar Concert Series #CO91-26 Break - Suzy Cruz
18 David Bowie - Let's Dance
19 David Bowie - China Girl
20 Commercial - Greyhound Bus Transportation
21 Commercial - T.G.I Fridays Restaurant
22 Commercial - US Beef Industry
23 Westwood One Superstar Concert Series #CO91-26 Break - Suzy Cruz

Sides 4, 5, & 6

24 David Bowie - Sound And Vision
25 David Bowie - Ziggy Stardust
26 David Bowie - Young Americans
27 Commercial - T.G.I Fridays Restaurant
28 Commercial - Trident Gum Sweepstakes
29 Westwood One Superstar Concert Series #CO91-26 Break - Suzy Cruz
30 David Bowie - Suffragette City
31 David Bowie - Fame
32 David Bowie - Panic In Detroit
33 Commercial - Beatles Live Home Video
34 Commercial - United States Army Reserves
35 Westwood One Superstar Concert Series #CO91-26 Break - Suzy Cruz
36 David Bowie - Modern Love
37 David Bowie - Jean Genie
38 Westwood One Superstar Concert Series #CO91-26 Wrap Up - Suzy Cruz
39 Westwood One Superstar Concert Series #CO91-26 Promo Bed - Suzy Cruz

Total Playing Time: 1hr 24mn 24sc

David Bowie vocals, guitar, saxophone
Adrian Belew guitar, backing vocals, music director
Erdal Kizilcay bass, backing vocals
Rick Fox keyboards, backing vocals
Michael Hodges drums

JustDave's Notes:
- Thank you to BiginV3 for sending the vinyl for encoding, you rock!
- Thank you to Sam Elliot's Mustache, Draftervoi, and avnut for impute and assistance!

Run Out Grooves:
Side 1: CO-91-26-1 K2 KM
Side 2: CO-91-26-2 K2 KM
Side 3: CO-91-26-3 K2 KM
Side 4: CO-91-26-4 K2 KM
Side 5: CO-91-26-5 K2 KM
Side 6: CO-91-26-6 K2 KM

Recording Notes:
- Records have some small dimples but not enough to mar sound.
- No superficial marks, or scratches, very clean near mint vinyl.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually, some noise reduction used depending on if it best serves the situation.

Other Notes:
- According to some sources the Sound And Vision Tour was not as pleasurable as David Bowie would have wanted. Seems there was tensions between band members and clashing egos. Keyboardist Rick Fox reportedly would eat his dinner during concerts, on stage at his keyboards.
- There were at least 5 shows from this tour recorded for broadcasts and a proposed video release. Despite this no official recordings have been released from this tour.
- The tour was to put to bed some of David Bowie's catalog that he would no longer be performing live. However a lot of the songs from the tour remained in setlists for the remainder of Bowie's career.
- The Tokyo Concert has been broadcast as: Westwood One Superstar Concert Series #CO90-47, Westwood One Superstar Concert Series #CO91-26, Westwood One Superstar Concert Series #CO91-45, Westwood One Superstar Concert Series #CO92-15, Superstar Concert Series #CO93-51, Westwood One Superstar Concert Series #CO97-26, Westwood One Superstar Concert Series #CO98-46, Westwood One Superstar Concert Series #CO99-23, Westwood One Superstar Concert Series #CO00-12, Westwood One Superstar Concert Series #CO00-49 and Coca-Cola Planet Live! #PL/DB01/01/02. each show has been edited uniquely with different songs, running order and advertising making each a must have for Bowie Collectors.
- A Spread sheet has been included showing the shows and which songs were included.

Project Started: May 16, 2025 Project Finished: May 18, 2025

Encoded By JustDave For The Collective Of Live Music

Flac 24bit

Flac 16bit

MP3

Pat Benatar - King Biscuit Flower Hour Best Of The Biscuit #409 (Pre-FM)

Pat Benatar
King Biscuit Flower Hour Best Of The Biscuit #409
University Of Texas, Austin, Texas, USA
The Reunion Arena, Dallas, Texas, USA
For Broadcast March 7, 1982
Pre-FM Recording

Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/96khz
High Quality MP3 320kbps/48khz

Label & Cue Sheet Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Bill Minkin


