Roy Clark - The Silver Eagle Cross Country Music Show #SE-075

Roy Clark
The Silver Eagle Cross Country Music Show #SE-075
The Broadway Theatre, Pittman, New Jersey 1982
For Broadcast December 18, 1982
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Label & Cue Sheet Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Album 5 Sided Radio Broadcast Vinyl Set

Lineage:  Pre-FM 3x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Larry Kenny

01 The Silver Eagle Cross Country Music Show #SE-075 Intro & Break - Larry Kenny
02 Commercial - AT&T Communications - Roger Miller
03 Commercial - Levi's Jeans For Men
04 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
05 Rodney Lay & The Wild West - I Wish I Had A Job To Shove
06 Rodney Lay & The Wild West - I'll Be There (If You Ever Want Me) (Ray Price)
07 Rodney Lay & The Wild West - Foggy Mountain Breakdown (Flatt & Scruggs)
08 Rodney Lay & The Wild West - You May See Me Walkin' (Ricky Scaggs)
09 Rodney Lay & The Wild West - William Tell Overture (Gioachino Rossini)
10 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
11 Commercial - Kodamatic Cameras & Film Sweepstakes - David Copperfield
12 Commercial - Avon Nail Polish
13 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
14 Rodney Lay & The Wild West - Roy Clark Introduction
15 Roy Clark - Tennessee Saturday Night (Red Foley)
16 Roy Clark - Uncle Penn (Bill Monroe)
17 Roy Clark - Love Takes Two (Oak Ridge Boys)
18 Roy Clark - Ghost Riders (Instrumental) (Stan Jones)
19 Roy Clark - Here We Go Again (Ray Charles)
20 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
21 Commercial - Maxwell House Coffee - Ray Charles
22 Commercial - Campbell's Soup
23 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
24 Roy Clark - Thinkin' Tonight Of My Blue Eyes (The Carter Family)
25 Roy Clark - Polka Instrumental
26 Roy Clark - Hits Medley*
27 Roy Clark - Yesterday When I Was Young
28 Roy Clark - Somewhere My Love (Instrumental) (Ray Conniff)
29 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
30 Commercial - Levi's Jeans For Men
31 Commercial - Campbell's Chunky Soup
32 Commercial - Avon Nail Polish
33 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
34 Roy Clark - Rappin' And Pickin'/Dueling Banjos
35 Roy Clark - It Wouldn't Be Christmas Without You
36 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
37 Commercial - Maxwell House Coffee - Ray Charles
38 Commercial - Campbell's Soup
39 Commercial - Kodamatic Cameras & Film Sweepstakes - David Copperfield
40 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
41 Roy Clark - Orange Blossom Special (Ervin T. & Gordon Rouse)
42 Roy Clark - Malagueña (Lecuona) (Instrumental)
43 Rodney Lay & The Wild West - Roy Clark Walk Off Music
44 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
45 Commercial - AT&T Communications
46 Commercial - Levi's Jeans For Men
47 The Silver Eagle Cross Country Music Show #SE-075 Wrap Up - Larry Kenny
48 The Silver Eagle Cross Country Music Show #SE-075 Promo Bed - Larry Kenny

*Medley (Come Live With Me/Honeymoon Feeling/I Let It Slip Through My Hands/Thank God And Greyhound)

Total Playing Time: 1hr 23mn 28sc

Roy Clark - lead vocals, guitars, mandolin, banjo, fiddle

Fancy:
Mary Beth Anderson - vocals
Sherri Baker - vocals
Carolyn Anderson - vocals

Rodney Lay & The Wild West:
Rodney Lay - bass, lead vocal "I Wish I Had A Job To Shove", Master of Ceremonies

Vernon Sandusky - guitar
Jimmy Henley - banjo, guitar, lead vocal "You May See Me Walkin'"
James Henley - rhythm guitar
Troy Klontz - steel guitar
Shelby Eicher - fiddle
Kenny Putnam - fiddle
Terrell Glaze - drums
John French - piano

Runout Grooves:
Side A : SE-075-A MCR JOE
Side B : SE-075-B MCR JOE
Side C : SE-075-C MCR JOE
Side D : SE-075-D MCR JOE
Side E : SE-075-E MCR JOE

JustDave's Notes:
- Thank you to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!
- "Yesterday When I Was Young" is the first Roy Clark song I remember ever hearing. I was pretty young kid but a big music fan. "Yesterday When I Was Young" is the first song that ever made me cry. It wasn't exactly because of the very sad lyics of a man confronting his winter of life. It was because it was so beautiful in a maudlin sense of the word. It was one of the first singles I remember buying with my own money.

Known Faults:
- The low volume of the commercials contributes to a higher amount of needle noise in the commercials. A highpass filter with a initial cutoff of 40Hz was used to lessen the effect.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There is a locked groove show promo at the end of Side D with a voice over. It was encoded.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually no Pop Fix Noise Reduction was necessary with this rip.
- The commercials had a maked difference in volume to the music. Volume was adjusted to match the body of the show.

Other Notes:
- Roy Clark was a huge influence on Southern Rockers Lynyrd Skynyrd for his guitar playing. Ronnie Van Zant actually name checks Roy Clark by saying things like "Ahhh sounds like some Roy" and "Come on play me some Roy" at various guitar solos on the bands albums.
- In 1976 Arthur Fiedler invited Roy Clark to perform with The Boston Pops for "An Evening at The Pops with Roy Clark and the Boston Pops Orchestra", Arthur Fiedler conducted.
- Roy Clak was just 17 years old when he first played at The Grand Ole Opry in 1950.
- Roy Clark, who started his professional career in 1947, was invited to join the Grand Ole Opry in 1987. Fourty years after he started his career.
- Roy Clark was shamefully not inducted into the Country Music Hall Of Fame until 2009, just 9 years before his passing.
- Roy Clark passed away November 15, 2018 at the age of 85, from complications of pneumonia.
- Roy Clark was also a pilot, obtaining his license in 1953. After Roy Clark died, His 1953 Piper Tri-Pacer was raffled off on December 17, 2012 to benefit the charity Wings of Hope.
- Wings of Hope is a nonprofit organization that partners with organizations in ten countries outside of the U.S. to provide medical evacuation flights and access to health care for remote communities. Wings of Hope also provides free medical air transportation to people within a 900-mile radius of its St. Louis headquarters.- Wings Of Hope info copied and pasted from Roy Clark's Wikipedia page.
- Ray Charles sang the Maxwell House "Good To The Last Drop" jingle for a long time. The jingle itself was written by Joseph Brooks.

Digitized By JustDave For The Collective Of Live Music

Project Started : June 16, 2025     Project Finished : June 19, 2025

Flac 24bit

Flac 16bit

MP3

Smokey Robinson - Westwood One Budweiser Concert Hour #BC 83-06 (Pre-FM)

Smokey Robinson
Westwood One Budweiser Concert Hour #BC 83-06
The Front Row Theater, Cleveland, Ohio 1982
Pre-FM Recording
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
No Cue Sheets
Label Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Album

Lineage:  Pre-FM Vinyl LP > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 16bit/44,1khz > Trader's Little Helper > Flac Level 8

Hosted By J.J. Johnson

01 Westwood One Budweiser Concert Hour #BC 83-06 Intro - J.J. Johnson
02 Smokey Robinson - Tracks Of My Tears (The Miracles) (Ballad Arrangement)
03 Smokey Robinson - Tears Of A Clown (The Miracles)
04 Smokey Robinson - I'll Try Something New (The Miracles)
05 Commercial - Budweiser
06 Westwood One Budweiser Concert Hour #BC 83-06 Break - J.J. Johnson
07 Smokey Robinson - More Love (The Miracles)
08 Smokey Robinson - I Second That Emotion (The Miracles)
09 Smokey Robinson - Mickey's Monkey (The Miracles)
10 Smokey Robinson - Going To A Go-Go (The Miracles)
11 Smokey Robinson - You Really Got A Hold On Me (The Miracles)
12 Smokey Robinson - The Love I Saw In You Was Just A Mirage (The Miracles)
13 Westwood One Budweiser Concert Hour #BC 83-06 Break - J.J. Johnson
14 Commercial - Budweiser
15 Smokey Robinson - Tell Me Tomorrow
16 Smokey Robinson - Cruisin'
17 Commercial - Budweiser - The Gap Band (?)
18 Westwood One Budweiser Concert Hour #BC 83-06 Break - J.J. Johnson
19 Smokey Robinson - Baby Come Close
20 Smokey Robinson - Being With You/Aqui Con Tigo (Rare bilingual English/Spanish Arrangement)
21 Westwood One Budweiser Concert Hour #BC 83-06 Wrap Up - J.J. Johnson

Total Playing Time: 52mn 6sc

JustDave's Notes:
- Thank you to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!

