Frank Zappa
Horden Pavilion
Sydney, Australia
June 24, 1973
Soundboard Recording - Speed Corrected
Flac Level 7 & MP3 320kbps
Front Cover Only
Lineage: SBD > tape/low gen?>CDR/? > wav (CEP, retracked) > flac (Frontend with SBE correction) (784 MB, previous ZT seed) > wav > Soundforge 5: speed correction, minor re-tracking > flac FFE lvl7 w/SBA
01 Intro 8:34
02 Dupree's Paradise 23:49
03 Dog Meat 7:39
04 Fifty-Fifty 6:03
05 Montana 6:03
06 Yellow Snow Intro & tuning 2:00
07 Yellow Snow Suite 21:36
08 Farther Oblivion 23:27
09 Son Of Mr Green Genes/King Kong/Chunga's Revenge 14:33
Frank Zappa
Jean Luc Ponty
Tom Fowler
Ralph Humphrey
Ruth Underwood
Ian Underwood
George Duke
Bruce Fowler
Sal Marquez (late Mar - Jul)
Kin Vassey (4/7/73-5/1/73)
This Wednesday I figured something different to get us through Hump Day...Some Frank Zappa should take your mind off things for a while. This is a fabulous show that I know everyone will love...
Flac
MP3
Friday, April 17, 2026
Frank Zappa - Horden Pavilion: Sydney, Australia June 24, 1973 (SBD) - Speed Corrected
Chilliwack - Sound Academy: Toronto, Ontario, Canada, January 21, 2011 (ExAud) - BurnBoy Master
Chilliwack
Sound Academy
Toronto, Ontario, Canada
January 21, 2011
Excellent Audience Recording - BurnBoy Master
Flac & MP3 320kbps
No Cover Art
Lineage: SP-CMC-8 (Cards) > Iriver H120 (Rockboxed)-> Soundforge -> CDWave -> FLAC + add tags
Recorded and edited by BurnBoy
01 - Guitar Intro
02 - Lonesome Mary
03 - Watcha Gonna Do
04 - Gettin Better
05 - California Girl
06 - Arms of Mary
07 - Communication Breakdown
08 - Banter
09 - Patend On The Wind
10 - Banter
12 - Groundhog
13 - 17th Summer
14 - Crazy Talk
15 - Banter
16 - Ed Henderson Guitar Solo into I Beleive
17 - Baby Blue
18 - My Girl
19 - Crowd
20 - Raino
21 - Fly At Night
I shared a BurnBoy recording of Steely Dan and Steve Winwood in Canada together. It seemed to be a hit, so I figured another BurnBoy recording that I loved hearing should get some downloads. It's actually my only Chilliwack recording and has gotten a lot of stereo time. It's a nice recording with pretty in your face quality. Rosebud asked if it was an audience soundboard matrix or IEM. No it's a clear recording and a great show from a band I've enjoyed since I was a kid. A local Michigan band called Mariner recorded a cover of Chilliwack's "Fly At Night" on their debut, and only album. I liked the song so I went out and got the album from Chilliwack. I liked it and I bought more. If your like me and really liked this band but don't have any shows from them, Download this one you will love it!!
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Billy Squier / Triumph - Supergroups In Concert #SGC 12 (Pre-FM) - Draftervoi Encoding
Billy Squier / Triumph
Supergroups In Concert #SGC 12
Billy Squier - The Warfield, San Francisco, CA - November 22, 1981
Triumph - Orlando-Seminole Jai Alai Fronton, Casselberry, FL ("Orlando") - March 3, 1982
Tampa Jai Alai Fronton, Tampa, FL ("St. Petersburg") - March 4, 1982
For Broadcast July 10, 1982
Pre-FM Recording
Flac & MP3 320kbps
Cue Sheet, Label Scans & Extras Included
Thank You Draftervoi!!