01 King Biscuit Flower Hour Best Of The Biscuit #409 Intro & Break - Bill Minkin
02 Commercial - United States Navy
03 Pat Benatar - No You Don't (The Sweet)*
04 Pat Benatar - You Better Run (The Young Rascals)
05 Pat Benatar - Treat Me Right
06 Pat Benatar - Out-A-Touch (miss-named "Out Of Touch" on Cue Sheet)
07 King Biscuit Flower Hour Best Of The Biscuit #409 Break - Bill Minkin
08 Commercial - Nestle's $100,000 Bar
09 Commercial - Honda Motorcycles
10 King Biscuit Flower Hour Best Of The Biscuit #409 Intro - Bill Minkin
11 Pat Benatar - Precious Time
12 Pat Benatar - I Need A Lover (John Cougar Mellencamp)
13 Pat Benatar - Promises In The Dark
14 Pat Benatar - Heartbreaker (Jenny Darren)
15 King Biscuit Flower Hour Best Of The Biscuit #409 Break - Bill Minkin
16 Commercial - Jensen Sound Systems
17 Commercial - Nestle's $100,000 Bar
18 King Biscuit Flower Hour Best Of The Biscuit #409 Intro - Bill Minkin
19 Pat Benatar - Hit Me With Your Best Shot
20 Pat Benatar - Just Like Me (Paul Revere & The Raiders)
21 Pat Benatar - Helter Skelter (The Beatles)
22 King Biscuit Flower Hour Best Of The Biscuit #409 Break - Bill Minkin
23 Commercial - United States Navy
24 Commercial - Honda Motorcycles
25 King Biscuit Flower Hour Best Of The Biscuit #409 Wrap Up - Bill Minkin
26 King Biscuit Flower Hour Best Of The Biscuit #409 Promo Bed - Bill Minkin
27 King Biscuit Flower Hour Best Of The Biscuit #409 Promo Bed - Music Only

Total Playing Time: 58mn 1sc

Pat Benatar lead vocals
Neil "Spyder" Geraldo lead guitar
Myron Grombacher drums
Scott Sheets guitar
Roger Capps bass

Runout Grooves:
Side A : BoB·409·A MCR Joe
Side B : BoB·409·B MCR Joe
Side C : BoB·409·C MCR Joe

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl to encode!
- Thank you also to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!

Known Faults:
- During Bill Minkin's wrap up of the show there is a couple spots of distortion that could not be removed without making the noise worse.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There are two locked groove show promos at the end of Side C, one with a voice over, one without. They have been encoded.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually no Pop Fix Noise Reduction was necessary with this rip.
- As with all King Biscuit shows I've edited so far, the commercials had a maked difference in volume to the music. Volume was adjusted to match the body of the show.
- A High Pass Rumble/Bump Filter with an initial cut off 40Hz was used on the commercials as the low volume they were mastered with causes needle noise.  

Other Notes:
- This was a fun project to work on. Pat Benatar and the band had a great couple shows to make up this recording. I've always loved Pat's choices of cover songs. On her first album there was 2 Smokey covers "In the Heat of the Night", and "If You Think You Know How to Love Me", John "Cougar" Melloncamp's "I Need A Lover", The Sweet's "No You Don't", Nick Gilder's "Rated X", Alan Parson's "Don't Let It Show" and Jenny Darren's "Heartbreaker". On Crimes Of Passion there was The Young Rascals' "You Better Run" and Kate Bush's "Wurthering Heights". On Precious Time she covered Paul Revere & The Raiders' "Just Like Me" and The Beatles' "Helter Skelter". Six of these covers are in this set, with "Helter Skelter" being chosen as the show closer.
- This show was released as Pat Benatar Greatest Hits Live.
- Pat Benatar has stopped playing "Hit Me With Your Best Shot" because of the gun violence in the United States. She says that she will not preach to her fans, that's not her place. She says as a citizen that she talks to U.S. Legislators about the situation. She however feels she can not sing the song when it personally makes her think of the violence in the world.

Digitized By JustDave For Sam Elliot's Mustache & The Collective Of Live Music

Project Started : June 13, 2025    Project Finished : June 15, 2025

Flac 24bit

Flac 16bit

MP3

Scandal / Saga - King Biscuit Flower Hour Best Of The Biscuit #BOB 478 (Pre-FM) Vinyl Rip

Scandal / Saga
King Biscuit Flower Hour Best Of The Biscuit #BOB 478
Scandal The Metron, Harrisburg, Pennsylvania, USA February 9, 1983
Saga Cumberland County Civic Center, Portland, Maine, USA December 20, 1982
For Broadcast July 3, 1983
Pre-FM Recording

Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz

Label & Cue Sheet Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Bill Minkin