Known Faults:
- No cue sheets included with album.
- When the previous owner wrote Smokey Robinson across the inner white sleeve, they pressed hard enough to leave the words indented into Side One across both Sections 1 which is the acoustic arrangement of "Tracks Of My Tears". This of course made for quite a bit of noise that had to be removed. Some had to be left because removing it damaged the sound worse tha leaving it in. You have to pay attention to hear it, if not listening for it it will just sound like the audience clapping.

Recording Notes:
- No show promo included on the record set.
- This version of the show has tracks that are not on Westwood One Budweiser Concert Hour #BC 82-21. "Tracks Of My Tears", "Tears Of A Clown" and "More Love", "I Second That Emotion", "Mickey's Monkey",

Editing Notes:
- Record hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.

Other Notes:
- The recording is a little rough at the start of "Tracks Of My Tears" but quickly cleans up. Some small fuzz had to be left since it caused bad after effects when cleaned up.
- The show starts with a very special arrangement of "Tracks Of My Tears". Starting acoustically and finishing as an almost Gospel Soul Ballad.
- Smokey sings a very special version of "Being With You". 3 unique versions of the song were released. There was an English version called "Being With You". A Spanish version called "Aqui Con Tigo" and a bilingual English/Spanish version called "Being With You/Aqui Con Tigo". Smokey performs the bilingual English/Spanish version "Being With You/Aqui Con Tigo".
- I have included the Spanish and the English lyrics to "Being With You".
- The Front Row Theater, Cleveland, Ohio 1982 concert was broadcast by Westwood One as Westwood One Concerts & Specials #PC-83-24, Westwood One Budweiser Concert Hour #BC 82-21 and Westwood One Budweiser Concert Hour #BC 83-06. Each was edited differently creating 3 unique broadcasts.
- Westwood One Concerts & Specials #PC-83-24 is a 2 record show edited as just one concert. Westwood One Budweiser Concert Hour #BC 82-21 is said to be Part 2 of the Smokey Robinson concert and is a "all request set". The audience shouts out titles and Smokey plays them. Westwood One Budweiser Concert Hour #BC 83-06 is said to be Part 1 of the Smokey Robinson concert and consists of songs that sound like the edits used for Westwood One Concerts & Specials #PC-83-24.

Digitized By JustDave For The Collective Of Live Music

Project Started : May 31, 2025  Project Finished : June 4, 2025

Flac 24bit

Flac 16bit

MP3

Smokey Robinson - Westwood One Budweiser Concert Hour #BC 82-21 (Pre-FM)

Smokey Robinson
Westwood One Budweiser Concert Hour #BC 82-21
The Front Row Theater, Cleveland, Ohio 1982 or 1983
Pre-FM Recording
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
No Cue Sheets
Label Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Album

Lineage:  Pre-FM Vinyl LP > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By J.J. Johnson

01 Smokey Robinson - Smokey Speaks
02 Westwood One Budweiser Concert Hour #BC 82-21 Intro - J.J. Johnson
03 Smokey Robinson - Going To A Go-Go (The Miracles)
04 Smokey Robinson - I'll Try Something New (The Miracles)
05 Smokey Robinson - You Really Got A Hold On Me (The Miracles)
06 Smokey Robinson - The Love I Saw In You Was Just A Mirage (The Miracles)
07 Smokey Robinson - Way Over There (The Miracles)
08 Commercial - Budweiser - The Gap Band (?)
09 Westwood One Budweiser Concert Hour #BC 82-21 Break - J.J. Johnson
10 Smokey Robinson - Tell Me Tomorrow
11 Smokey Robinson - Smokey Speaks
12 Smokey Robinson - Baby Come Close
13 Commercial - Budweiser
14 Westwood One Budweiser Concert Hour #BC 82-21 Break - J.J. Johnson
15 Smokey Robinson - Being With You/Aqui Con Tigo (Rare bilingual English/Spanish Arrangement)
16 Smokey Robinson - Smokey Speaks
17 Commercial - Budweiser - Jazz Instrumental
18 Westwood One Budweiser Concert Hour #BC 82-21 Break - J.J. Johnson
19 Smokey Robinson - Cruisin'
20 Smokey Robinson - Smokey Speaks
21 Smokey Robinson - Cruisin' Sing Along
22 Westwood One Budweiser Concert Hour #BC 82-21 Wrap Up - J.J. Johnson

Total Playing Time: 51mn 46sc

JustDave's Notes:
- Thank you to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!

Run Out Grooves:
Side One : BC-82-21-A > ALSHIRE L-11448
Side Two : BC-82-21-A > ALSHIRE L-11448-X

Known Faults:
- No cue sheets included with album.
- When the previous owner wrote Smokey Robinson across the inner white sleeve, they pressed hard enough to leave the words indented into Side Two across both Sections 3 and 4. This of course made for quite a bit of noise that had to be removed.
- Westwood One packs over 50 minutes of music and commercials onto one album which causes "groove crowding". This "crowding" can cause vinyl damage while playing. This also causes a low needle rumble when playing which can be audible at times when digitizing vinyl.

Recording Notes:
- No show promo included on the reord set.
- Smokey sometimes speaks to the audience at length so I decided to separate the long spoken parts from the songs as "Smokey Speaks".

Editing Notes:
- Record hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.

Other Notes:
- Smokey sings a very special version of "Being With You". 3 unique versions of the song were released. There was an english version called "Being With You". A Spanish version called "Aqui Con Tigo" and a bilingual English/Spanish version called "Being With You/Aqui Con Tigo". Smokey performs the bilingual English/Spanish version "Being With You/Aqui Con Tigo".
- I have included the Spanish and the English lyrics to "Being With You".
- The Front Row Theater, Cleveland, Ohio 1982 concert was broadcast by Westwood One as Westwood One Concerts & Specials #PC-83-24, Westwood One Budweiser Concert Hour #BC 82-21 and Westwood One Budweiser Concert Hour #BC 83-06. Each was edited differently creating 3 unique broadcasts.
- Westwood One Concerts & Specials #PC-83-24 is a 2 record show edited as just one concert. Westwood One Budweiser Concert Hour #BC 82-21 is said to be Part 2 of the Smokey Robinson concert and is a "all request set". The audience shouts out titles and Smokey plays them. Westwood One Budweiser Concert Hour #BC 83-06 is said to be Part 1 of the Smokey Robinson concert and consists of songs that sound like the edits used for Westwood One Concerts & Specials #PC-83-24.