Sides A, B, and C - Billy Squier:
00 NO ARTIST - 1 kc Tone
01 Pat St. John - Super Groups In Concert SGC-12 Intro
02 Commercial - Coca-Cola Coke Is It 1
03 Billy Squier - In The Dark
04 Billy Squier - Rich Kid
05 Billy Squier - My Kinda Lover
06 Billy Squier - Whadda You Want From Me
07 Pat St. John - Super Groups In Concert SGC-12 Break
08 Commercial - Coca-Cola Coke Is It 2
09 Billy Squier - Lonely Is The Night
10 Billy Squier - Young Girls
11 Billy Squier - I Need You
12 Pat St. John - Super Groups In Concert SGC-12 Break
13 Commercial - Coca-Cola Coke Is It
14 Billy Squier - The Stroke
15 Billy Squier - You Should Be High Love 2
16 Billy Squier - The Big Beat
17 Billy Squier - Band Introduction
18 Billy Squier - You Know What I Like
19 Pat St. John - Super Groups In Concert SGC-12 Break
20 Commercial - Coca-Cola Coke Is It 1
Sides D, E, and F - Triumph:
01 Triumph - Tear The Roof Off
02 Triumph - Allied Forces
03 Triumph - Fight The Good Fight
04 Pat St. John - Super Groups In Concert SGC-12 Break
05 Commercial - Coca-Cola Coke Is It 3
06 Pat St. John - Super Groups In Concert SGC-12 Segment intro
07 Triumph - Blinding Light Show
08 Triumph - Lay It On The Line
09 Pat St. John - Super Groups In Concert SGC-12 Break
10 Commercial - Coca-Cola Coke Is It 2
11 Triumph - Rock & Roll Machine
12 Triumph - Magic Power
13 Triumph - Hot Time (In This City Tonight)
14 Pat St. John - Super Groups In Concert SGC-12 Break
15 Commercial - Coca-Cola Coke Is It 1
16 Pat St. John - Super Groups In Concert SGC-12 Outro
Alright the one thing everyone who visits this blog should know is that if it's a Draftrevoi then it's a quality encoding. This is a Draftervoi so therefore a quality encoding. It's also a great pairing and example of 1980's Hard Rock Radio. Early on we got the sanitized version of the Hard Rock / Heavy Metal scene. I'm not kicking sand at either band here. Triumph is a great Hard Rock Traditional Heavy Metal band. They were an awesome live band or I wouldn't have paid to see them 4 times. Billy Squire had a good Hard Rock band backing him and he wrote some great hooks. Almost every song on his second album Don't Say Know was an FM Radio Hit. There are 3 tracks from that album I don't remember hearing on the radio. The thing is that a lot heavier bands were releasing great albums. Black
Sabbath is a great example because you would hear "Paranoid", "War
Pigs", "Iron Man" and "Heaven And Hell". That's the ones deemed tolerable for radio. I have a DJ Copy of Alice Cooper's "I'll Never Cry". Next to the title is the word tolerable. When they first started playing Metallica, it was their slowest track "Fade To Black". You do need this great Hard Rock / Heavy Metal show...I mean it's Live versions of "Blinding Light Show" and "Rock And Roll Machine"!!!
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Bachman Turner Overdrive - Harpo's Concert: Theater Detroit, MI April 29, 1985 (FM) JustDave Master - Date Verified By 2 Detroit Free Press Newspaper Ads
Bachman Turner Overdrive
Harpo's Concert Theater
Detroit, MI
Monday, April 29, 1985 - Date Verified By 2 Detroit Free Press Newspaper Ads
98.7 WLLZ FM Broadcast Recording - JustDave Master
Flac Level 8 & MP3 320kbps
Cover Art Included
Reposted 02/01/2025 With Verified Date & Updated Info
Since A label called DAMP Music is selling CDs of my recording I figured I should share it here.
This is the justdave version not the version found all over the internet.