01 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Intro & Break - Bill Minkin
02 Commercial - United States Army
03 MC Introduces Scandal - Jeff Cochran
04 Scandal - Love's Got A Line On You (missnamed "Line On You" on cue sheet)
05 Scandal - Child Of The Night (unreleased at the time)
06 Scandal - Tonight (unreleased at the time)
07 Scandal - I Don't Know Why I Can't Say No (unreleased at the time)
08 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Break - Bill Minkin
09 Commercial - Honda Motorcycles
10 Commercial - United States Army
11 Commercial - Clarion Sound Systems
12 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Intro - Bill Minkin
13 Scandal - I Second That Emotion (Smokey Robinson & The Miracles)
14 Scandal - Goodbye To You
15 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Break - Bill Minkin
16 Commercial - United States Army
17 Saga - It's Time (Chapter Three) (missnamed "It's Time" on cue sheet)
18 Saga - Wind Him Up
19 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Break - Bill Minkin
20 Commercial - Honda Motorcycles
21 Commercial - Clarion Sound Systems
22 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Intro - Bill Minkin
23 Saga - No Regrets (Chapter Five) (missnamed "No Regrets" on cue sheet
24 Saga - How Long
25 Saga - On The Loose
26 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Break - Bill Minkin
27 Commercial - United States Army
28 Commercial - Clarion Sound Systems
29 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Wrap Up - Bill Minkin
30 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Promo Bed - Bill Minkin & Saga
31 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Promo Bed - Bill Minkin & Scandal

Total Playing Time: 59mn 51sc

Scandal:
Patty Smyth lead vocals
Zack Smith guitar
Ivan Elias bass
Keith Mack guitar
Benjie King keyboards
No Drummer Listed On Cue Sheet

Saga:
Michael Sadler lead vocals, keyboards, electronic percussion (missnamed as Mike on cue sheet)
Ian Crichton guitars
Tim Crichton bass, keyboards (missnamed as Jim on cue sheet)
Jim Gilmour keyboards, vocals
Steve Negus drums, percussion

Runout Grooves:
Side A : BoB·478·A MCR Joe (which stands for Master Cutting Room·Joe Brescio who cut the lacquer)
Side B : BoB·478·B MCR Joe
Side C : BoB·478·C MCR Joe

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl to encode!
- Thank you also to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!

Known Faults:
- On Side A and Side C there are large somewhat superficial scratches across the entire side which caused a small clicking noise every rotation of the album.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There are two locked groove show promos at the end of Side C. They have been encoded and moved to the end of the recording.
- Of the 2 show promo beds provided, one is Bill Minkin speaking over Scandal's music. The other is Bill Minkin speaking over Saga music.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Anti-skid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- De-clicked manually and some noise reduction used depending on what best served situation.
- As with all King Biscuit shows I've edited so far, the commercials had a marked difference in volume to the music. Volume was adjusted to match the body of the show.

Other Notes:
- Scandal's portion of the show was first broadcast as King Biscuit Flower Hour #KB 460 on February 27, 1983. This rebroadcast, King Biscuit Flower Hour Best Of The Biscuit #BOB 478, is longer in that it has one more Scandal track "Tonight"
- Saga's portion of the show was first broadcast as King Biscuit Flower Hour #KB 458 which was longer than King Biscuit Flower Hour Best Of The Biscuit #BOB 478, since it had 3 more songs "Don't Be Late", "Humble Stance", You're Not Alone", and "Briefcase".
- Saga's songs "It's Time (Chapter Three)" and "No Regrets (Chapter Five)" are part of a group of songs Saga called "The Chapters" which were about Legendary Physicist Albert Einstein. The band released "Chapters 1 thru 16". The story was intended to have 8 "Chapters" but the concept kept growing in scope. The only album all sixteen tracks appear on is "Live Chapters" no studio compilation of all 16 Chapters has been released.
- Scandal played 3 unreleased songs "Child Of The Night", "Tonight", and "I Don't Know Why I Can't Say No". The songs were later released on a Scandal's Greatest Hits Live CD.
- Both Paul Paul Schaffer, of David Letterman fame, and singer Jon Bon Jovi were early members of Scandal.
- Scandal was opening for the Portland Punk band The Sharks.
- Pat Benatar opened for Saga.