Digitized By JustDave For The Collective Of Live Music

Project Started : May 22, 2023 Project Finished : May 31, 2025

Flac 24bit

Flac 16bit

MP3

Smokey Robinson - Westwood One Concerts & Specials #PC-83-24 (Pre-FM) - JustDave Remaster

Smokey Robinson
Westwood One Concerts & Specials #PC-83-24
The Front Row Theater, Cleveland, Ohio 1982 or 1983
Pre-FM Recording
Flac Level 8 24bit/96khz
Flac Level 8 16bit/48khz
High Quality MP3 320kbps/48khz
No Cue Sheets
Label Scans Included

As Amended By JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast 2 Album Set

Lineage: Unknown Digitizing Process > Archive.org Flac Download (Downloaded as 2 Flac Files)

Lineage: Trader's Little Helper > Wave 24bit/96khz > Goldwave v6.83 (editing, tagging, encoding) > Flac Level 8 24bit/96khz

Hosted By Phil Hendrie

01 Westwood One Concerts & Specials #PC-83-24 Intro & Break - Phil Hendrie
02 Commercial - Certs Breath Mints Male Lead
03 Commercial - Gillette Good News Disposable Razor
04 Westwood One Concerts & Specials #PC-83-24 Intro - Phil Hendrie
05 Smokey Robinson - Tracks Of My Tears (The Miracles) (Ballad Arrangement)
06 Smokey Robinson - Tears Of A Clown (The Miracles)
07 Smokey Robinson - I'll Try Something New (The Miracles)
08 Commercial - Chewels Sugarless Gum Female Lead
09 Commercial - Certs Breath Mints Female Lead
10 Westwood One Concerts & Specials #PC-83-24 Break - Phil Hendrie
11 Smokey Robinson - More Love (The Miracles)
12 Smokey Robinson - I Second That Emotion (The Miracles)
13 Smokey Robinson - Mickey's Monkey (The Miracles)
14 Smokey Robinson - Going To A Go-Go (The Miracles)
15 Smokey Robinson - You Really Got A Hold On Me (The Miracles)
16 Smokey Robinson - The Love I Saw In You Was Just A Mirage (The Miracles)
17 Commercial - Gillette Good News Disposable Razor
18 Commercial - Lee Jeans
19 Commercial - Chewels Sugarless Gum Male & Female Duet
20 Westwood One Concerts & Specials #PC-83-24 Break - Phil Hendrie
21 Smokey Robinson - Tell Me Tomorrow
22 Smokey Robinson - Cruisin'
23 Commercial - Gillette Good News Disposable Razor
24 Commercial - Certs Breath Mints Male Lead
25 Commercial - Chewels Sugarless Gum Male & Female Duet
26 Westwood One Concerts & Specials #PC-83-24 Break - Phil Hendrie
27 Smokey Robinson - Baby Come Close
28 Smokey Robinson - Being With You/Aqui Con Tigo (Rare Bilingual English/Spanish Arrangement)
29 Westwood One Concerts & Specials #PC-83-24 Wrap Up - Phil Hendrie
30 Westwood One Concerts & Specials #PC-83-24 Promo Bed - Phil Hendrie

Total Playing Time: 56mn 5sc

JustDave's Notes:
- As always a big Thank You to the guys in the Collective, Draftervoi, Sam Elliot's Mustache and Matt for assistance and input.

Known Faults:
- Vinyl was not properly cleaned before encoding which left quite a bit of vinyl noise to clean up.
- No Cue Sheets or Info Text was given with download.

Recording Notes:
- Encoder had his right and left patch cords crossed somewhere because what is right is left an what is left is right.
- The recording is a little rough at the start of "Tracks Of My Tears" but quickly cleans up.

Editing Notes:
- Connected the files to allow for easier editing.
- Evened out then raised the volume of the files.
- Removed any DC offset.
- Did a De-click with Goldwave with a tolerance of 2000%.
- Some larger clicks removed manualy.
- Some vinyl deffects may still be audible. Some clicks couldn't be removed without further damaging the sound so they were left. Others may have just been missed in the process.
- A rumble/bump filter was used on the files with an initial cutoff of 40khz due to excessive needle noise.

Other Notes:
- The recording is a little rough at the start of "Tracks Of My Tears" but quickly cleans up. Some small fuzz had to be left since it caused bad after effects when cleaned up.
- The show starts with a very special arrangement of "Tracks Of My Tears". Starting acoustically and finishing as an almost Gospel Soul Ballad.
- Smokey sings a very special version of "Being With You". 3 unique versions of the song were released. There was an english version called "Being With You". A Spanish version called "Aqui Con Tigo" and a bilingual English/Spanish version called "Being With You/Aqui Con Tigo". Smokey performs the bilingual English/Spanish version "Being With You/Aqui Con Tigo".
- I have included the Spanish and the English lyrics to "Being With You".
- The Front Row Theater, Cleveland, Ohio 1982 concert was broadcast by Westwood One as Westwood One Concerts & Specials #PC-83-24, Westwood One Budweiser Concert Hour #BC 82-21 and Westwood One Budweiser Concert Hour #BC 83-06. Each was edited differently creating 3 unique broadcasts.
- Westwood One Concerts & Specials #PC-83-24 is a 2 record show edited as just one concert. Westwood One Budweiser Concert Hour #BC 82-21 is said to be Part 2 of the Smokey Robinson concert and is a "all request set". The audience shouts out titles and Smokey plays them. Westwood One Budweiser Concert Hour #BC 83-06 is said to be Part 1 of the Smokey Robinson concert and consists of songs that sound like the edits used for Westwood One Concerts & Specials #PC-83-24.

Slight remaster was done June 6, 2026 by Just Dave for The Collective Of Live Music

Flac 24bit

Flac 16bit

MP3

David Bowie Westwood One Superstar Concert Series Show #CO 91-26

David Bowie
Westwood One Superstar Concert Series Show #CO 91-26
The Tokyo Dome, Tokyo, Japan May 16, 1990
For Broadcast The Weekend Of June 29-30, 1991
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
MP3 320kbps
Cue Sheet & Label Scans Included

From The Collection of BiginV3

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Album Vinyl Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Suzy Cruz

Sides 1, 2, & 3

01 Westwood One Superstar Concert Series #CO91-26 Intro & Break - Suzy Cruz
02 Commercial - United States Army Reserves
03 Commercial - Dentyne Chewing Gum
04 Commercial - T.G.I Fridays Restaurant
05 David Bowie - Space Oddity
06 David Bowie - Changes
07 David Bowie - TVC 15
08 David Bowie - Rebel Rebel
09 Commercial - Courtyard Motels
10 Commercial - Greyhound Bus Transportation
11 Westwood One Superstar Concert Series #CO91-26 Break - Suzy Cruz
12 David Bowie - Ashes To Ashes
13 David Bowie - Fashion
14 Commercial - Dentyne Chewing Gum
15 Commercial - Halls Vitamin C Drops
16 Commercial - US Beef Industry
17 Westwood One Superstar Concert Series #CO91-26 Break - Suzy Cruz
18 David Bowie - Let's Dance
19 David Bowie - China Girl
20 Commercial - Greyhound Bus Transportation
21 Commercial - T.G.I Fridays Restaurant
22 Commercial - US Beef Industry
23 Westwood One Superstar Concert Series #CO91-26 Break - Suzy Cruz

Sides 4, 5, & 6

24 David Bowie - Sound And Vision
25 David Bowie - Ziggy Stardust
26 David Bowie - Young Americans
27 Commercial - T.G.I Fridays Restaurant
28 Commercial - Trident Gum Sweepstakes
29 Westwood One Superstar Concert Series #CO91-26 Break - Suzy Cruz
30 David Bowie - Suffragette City
31 David Bowie - Fame
32 David Bowie - Panic In Detroit
33 Commercial - Beatles Live Home Video
34 Commercial - United States Army Reserves
35 Westwood One Superstar Concert Series #CO91-26 Break - Suzy Cruz
36 David Bowie - Modern Love
37 David Bowie - Jean Genie
38 Westwood One Superstar Concert Series #CO91-26 Wrap Up - Suzy Cruz
39 Westwood One Superstar Concert Series #CO91-26 Promo Bed - Suzy Cruz

Total Playing Time: 1hr 24mn 24sc

David Bowie vocals, guitar, saxophone
Adrian Belew guitar, backing vocals, music director
Erdal Kizilcay bass, backing vocals
Rick Fox keyboards, backing vocals
Michael Hodges drums

JustDave's Notes:
- Thank you to BiginV3 for sending the vinyl for encoding, you rock!
- Thank you to Sam Elliot's Mustache, Draftervoi, and avnut for impute and assistance!