2 FM Master recordings on cassette > CD-R > EAC (secure) > Goldwave > TLH > Flac Level 8 (align sector) boundries
CD1
01 Let It Ride
02 Gimme Your Money Please
03 Can't Wait For the Weekend
04 Hey You
05 Blue Collar
06 My Sugaree
07 Not Fragile
08 Rock is my Life
09 Hold Back the Water
10 Sledgehammer
11 Mississippi Queen
CD2
01 Stayed Awake All Night
02 American Woman
03 You Ain't Seen Nothin' Yet
04 Roll On Down the Highway
05 Four Wheel Drive
06 Takin' Care of Business
07 Thank You For The Feeling
08 Interview
Bachman Turner Overdrive 1984 was:
Randy Bachman lead & rhythm guitar, lead & backing vocals
Tim Bachman lead & rhythm guitar, backing vocals
Fred "C.F." Turner bass, lead & backing Vocals
Gary Peterson drums
justdave's notes about this version:
This project came about because every version on the net seems to be from the same source. That source is pretty deficient in the bass department and also incomplete missing the final encore "Thank You For The Feeling" and the interview after the show. So I decided to encode my master recording.
I attended the show with some friends and had my ex-wife record the broadcast for me at home. She forgot to start my tape until the band intros just before "Blue Collar", 4 tracks were missed but she caught the rest of the show for me. Like most people she thought the show was over after "Taking Care Of Business" so she started to fade the tape but figured she would record the interview for me to make up for the 4 lost tracks. As she faded the recording back in the band was taking the stage for one more song. So I had a tape with 4 tracks missing. Enter my friend Gypsy Dan with his recording. His tape had the first 4 tracks mine was missing but had suffered some deterioration making some parts un-listenable. I used the first 4 tracks from Gypsy Dan's tape and the rest are from my own tape. The splice comes before the band introductions. Gypsy Dan's tape also had less bass than mine so some remixing was done to make the sources sound a little closer. CD break was made at "Stayed Awake All Night" because this is where the tape flip was at.
For cover art I just included the art from the common version.
playback & encoding:
I played both tapes on a Sony TC-WR661 Cassette Deck through a Sony TA-AV561 AV Control Integrated Amplifier to a Sony RCD-W500C Compact Disc Recorder using the super bit mapping function, onto a Maxell CD-R Music-Pro. The CD-Rs were then ripped with Exact Audio Copy. The waves were then remixed using Goldwave v.5.04. The waves were then encoded to flac level 8 with Traders Little Helper aligning all sector boundaries.
I don't know if I would call this the definitive version but this is the only complete version I have seen on the net. I have been told it is the best sounding by others.
The date to this has always been disputed on the internet and I did not have my ticket stub anymore to verify the date. Thanks to Draftervoi we now have a confirmed date of Monday, April 29, 1985. This is verified by 2 Detroit Free Press Newspaper Ads & 1 Windsor Star Newspaper Ad. These Ads are included for your verification.
Flac
MP3
Thursday, April 16, 2026
Thursday, April 9, 2026
Herbie Hancock Mwandishi - Kantonschool: Baden, Switzerland, March 18, 1972 (FM) - Goody Speed/Pitch Adjusted
Herbie Hancock Mwandishi
Kantonschool
Baden, Switzerland
March 18, 1972
FM Broadcast Recording - Goody Speed/Pitch Adjusted
Flac Level 8 & MP3 320kbps
Cover Art Included
Goody's Speed/Pitch-adjusted Reconstruction/Audio Upgrade v.2
Source: TRADE CD> FM recording > dB POWERAMP> TRADERS LITTLE HELPER> flac (level 8) >
Additional Lineage: TLH (WAV) > Audition (Pitch Bender, various amounts; tracking) > iZotope RX8 Advanced (Azimuth adjusted; Wow & Flutter reduced) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)
Disc 1
101 FM Intro 00:23
102 You'll Know When You Get There 24:41
103 Toys (incomplete; fades out) 21:34
Disc 2
201 Water Torture 25:24
202 Firewater 12:48
203 Maiden Voyage (complete alternate source) 15:05
Extra track
203a - 3 seconds of silence* 00:03
204 Maiden Voyage 09:00 (incomplete shorter source)
CD1 Playing Time: 46mn 39sc
CD2 Playing Time: 1hr 2mn 20sc or 1hr 2mn 23sc with optional track
Total Playing Time: 1hr 49mn 59sc
Mwandishi:
Herbie Hancock Fender Rhodes
Julian Priester trombones
Eddie Henderson trumpet, flugelhorn
Bennie Maupin tenor and soprano sax, bass clarinet, flute
Buster Williams bass
Billy Hart drums
All percussion
I have a big spot in my musical heart for anything Herbie Hancock plays. The Mwandishi era is one of my favorite periods in Herbie's career tied with The Headhunters era. At the time each were ground breaking Jazz bands.