Digitized By JustDave For Sam Elliot's Mustache & The Collective Of Live Music

Project Started : June 6, 2025   Project Finished : June 8, 2025 (a total of about 6 hours)

Flac 24bit

Flac 16bit

MP3

Sunday, May 25, 2025

Horace Silver Quintet - The Bijou Café: Philadelphia, PA, USA June 1978 (Mono SBD)

Horace Silver Quintet
The Bijou Café
Philadelphia, PA, USA
June 1978, unknown date
Incomplete Mono Soundboard Recording (early and late sets)
Flac Level 8 & HQ MP3 320kbps/48khz

Cover Art Included

Unknown gen (probably master) Maxell UD XLII C90 cassette recorded with no Dolby > played back on a Nakamichi DR-1 with no Dolby > Audition (Levels adjusted; tracking; fades) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000, Tag&Rename (tags)

Disc 1

01 Gregory Is Here  17:36
02 HS introduces the band  3:16
03 Señor Blues  10:50
04 // Unknown title  14:44  

Disc 2

01 HS introduces the band  3:26
02 The Soul In Communion With The Creator Part 4: We Expect Positive Results  15:29
03 African Ascension Part 3: The Spirit Of The Zulu  26:15
04 Song For My Father (criminally incomplete)  1:40

Total Playing Time Set 1: 46mn 16sc
Total Playing Time Set 2: 46mn 50sc
Total Playing Time Both Sets: 1hr 33mn 06sc


Horace Silver - piano
John McNeil - trumpet, flugelhorn
Larry Schneider - tenor sax, flute
Jon Burr - bass
Harold White - drums

What a show!! Two sets of some of the best Jazz has to offer! The Horace Silver Quintet delivers an hour and a half of music in 5 songs. Lots of soloing and jamming on a theme here! Horace Silver is an awesome piano player, song writer, and band leader. Horace has always been able to surround himself with some of the finest players in Jazz. I'm glad I started my Sunday Morning Jazz Session with this show. It was the perfect soundtrack to watching the deer in my back yard eating pine needles off my trees, while I'm sipping on a nice cup of freshly ground French Roast Coffee (which I'm not sure if French even drink this nice dark roast, a name is a name). One of the deer came up and looked right in my living room window last night. It's my little Heaven on Earth...

Flac

MP3

Jean-Luc Ponty - Unknown Venue: Hamburg, Germany September 17, 1976 (FM)

Jean-Luc Ponty
Unknown Venue
Hamburg, Germany
September 17, 1976
FM Broadcast Recording

Flac & MP3 320kbps
Cover Art Included

This Is A Repost And A Flac Upgrade

Source: DFM > DAT > AUDIOPHILE2496 > SOUNDFORGE > CDARCHITECT > EAC (secure mode) > FLAC 1.17 VERIFY/ALIGN

CD1
01 Is Once Enough? 9:29
02 Polyfolk Dance 8:10
03 Lost Forest 11:05
04 Aurora 18:30
05 Renaissance 8:31
06 Question with No Answers 5:05

CD2
07 Passenger of the Dark* 10:08
08 Bowing-Bowing 9:14
09 Tarantula 3:14
10 Wandering on the Milky Way 6:26
11 Fight for Life 6:05

Total Time: 1:36:05

Jean-Luc Ponty - Acoustic and Electric Violin
Darryl Stuermer - Electric and Acoustic Guitar
Tom Fowler - Bass Guitar
Mark Craney - Drums
Allan Zavod - Keyboards

This great performance from Jean-Luc Ponty is just perfect for Sunday Morning Jazz. We posted it before but did not have the lossless version. We now have fixed that situation so enjoy...

Flac

MP3

Greg Kihn Band - King Biscuit Flower Hour #KB-464 (Pre-FM) Vinyl Rip

Greg Kihn Band
King Biscuit Flower Hour #KB-464
Arlington Theatre, Santa Barbara, California, USA
For Broadcast March 27, 1983

Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz

Cue Sheet & Label Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8


Hosted By Bill Minkin

01 King Biscuit Flower Hour #KB-464 Intro & Break - Bill Minkin
02 Commercial - Honda Motorcycles
03 King Biscuit Flower Hour #KB-464 Intro - Bill Minkin
04 Greg Kihn Band - Fascination
05 Greg Kihn Band - Tear That City Down (mis-named Tear It Down on cue sheet)
06 Greg Kihn Band - Can't Love Them All
07 Greg Kihn Band - Can't Stop Hurtin' Myself
08 King Biscuit Flower Hour #KB-464 Break - Bill Minkin
09 Commercial - United States Army Reserve
10 King Biscuit Flower Hour #KB-464 Intro - Bill Minkin
11 Greg Kihn Band - Curious
12 Greg Kihn Band - Talkin' To Myself
13 Greg Kihn Band - Jeopardy
14 Greg Kihn Band - Valerie
15 King Biscuit Flower Hour #KB-464 Break - Bill Minkin
16 Commercial - TDK Recording Tape Sweepstakes
17 Commercial - Honda Motorcycles
18 King Biscuit Flower Hour #KB-464 Intro - Bill Minkin
19 Greg Kihn Band - Keep A-Knockin' (Little Richard) (mis-named Keep On Knockin' on cue sheet)
20 Greg Kihn Band - The Break Up Song (They Don't Write 'Em)
21 Greg Kihn Band - Testify
22 Greg Kihn Band - I Fall To Pieces (Patsy Cline)
23 Greg Kihn Band - Keep On Walkin'
24 King Biscuit Flower Hour #KB-464 Break - Bill Minkin
25 Commercial - United States Army Reserve
26 Commercial - Columbia Pictures 'Spring Break'
27 King Biscuit Flower Hour #KB-464 Wrap Up - Bill Minkin
28 King Biscuit Flower Hour #KB-464 Promo Bed - Bill Minkin
29 King Biscuit Flower Hour #KB-464 Promo Bed - Music Only