Run Out Grooves:
Side 1: CO-91-26-1 K2 KM
Side 2: CO-91-26-2 K2 KM
Side 3: CO-91-26-3 K2 KM
Side 4: CO-91-26-4 K2 KM
Side 5: CO-91-26-5 K2 KM
Side 6: CO-91-26-6 K2 KM

Recording Notes:
- Records have some small dimples but not enough to mar sound.
- No superficial marks, or scratches, very clean near mint vinyl.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually, some noise reduction used depending on if it best serves the situation.

Other Notes:
- According to some sources the Sound And Vision Tour was not as pleasurable as David Bowie would have wanted. Seems there was tensions between band members and clashing egos. Keyboardist Rick Fox reportedly would eat his dinner during concerts, on stage at his keyboards.
- There were at least 5 shows from this tour recorded for broadcasts and a proposed video release. Despite this no official recordings have been released from this tour.
- The tour was to put to bed some of David Bowie's catalog that he would no longer be performing live. However a lot of the songs from the tour remained in setlists for the remainder of Bowie's career.
- The Tokyo Concert has been broadcast as: Westwood One Superstar Concert Series #CO90-47, Westwood One Superstar Concert Series #CO91-26, Westwood One Superstar Concert Series #CO91-45, Westwood One Superstar Concert Series #CO92-15, Superstar Concert Series #CO93-51, Westwood One Superstar Concert Series #CO97-26, Westwood One Superstar Concert Series #CO98-46, Westwood One Superstar Concert Series #CO99-23, Westwood One Superstar Concert Series #CO00-12, Westwood One Superstar Concert Series #CO00-49 and Coca-Cola Planet Live! #PL/DB01/01/02. each show has been edited uniquely with different songs, running order and advertising making each a must have for Bowie Collectors.
- A Spread sheet has been included showing the shows and which songs were included.

Project Started: May 16, 2025 Project Finished: May 18, 2025

Encoded By JustDave For The Collective Of Live Music

Flac 24bit

Flac 16bit

MP3

Pat Benatar - King Biscuit Flower Hour Best Of The Biscuit #409 (Pre-FM)

Pat Benatar
King Biscuit Flower Hour Best Of The Biscuit #409
University Of Texas, Austin, Texas, USA
The Reunion Arena, Dallas, Texas, USA
For Broadcast March 7, 1982
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/96khz
High Quality MP3 320kbps/48khz
Label & Cue Sheet Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Bill Minkin

01 King Biscuit Flower Hour Best Of The Biscuit #409 Intro & Break - Bill Minkin
02 Commercial - United States Navy
03 Pat Benatar - No You Don't (The Sweet)*
04 Pat Benatar - You Better Run (The Young Rascals)
05 Pat Benatar - Treat Me Right
06 Pat Benatar - Out-A-Touch (miss-named "Out Of Touch" on Cue Sheet)
07 King Biscuit Flower Hour Best Of The Biscuit #409 Break - Bill Minkin
08 Commercial - Nestle's $100,000 Bar
09 Commercial - Honda Motorcycles
10 King Biscuit Flower Hour Best Of The Biscuit #409 Intro - Bill Minkin
11 Pat Benatar - Precious Time
12 Pat Benatar - I Need A Lover (John Cougar Mellencamp)
13 Pat Benatar - Promises In The Dark
14 Pat Benatar - Heartbreaker (Jenny Darren)
15 King Biscuit Flower Hour Best Of The Biscuit #409 Break - Bill Minkin
16 Commercial - Jensen Sound Systems
17 Commercial - Nestle's $100,000 Bar
18 King Biscuit Flower Hour Best Of The Biscuit #409 Intro - Bill Minkin
19 Pat Benatar - Hit Me With Your Best Shot
20 Pat Benatar - Just Like Me (Paul Revere & The Raiders)
21 Pat Benatar - Helter Skelter (The Beatles)
22 King Biscuit Flower Hour Best Of The Biscuit #409 Break - Bill Minkin
23 Commercial - United States Navy
24 Commercial - Honda Motorcycles
25 King Biscuit Flower Hour Best Of The Biscuit #409 Wrap Up - Bill Minkin
26 King Biscuit Flower Hour Best Of The Biscuit #409 Promo Bed - Bill Minkin
27 King Biscuit Flower Hour Best Of The Biscuit #409 Promo Bed - Music Only

Total Playing Time: 58mn 1sc

Pat Benatar lead vocals
Neil "Spyder" Geraldo lead guitar
Myron Grombacher drums
Scott Sheets guitar
Roger Capps bass

Runout Grooves:
Side A : BoB·409·A MCR Joe
Side B : BoB·409·B MCR Joe
Side C : BoB·409·C MCR Joe

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl to encode!
- Thank you also to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!

Known Faults:
- During Bill Minkin's wrap up of the show there is a couple spots of distortion that could not be removed without making the noise worse.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There are two locked groove show promos at the end of Side C, one with a voice over, one without. They have been encoded.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually no Pop Fix Noise Reduction was necessary with this rip.
- As with all King Biscuit shows I've edited so far, the commercials had a maked difference in volume to the music. Volume was adjusted to match the body of the show.
- A High Pass Rumble/Bump Filter with an initial cut off 40Hz was used on the commercials as the low volume they were mastered with causes needle noise.  

Other Notes:
- This was a fun project to work on. Pat Benatar and the band had a great couple shows to make up this recording. I've always loved Pat's choices of cover songs. On her first album there was 2 Smokey covers "In the Heat of the Night", and "If You Think You Know How to Love Me", John "Cougar" Melloncamp's "I Need A Lover", The Sweet's "No You Don't", Nick Gilder's "Rated X", Alan Parson's "Don't Let It Show" and Jenny Darren's "Heartbreaker". On Crimes Of Passion there was The Young Rascals' "You Better Run" and Kate Bush's "Wurthering Heights". On Precious Time she covered Paul Revere & The Raiders' "Just Like Me" and The Beatles' "Helter Skelter". Six of these covers are in this set, with "Helter Skelter" being chosen as the show closer.
- This show was released as Pat Benatar Greatest Hits Live.
- Pat Benatar has stopped playing "Hit Me With Your Best Shot" because of the gun violence in the United States. She says that she will not preach to her fans, that's not her place. She says as a citizen that she talks to U.S. Legislators about the situation. She however feels she can not sing the song when it personally makes her think of the violence in the world.

Digitized By JustDave For Sam Elliot's Mustache & The Collective Of Live Music

Project Started : June 13, 2025    Project Finished : June 15, 2025

Flac 24bit

Flac 16bit

MP3

Scandal / Saga - King Biscuit Flower Hour Best Of The Biscuit #BOB 478 (Pre-FM) Vinyl Rip

Scandal / Saga
King Biscuit Flower Hour Best Of The Biscuit #BOB 478
Scandal The Metron, Harrisburg, Pennsylvania, USA February 9, 1983
Saga Cumberland County Civic Center, Portland, Maine, USA December 20, 1982
For Broadcast July 3, 1983
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Label & Cue Sheet Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Bill Minkin

01 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Intro & Break - Bill Minkin
02 Commercial - United States Army
03 MC Introduces Scandal - Jeff Cochran
04 Scandal - Love's Got A Line On You (missnamed "Line On You" on cue sheet)
05 Scandal - Child Of The Night (unreleased at the time)
06 Scandal - Tonight (unreleased at the time)
07 Scandal - I Don't Know Why I Can't Say No (unreleased at the time)
08 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Break - Bill Minkin
09 Commercial - Honda Motorcycles
10 Commercial - United States Army
11 Commercial - Clarion Sound Systems
12 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Intro - Bill Minkin
13 Scandal - I Second That Emotion (Smokey Robinson & The Miracles)
14 Scandal - Goodbye To You
15 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Break - Bill Minkin
16 Commercial - United States Army
17 Saga - It's Time (Chapter Three) (missnamed "It's Time" on cue sheet)
18 Saga - Wind Him Up
19 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Break - Bill Minkin
20 Commercial - Honda Motorcycles
21 Commercial - Clarion Sound Systems
22 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Intro - Bill Minkin
23 Saga - No Regrets (Chapter Five) (missnamed "No Regrets" on cue sheet
24 Saga - How Long
25 Saga - On The Loose
26 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Break - Bill Minkin
27 Commercial - United States Army
28 Commercial - Clarion Sound Systems
29 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Wrap Up - Bill Minkin
30 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Promo Bed - Bill Minkin & Saga
31 King Biscuit Flower Hour Best Of The Biscuit #BOB 478 Promo Bed - Bill Minkin & Scandal

Total Playing Time: 59mn 51sc

Scandal:
Patty Smyth lead vocals
Zack Smith guitar
Ivan Elias bass
Keith Mack guitar
Benjie King keyboards
No Drummer Listed On Cue Sheet

Saga:
Michael Sadler lead vocals, keyboards, electronic percussion (missnamed as Mike on cue sheet)
Ian Crichton guitars
Tim Crichton bass, keyboards (missnamed as Jim on cue sheet)
Jim Gilmour keyboards, vocals
Steve Negus drums, percussion

Runout Grooves:
Side A : BoB·478·A MCR Joe (which stands for Master Cutting Room·Joe Brescio who cut the lacquer)
Side B : BoB·478·B MCR Joe
Side C : BoB·478·C MCR Joe

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl to encode!
- Thank you also to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!

Known Faults:
- On Side A and Side C there are large somewhat superficial scratches across the entire side which caused a small clicking noise every rotation of the album.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There are two locked groove show promos at the end of Side C. They have been encoded and moved to the end of the recording.
- Of the 2 show promo beds provided, one is Bill Minkin speaking over Scandal's music. The other is Bill Minkin speaking over Saga music.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Anti-skid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- De-clicked manually and some noise reduction used depending on what best served situation.
- As with all King Biscuit shows I've edited so far, the commercials had a marked difference in volume to the music. Volume was adjusted to match the body of the show.

Other Notes:
- Scandal's portion of the show was first broadcast as King Biscuit Flower Hour #KB 460 on February 27, 1983. This rebroadcast, King Biscuit Flower Hour Best Of The Biscuit #BOB 478, is longer in that it has one more Scandal track "Tonight"
- Saga's portion of the show was first broadcast as King Biscuit Flower Hour #KB 458 which was longer than King Biscuit Flower Hour Best Of The Biscuit #BOB 478, since it had 3 more songs "Don't Be Late", "Humble Stance", You're Not Alone", and "Briefcase".
- Saga's songs "It's Time (Chapter Three)" and "No Regrets (Chapter Five)" are part of a group of songs Saga called "The Chapters" which were about Legendary Physicist Albert Einstein. The band released "Chapters 1 thru 16". The story was intended to have 8 "Chapters" but the concept kept growing in scope. The only album all sixteen tracks appear on is "Live Chapters" no studio compilation of all 16 Chapters has been released.
- Scandal played 3 unreleased songs "Child Of The Night", "Tonight", and "I Don't Know Why I Can't Say No". The songs were later released on a Scandal's Greatest Hits Live CD.
- Both Paul Paul Schaffer, of David Letterman fame, and singer Jon Bon Jovi were early members of Scandal.
- Scandal was opening for the Portland Punk band The Sharks.
- Pat Benatar opened for Saga.

Digitized By JustDave For Sam Elliot's Mustache & The Collective Of Live Music

Project Started : June 6, 2025   Project Finished : June 8, 2025 (a total of about 6 hours)

Flac 24bit

Flac 16bit

MP3

Horace Silver Quintet - The Bijou Café: Philadelphia, PA, USA June 1978 (Mono SBD)

Horace Silver Quintet
The Bijou Café
Philadelphia, PA, USA
June 1978, unknown date
Incomplete Mono Soundboard Recording (early and late sets)
Flac Level 8 & HQ MP3 320kbps/48khz
Cover Art Included

Unknown gen (probably master) Maxell UD XLII C90 cassette recorded with no Dolby > played back on a Nakamichi DR-1 with no Dolby > Audition (Levels adjusted; tracking; fades) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000, Tag&Rename (tags)

Disc 1

01 Gregory Is Here  17:36
02 HS introduces the band  3:16
03 Señor Blues  10:50
04 // Unknown title  14:44  

Disc 2

01 HS introduces the band  3:26
02 The Soul In Communion With The Creator Part 4: We Expect Positive Results  15:29
03 African Ascension Part 3: The Spirit Of The Zulu  26:15
04 Song For My Father (criminally incomplete)  1:40

Total Playing Time Set 1: 46mn 16sc
Total Playing Time Set 2: 46mn 50sc
Total Playing Time Both Sets: 1hr 33mn 06sc

Horace Silver - piano
John McNeil - trumpet, flugelhorn
Larry Schneider - tenor sax, flute
Jon Burr - bass
Harold White - drums

What a show!! Two sets of some of the best Jazz has to offer! The Horace Silver Quintet delivers an hour and a half of music in 5 songs. Lots of soloing and jamming on a theme here! Horace Silver is an awesome piano player, song writer, and band leader. Horace has always been able to surround himself with some of the finest players in Jazz. I'm glad I started my Sunday Morning Jazz Session with this show. It was the perfect soundtrack to watching the deer in my back yard eating pine needles off my trees, while I'm sipping on a nice cup of freshly ground French Roast Coffee (which I'm not sure if French even drink this nice dark roast, a name is a name). One of the deer came up and looked right in my living room window last night. It's my little Heaven on Earth...

Flac

MP3

Jean-Luc Ponty - Unknown Venue: Hamburg, Germany September 17, 1976 (FM)

Jean-Luc Ponty
Unknown Venue
Hamburg, Germany
September 17, 1976
FM Broadcast Recording
Flac & MP3 320kbps
Cover Art Included

This Is A Repost And A Flac Upgrade

Source: DFM > DAT > AUDIOPHILE2496 > SOUNDFORGE > CDARCHITECT > EAC (secure mode) > FLAC 1.17 VERIFY/ALIGN

CD1
01 Is Once Enough? 9:29
02 Polyfolk Dance 8:10
03 Lost Forest 11:05
04 Aurora 18:30
05 Renaissance 8:31
06 Question with No Answers 5:05

CD2
07 Passenger of the Dark* 10:08
08 Bowing-Bowing 9:14
09 Tarantula 3:14
10 Wandering on the Milky Way 6:26
11 Fight for Life 6:05

Total Time: 1:36:05

Jean-Luc Ponty - Acoustic and Electric Violin
Darryl Stuermer - Electric and Acoustic Guitar
Tom Fowler - Bass Guitar
Mark Craney - Drums
Allan Zavod - Keyboards

This great performance from Jean-Luc Ponty is just perfect for Sunday Morning Jazz. We posted it before but did not have the lossless version. We now have fixed that situation so enjoy...