Total Playing Time: 59mn 41sc

Greg Kihn Band:
Greg Kihn - lead vocals, guitar
Steve Wright - bass
Gary Philips - keyboards
Greg Douglas - lead guitar
Larry Lynch drums, lead vocal on "Keep A-Knockin'"

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl to encode!
- Thank you also to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!

Run Out Grooves:
Side A : KB-464-A MCR JOE
Side B : KB-464-B MCR JOE
Side C : KB-464-C MCR JOE

Known Faults:
- One small section during "Talking To Myself" that has a pop in the same section for one quarter of the song. This was dealt with in editing.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There are two locked groove show promos at the end of Side A. They have been encoded and moved to the end of the recording.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- As with all King Biscuit shows I've edited so far, the commercials had a maked difference in volume to the music. Volume was adjusted to match the body of the show.

Other Notes:
- I don't know how many Greg Kihn Band shows I have edited but with each one I have become more of a fan.
- This show to me just seems that much better than the others. Maybe the band is just having a great show. You can tell the band is really having a good time at this show.
- I noticed in particular bass player Steve Wright's noodling over the riff is a little more inspired than before. For a great example just listen to the beginning of "Valerie" where the bass player and guitar player are interacting with each other playing around with the riff.
- Trivia note: The beginning drum beat to Little Richard's "Keep A-Knockin'" is what John Bonham was trying to play when he came up with the intro-beat to Led Zeppelin's "Rock N' Roll".

Digitized By JustDave For Sam Elliot's Mustache & The Collective Of Live Music

Project Started : May 18, 2025  Project Finished : May 22, 2025

Flac 24bit

Flac 16bit

MP3 320kbps/48khz

Sunday, May 18, 2025

Mwandishi Herbie Hancock - Strata Art Gallery, Detroit, Michigan, U.S.A. February 20, 1973 (FM) - Goody's Speed/Pitch-adjusted Sonic Upgrade v.2

Mwandishi Herbie Hancock
Strata Art Gallery
Detroit, Michigan, USA
February 20, 1973
Soundboard Recording

Flac Level 8 & MP3 320kbps
Cover Art Included

Goody's Speed/Pitch-adjusted Sonic Upgrade v.2

Lineage for tracks 202-303: SBD? > ??? > CD-R > EAC > FLAC > Audition (Pitch Bender, various amounts; repaired clipping in Tracks 202-303, manually removed around 200 pops) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)


Disc 1

101 Hidden Shadows* 43:13
102 Firewater* 20:13

Disc 2

201 Revelation/Realization* 25:11 (cut)
202 You'll Know When You Get There 43:14

Disc 3

301 Quasar 13:47
302 Improv 1 12:09
303 Improv 2 02:10

Disc 1 Runtime: 63:27
Disc 2 Runtime: 68:24
Disc 3 Runtime: 28:06
Total Runtime: 2:39:57

* = taken from torrent #445834

Mwandishi Herbie Hancock - Keyboards, Percussion
Mwile Bennie Maupin - Reeds, Percussion
Mganga Eddie Henderson - Trumpet, Flugelhorn, Percussion
Pepo Mtoto Julian Priester - Trombone, Percussion
Mchezaji Buster Williams - Bass, Percussion
Jabali Billy Hart - Drums, Percussion
Patrick Gleeson - Synthesizer, Percussion

I only have one ready for posting but you can not go wrong with some Mwandishi era Herbie Hancock. This one has been given the Goody Pitch/Speed Correction and Remaster treatment. It still has some rough spots here and there but it's a great listen! All the uploader notes are contained in the art folder. Enjoy this one for Your Jazz On Sunday!!

Flac

MP3