Flac

MP3

Greg Kihn Band - King Biscuit Flower Hour #KB-464 (Pre-FM) Vinyl Rip

Greg Kihn Band
King Biscuit Flower Hour #KB-464
Arlington Theatre, Santa Barbara, California, USA
For Broadcast March 27, 1983
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Bill Minkin

01 King Biscuit Flower Hour #KB-464 Intro & Break - Bill Minkin
02 Commercial - Honda Motorcycles
03 King Biscuit Flower Hour #KB-464 Intro - Bill Minkin
04 Greg Kihn Band - Fascination
05 Greg Kihn Band - Tear That City Down (mis-named Tear It Down on cue sheet)
06 Greg Kihn Band - Can't Love Them All
07 Greg Kihn Band - Can't Stop Hurtin' Myself
08 King Biscuit Flower Hour #KB-464 Break - Bill Minkin
09 Commercial - United States Army Reserve
10 King Biscuit Flower Hour #KB-464 Intro - Bill Minkin
11 Greg Kihn Band - Curious
12 Greg Kihn Band - Talkin' To Myself
13 Greg Kihn Band - Jeopardy
14 Greg Kihn Band - Valerie
15 King Biscuit Flower Hour #KB-464 Break - Bill Minkin
16 Commercial - TDK Recording Tape Sweepstakes
17 Commercial - Honda Motorcycles
18 King Biscuit Flower Hour #KB-464 Intro - Bill Minkin
19 Greg Kihn Band - Keep A-Knockin' (Little Richard) (mis-named Keep On Knockin' on cue sheet)
20 Greg Kihn Band - The Break Up Song (They Don't Write 'Em)
21 Greg Kihn Band - Testify
22 Greg Kihn Band - I Fall To Pieces (Patsy Cline)
23 Greg Kihn Band - Keep On Walkin'
24 King Biscuit Flower Hour #KB-464 Break - Bill Minkin
25 Commercial - United States Army Reserve
26 Commercial - Columbia Pictures 'Spring Break'
27 King Biscuit Flower Hour #KB-464 Wrap Up - Bill Minkin
28 King Biscuit Flower Hour #KB-464 Promo Bed - Bill Minkin
29 King Biscuit Flower Hour #KB-464 Promo Bed - Music Only

Total Playing Time: 59mn 41sc

Greg Kihn Band:
Greg Kihn - lead vocals, guitar
Steve Wright - bass
Gary Philips - keyboards
Greg Douglas - lead guitar
Larry Lynch drums, lead vocal on "Keep A-Knockin'"

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl to encode!
- Thank you also to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!

Run Out Grooves:
Side A : KB-464-A MCR JOE
Side B : KB-464-B MCR JOE
Side C : KB-464-C MCR JOE

Known Faults:
- One small section during "Talking To Myself" that has a pop in the same section for one quarter of the song. This was dealt with in editing.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There are two locked groove show promos at the end of Side A. They have been encoded and moved to the end of the recording.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- As with all King Biscuit shows I've edited so far, the commercials had a maked difference in volume to the music. Volume was adjusted to match the body of the show.

Other Notes:
- I don't know how many Greg Kihn Band shows I have edited but with each one I have become more of a fan.
- This show to me just seems that much better than the others. Maybe the band is just having a great show. You can tell the band is really having a good time at this show.
- I noticed in particular bass player Steve Wright's noodling over the riff is a little more inspired than before. For a great example just listen to the beginning of "Valerie" where the bass player and guitar player are interacting with each other playing around with the riff.
- Trivia note: The beginning drum beat to Little Richard's "Keep A-Knockin'" is what John Bonham was trying to play when he came up with the intro-beat to Led Zeppelin's "Rock N' Roll".

Digitized By JustDave For Sam Elliot's Mustache & The Collective Of Live Music

Project Started : May 18, 2025  Project Finished : May 22, 2025

Flac 24bit

Flac 16bit

MP3 320kbps/48khz

Mwandishi Herbie Hancock - Strata Art Gallery, Detroit, Michigan, U.S.A. February 20, 1973 (FM) - Goody's Speed/Pitch-adjusted Sonic Upgrade v.2

Mwandishi Herbie Hancock
Strata Art Gallery
Detroit, Michigan, USA
February 20, 1973
Soundboard Recording
Flac Level 8 & MP3 320kbps
Cover Art Included

Goody's Speed/Pitch-adjusted Sonic Upgrade v.2

Lineage for tracks 202-303: SBD? > ??? > CD-R > EAC > FLAC > Audition (Pitch Bender, various amounts; repaired clipping in Tracks 202-303, manually removed around 200 pops) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)

Disc 1

101 Hidden Shadows* 43:13
102 Firewater* 20:13

Disc 2

201 Revelation/Realization* 25:11 (cut)
202 You'll Know When You Get There 43:14

Disc 3

301 Quasar 13:47
302 Improv 1 12:09
303 Improv 2 02:10

Disc 1 Runtime: 63:27
Disc 2 Runtime: 68:24
Disc 3 Runtime: 28:06
Total Runtime: 2:39:57

* = taken from torrent #445834

Mwandishi Herbie Hancock - Keyboards, Percussion
Mwile Bennie Maupin - Reeds, Percussion
Mganga Eddie Henderson - Trumpet, Flugelhorn, Percussion
Pepo Mtoto Julian Priester - Trombone, Percussion
Mchezaji Buster Williams - Bass, Percussion
Jabali Billy Hart - Drums, Percussion
Patrick Gleeson - Synthesizer, Percussion

I only have one ready for posting but you can not go wrong with some Mwandishi era Herbie Hancock. This one has been given the Goody Pitch/Speed Correction and Remaster treatment. It still has some rough spots here and there but it's a great listen! All the uploader notes are contained in the art folder. Enjoy this one for Your Jazz On Sunday!!

Flac

MP3

Little River Band / Mink Deville - King Biscuit Flower Hower Show #393 (Pre-FM)

Little River Band / Mink Deville
King Biscuit Flower Hower Show #393
Little River Band: The Summit, Houston, Texas, USA October 7, 1981
Mink DeVille: The Savoy, Manhattan, New York, USA September 26th 1981
For Broadcast November 15, 1981
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
MP3 320kbps
Cue Sheet & Label Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Bill Minkin

01 King Biscuit Flower Hower Show #393 Intro & Break - Bill Minkin
02 Commercial - Nestle's $100,000 Bar - Free Mini Album Giveaway
03 King Biscuit Flower Hower Show #393 Intro - Bill Minkin
04 Little River Band - Man On Your Mind
05 Little River Band - The Rumor
06 Little River Band - Don't Let The Needle Win
07 Little River Band - Help Is On The Way
08 King Biscuit Flower Hower Show #393 Break - Bill Minkin
09 Commercial - Honda Motorcycles
10 Commercial - United States Navy
11 King Biscuit Flower Hower Show #393 Intro - Bill Minkin
12 Little River Band - Lonesome Loser
13 Little River Band - Night Owl
14 King Biscuit Flower Hower Show #393 Break - Bill Minkin
15 Commercial - Pioneer High Fidelity Systems
16 King Biscuit Flower Hower Show #393 Intro - Bill Minkin
17 Mink DeVille - Maybe Tomorrow
18 Mink DeVille - Love Me Like You Did Before (misnamed "Love Me Like You Do")
19 Mink DeVille - Love & Emotion
20 King Biscuit Flower Hower Show #393 Break - Bill Minkin
21 Commercial - Miller Brewing Co. 'Down To The River' - Gary 'US' Bonds
22 King Biscuit Flower Hower Show #393 Intro - Bill Minkin
23 Mink DeVille - Cadillac Walk (Moon Martin)
24 Mink DeVille - Teardrops Must Fall
25 Mink DeVille - Lipstick Traces
26 King Biscuit Flower Hower Show #393 Break - Bill Minkin
27 Commercial - Honda Motorcycles
28 Commercial - United States Navy
29 King Biscuit Flower Hower Show #393 Wrap Up - Bill Minkin
30 King Biscuit Flower Hower Show #393 Promo Bed - Bill Minkin
31 King Biscuit Flower Hower Show #393 Promo Bed - Music Only

Total Playing Time: 1hr 44sc

Little River Band:
Glenn Shorrock lead vocals
Beeb Birtles guitar, vocals
Graham Gobel guitar, vocals
Derek Pellicci drums, percussion
Mal Logan keyboards

Mink DeVille:
Willy DeVille vocals, harmonica
Kenny Margolis keyboards
Ricky Borgia rhythm & lead guitar
Lois Cortelezzi saxophones
Joey Vasta bass
Tommy Price drums, percussion

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl for me to encode!
- Thank you also to Draftervoi, Sam Elliot's Mustache and avnut for impute and assistance!

Run Out Grooves:
Side A : KB-393-A MCR JOE
Side B : KB-393-B MCR JOE
Side C : KB-393-C MCR JOE

Known Flaws:
- The records had very few of the little dimples in the vinal and some superficial markings, none of which were of any consiquence to the sound.
- The only real flaw with this recording is that both bands deserve a complete King Biscuit Flower Hour progarm of their own.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set output levels before broadcast. It was not encoded.
- King Biscuit put 2 locked groove show promos at the end of Side C. Those are included
- Albums looked very clean upon visual inspection.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave set to record while filtering any offset:
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually with some noise reduction used depending on if it best served situation.
- Some minor flaws may still show after all the work, we are after all working with vinyl sources.

Other Notes:
- Before starting this project I had never heard Mink DeVille. My immediate reaction was a sound like Clarence Clemons and Roy Brittan of The E Street Band jamming with a sober Johnny Thunders on Old School Rhythm And Blues. With just enough Garage Rock to make the music a little dangerous live, I can see how Mink Deville fit in with the Early CBGB's bands. Like a lot of those bands Mink DeVille were stuck with the Punk Rock moniker. This could also explain why such a talented bands never really made it big. A lot of music listeners were "musically afraid" of anything to do with anything labeled as Punk Rock.
- Little River Band released their set from The Summit, Houston, Texas, USA October 7, 1981 as a Home VHS in 1981. The video has since been released on DVD in 2008.
- Mink DeVille released their set as a video release titled Live At The Savoy.

Digitized By JustDave For Sam Elliot's Mustache & The Collective Of Live Music

Project Started: May 13, 2025 Finished May 15, 2025

Flac 24bit

Flac 16bit

MP3 320kbps

Marty Robbins / Floyd Cramer - Silver Eagle Cross Country Music Show #SE-058 (Pre-FM)

Marty Robbins / Floyd Cramer
Silver Eagle Cross Country Music Show #SE-058
Marty Robbins Opryland, Nashville, Tennessee, USA June 10, 1982 or July 10, 1982
Floyd Cramer The Canery, Nashville, Tennessee, USA 1982
For Broadcast August 21, 1982
Pre-FM Recording
Vinyl Rip
MP3 320kbps
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
Cue Sheet & Label Scans Included

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Album 5 Sided Vinyl Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Larry Kenny

01 Silver Eagle Cross Country Music Show #SE-058 Intro - Larry Kenny
02 Commercial - Toyota Sports Truck
03 Commercial - Bell Telephone Systems
04 Silver Eagle Cross Country Music Show #SE-058 Intro - Larry Kenny
05 Floyd Cramer - On The Rebound
06 Floyd Cramer - San Antonio Rose (Bob Wills)
07 Floyd Cramer - Blue Eyes Crying In The Rain (Elton Britt)
08 Floyd Cramer - Boogie Woogie (Clarence "Pinetop" Smith)
09 Floyd Cramer - The Twelfth Of Never (Johnny Mathis)
10 Floyd Cramer - Flip Flop Bop
11 Floyd Cramer - Last Date
12 Silver Eagle Cross Country Music Show #SE-058 Break - Larry Kenny
13 Commercial - Sealy Posturepedic Mattress
14 Commercial - American Egg Board
15 Silver Eagle Cross Country Music Show #SE-058 Intro - Larry Kenny
16 Marty Robbins - Ribbon Of Darkness (Gordon Lightfoot)
17 Marty Robbins - White Sport Coat And Pink Carnation
18 Marty Robbins - Devil Woman
19 Marty Robbins - Don't Worry About Me
20 Marty Robbins - That's Alright Mama (Arthur Crudup)
21 Marty Robbins - 18 Yellow Roses (Bobby Darin)
22 Marty Robbins - Carmin
23 Silver Eagle Cross Country Music Show #SE-058 Break - Larry Kenny
24 Commercial - Body Work Mens Fashions
25 Commercial - Hamburger Helper Lasagna
26 Commercial - V8 Vegetable Juice
27 Commercial - American Egg Board
28 Silver Eagle Cross Country Music Show #SE-058 Intro - Larry Kenny
29 Marty Robbins - I Don't Know Why I Love (I Just Do)
30 Marty Robbins - Big Iron
31 Marty Robbins - Streets Of Laredo (Cowboy's Lament) (Traditional: Arrangement Marty Robbins)
32 Marty Robbins - Some Memories Won't Die
33 Marty Robbins - Cool Water (Bob & Randall Archer And Bonnie Blue Eyes)
34 Silver Eagle Cross Country Music Show #SE-058 Break - Larry Kenny
35 Commercial - Toyota Sports Truck
36 Commercial - Sealy Posturepedic Mattress
37 Commercial - Campbell's Soup
38 Commercial - American Egg Board
39 Silver Eagle Cross Country Music Show #SE-058 Intro - Larry Kenny
40 Marty Robbins - El Paso City
41 Marty Robbins - Jenny
42 Marty Robbins - The Waylon Jennings Story
43 Marty Robbins - Good Hearted Woman (Waylon Jennings)
44 Silver Eagle Cross Country Music Show #SE-058 Break - Larry Kenny
45 Commercial - Arthritis Strength Bufferin
46 Commercial - Body Work Mens Fashions
47 Commercial - American Egg Board
48 Silver Eagle Cross Country Music Show #SE-058 Intro - Larry Kenny
49 Marty Robbins - You Gave Me A Mountain
50 Marty Robbins - Jumper Cable Man
51 Marty Robbins - El Paso
52 Silver Eagle Cross Country Music Show #SE-058 Break - Larry Kenny
53 Commercial - Toyota Sports Truck
54 Commercial - Bell Telephone Systems - Tanya Tucker
55 Silver Eagle Cross Country Music Show #SE-058 Wrap Up - Larry Kenny
56 Silver Eagle Cross Country Music Show #SE-058 Promo Bed - Larry Kenny

Total Playing Time: 1hr 23mn 4sc

Run Out Grooves:
Side A: SE-058-A MCR JOE
Side B: SE-058-B MCR JOE
Side C: SE-058-C MCR JOE
Side D: SE-058-D MCR JOE
Side E: SE-058-E MCR JOE

JustDave's Notes:
- Thank you to BiginV3 sending the vinyl to The Collective Of Live Music for digitizing.
- Thank you also to Draftervoi, Sam Elliot's Mustache & avnut for impute and assistance.

Known Faults:
- Record 1 which is Sides A & C arrived from seller with dried dirt in the sleeve containing the album. It had to be hand rinsed with distilled water, then rinsed with Research Lab Super Record Wash, then cleaned in the ultrasonic cleaner. After which all the filters needed changed. Then the regular process I use of cleaning the record could be done as lain out in the editing notes.
- The dirt in the sleeve caused scratches and little dot impressions in the vinyl. This caused more pops, thumps and other noises that needed editing.
- I have nicknamed this "The Sandblasted Album Project".

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set output levels and balance before broadcast. It was not encoded.
- A locked groove show promo was included at the end of Side E, that was encoded.
- I normally include a songs intro with the song it's for. However Mary Robbins does a 3 minute story introducing his cover of Waylon Jennings & Willie Nelson's hit song "Good Hearted Woman" that should stand on it's own as a bit of comedy.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually, some noise reduction used depending on if it best serves the situation.
- Had to even out the volume levels as the voice overs were louder than the music & the commercials were quieter than everything else.

Other Notes:
- Host Larry Kenney not only did The Silver Eagle Cross Country Road Show. He did Westwood One's Monday Night Football radio coverage, was the voice of Count Chocula and Sonny The Coco Puffs Bird.
- Larry Kenny won Billboard Magazine's “Country Music Air Personality of the Year” in 1976 & 1978.
- Larry Kenny also was the voice of Lion-O and Jackelman in the original Thundercats Go! and is the voice of Skittles Taste The Rainbow.
- This broadcast takes place 4 months before Marty Robbins' death at the age of 57 on December 8, 1982. Robbins had undergone open heart surgery due to a heart attack on December 2, 1982. Marty Robbins had just been inducted into the Country Music Hall Of Fame only months before. Marty Robbins was also awarded Male Country Music Artist Of The Year in 1982.
- Floyd Cramer has played piano for Elvis Presley, Patsy Cline, Roy Obison and The Everly Brothers as well as host of Nashville's Hottest Stars.
- Floyd Cramer is known for a "slip note" style of playing that became the prefered playing style of Nashville artists t have on their songs.
- Floyd Cramer was named Country Music's Top Keyboardist from 1969-1974.
- Floyd Cramer was named to both The Country Music Hall Of Fame and The Rock And Roll Hall Of Fame in the same year.
- Floyd Cramer played on Elvis Presley's first RCA Records recording session in 1956. He also played on Elvis' last session before joining the Army in 1958.

Project Started: May 4, 2025. Project Finished: May 13, 2025

Encoded By JustDave For The Collective Of Live Music

Flac 24bit

Flac 16bit

MP3 320kbps

Graham Parker / Sparks - King Biscuit Flower Hour Show #427 (Pre-FM) - Vinyl

Graham Parker / Sparks
King Biscuit Flower Hour Show #427
Graham Parker: The Park West, Chicago, Illinois, USA
Sparks: My Father's Place, Old Roslyn, New York, USA
For Broadcast July 11, 1982
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Cue Sheet & Label Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 16bit/44,1khz > Trader's Little Helper > Flac Level 8

Hosted By Bill Minkin

01 King Biscuit Flower Hour Show #427 Intro & Break - Bill Minkin
02 Commercial - Honda Motorcycles
03 King Biscuit Flower Hour Show #427 Intro - Bill Minkin
04 Graham Parker - Discovering Japan
05 Graham Parker - Fear Not
06 Graham Parker - Thankless Task
07 Graham Parker - Howling Wind
08 Graham Parker - Stick To Me
09 King Biscuit Flower Hour Show #427 Break - Bill Minkin
10 Commercial - United States Navy
11 Commercial - Nestles $100,000 Bar
12 King Biscuit Flower Hour Show #427 Intro - Bill Minkin
13 Graham Parker - Passion Is No Ordinary Word
14 Graham Parker - No More Excuses
15 Graham Parker - Heat Treatment
16 Graham Parker - You Hit The Spot
17 King Biscuit Flower Hour Show #427 Break - Bill Minkin
18 Commercial - Johnson & Johnson Baby Oil
19 Commercial - Jenson Car Audio Systems
20 King Biscuit Flower Hour Show #427 Intro - Bill Minkin
21 Sparks - Sextown USA
22 Sparks - Angst In My Pants
23 Sparks - I Predict
24 King Biscuit Flower Hour Show #427 Break - Bill Minkin
25 Commercial - Honda Motorcycles
26 Commercial - United States Navy
27 Commercial - Johnson & Johnson Baby Oil
28 King Biscuit Flower Hour Show #427 Wrap Up - Bill Minkin

Total Playing Time: 1hr 53sc

Graham Parker lead vocals, guitar
Carlos Alamar guitar
Brinsley Schwarz guitar, vocals
George Small keyboards
Michael Braun drums
Kevin Jenkins bass

Sparks:
Russell Mael lead vocals
Ron Mael keyboards, synthesizer
Leslie Bohem bass, vocals
Bob Haag guitar,vocals
David Kendrick drums
James Goodwin synthesizer

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl for me to encode!
- Thank you also to Draftervoi, Sam Elliot's Mustache and avnut for impute and assistance!

Run Out Grooves:
Side A : KB-427-A MCR JOE
Side B : KB-427-B MCR JOE
Side C : KB-427-C MCR JOE

Known Faults:
- On visual inspection there is one long superficial looking scratch across Sides A & C not Side B.  
- Records very clean on arrival, cleaning on this one done out of habit.
- Volume on this one mastered kind of low causing vinyl noise (rumble/roar sound) more prominent.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set output levels before broadcast. It was not encoded.
- There are no promos included for this show, this doesn't happen often.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset:
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- A 50khz cut off Highpass Filter was applied to some of the more quiet parts to mitigate some of the vinyl noise (rumble/roar sound).
- A couple times in the recording someone on stage with Graham Parker has there amp make a loud bassy noise. I tried to soften it but did not edit it out.
- Some minor flaws may still show after all the work, we are after all working with vinyl sources.

Other Notes:
- The Graham Parker portion of the show had been released on King Biscuit Flower Hour Records. King Biscuit Flower Hour Records folded and the CD went out of print. It has been picked up by a known grey area bootleg label and re-released.
- Sparks is an American band but Bill Minkin introduces them as being from Australia.
- The band version of Sparks did not last long. The group became a duo consisting of the Mael brothers.

Digitized By JustDave For Sam Elliot's Mustache & The Collective Of Live Music

Flac

MP3

Cream - At The Grande Ballroom ~ The Grande Ballroom, Detroit, MI 10-15-1967 (SBD) - Digitally Remastered Version

Cream   
At The Grande Ballroom - (CRM101/2) - Digitally Remastered Version
The Grande Ballroom
Detroit, Michigan, U.S.A.
October 15, 1967
Stereo Soundboard Recording
Flac & MP3 320kbps
Cover Art Included

Repost New Links Added 05/11/2025

CD1
01 Tales Of Brave Ulysses 4:12
02 N.S.U. 15:53
03 Sitting On Top Of The World 4:26
04 Sweet Wine 13:55
05 Rollin' And Tumblin' 7:18

CD2
01 Spoonful 20:48
02 Stepping Out 11:03
03 Traintime 7:18
04 Toad 17:03
05 I'm So Glad 10:01

total playing time: 1hr 51mn 57sc

Jack Bruce - Bass, Vocals, Harmonica
Eric Clapton - Guitar
Ginger Baker - Drums

Roots Of Heavy Metal post # 12

Not one single Hard Rock/Heavy Metal band exists that doesn't owe Cream's Heavy Rock (as it was some times referred to in those days..) a huge debt of gratitude. Like Led Zeppelin, Cream's music and live performances inspired all the Guitar God guitar solo's and lengthy drum solos so prevalent in the world of Hard Rock/Heavy Metal.

Flac

MP3