As far as the music and performance I don't have to sell this to any Jazz Fan. What I will sell to you is the fact this show sounds 100% better than how originally posted. I have both versions and this is definitely a sonic upgrade.
Flac
MP3
Freddie Hubbard Quintet - Unknown Venue: Boston, Massachusetts, USA May 1, 1973 (WBCN-FM) - Goody Speed/Pitch-adjusted Remaster via mgoldey
Freddie Hubbard Quintet
Unknown Venue
Boston, Massachusetts, USA
May 1, 1973
WBCN-FM Broadcast Recording
Flac & HQ MP3 320kbps/48khz
Cover Art Included
A Goody Speed/Pitch-adjusted Remaster via mgoldey
Source: SBD: FM Broadcast WBCN > MR by Neil Cronin (courtesy of Pat Lee)
Transfer: MR > Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC > WAV by Matt Smith
Master: Wavelab 10 (tracking, error correction, Izotope Spectral De-noise, levels +6 dB, MBit+ Dither, resample) > FLAC 16 >
Goody's additional lineage:
TLH (WAV) > Audition (Pitch Bender, various amounts; clicks repaired and static repaired or reduced) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (Tags)
Thanks to Matt Smith for the audio
01 WBCN Intro 0:58
02 Skydive 19:35
03 Betcha By Golly Wow 9:45
04 The Intrepid Fox 23:46
05 WBCN Outro 0:38
Runtime: 54mn 41scc
Freddie Hubbard - Trumpet, Flugelhorn
Junior Cook - Tenor Sax
George Cables - Fender Rhodes
Kent Brinkley - Bass
Michael Carvin - Drums
This is a great performance and as usual when Goody remasters a boot you get an awesome sounding show.
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Fleetwood Mac - Superstar Concert Series Show #97-18 (Pre-FM)
Fleetwood Mac
Superstar Concert Series Show #97-18
The Forum, Inglwood, California, USA, October 21, 1982
Selland Arena, Fresno, California, USA December 10, 1987
For Broadast The Week Of April 28, 1997
Pre-FM Recording
Flac Level 8 & MP3 320kbps
Cue Sheet Scans Included
Original Lineage: Broadcast CDs > E.A.C. (secure) > FLAC 8
Just Dave's Additional Lineage: Trader's Little Helper > Wave 16bit/44,1khz > Goldwave v6.83 (editing) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundries) > Flac Level 8
Hosted By J.J. Jackson
CD One
01 Westwood One Superstar Concert Series #97-18 Intro - J.J. Jackson
02 Commercial - 1-800-COLLECT
03 Commercial - KitKat Candy Bar
04 Commercial - United States Army ROTC
05 Westwood One Superstar Concert Series #97-18 Intro - J.J. Jackson
06 Fleetwood Mac - The Chain
07 Fleetwood Mac - Gypsy
08 Westwood One Superstar Concert Series #97-18 Break - J.J. Jackson
09 Commercial - Armor All
10 Commercial - United States Army ROTC
11 Commercial - KitKat Candy Bar
12 Westwood One Superstar Concert Series #97-18 Intro - J.J. Jackson
13 Fleetwood Mac - You Make Loving Fun
14 Fleetwood Mac - Rhiannon
15 Westwood One Superstar Concert Series #97-18 Break - J.J. Jackson
16 Commercial - United States Army ROTC
17 Commercial - KitKat Candy Bar
18 Commercial - 1-800-COLLECT
19 Westwood One Superstar Concert Series #97-18 Intro - J.J. Jackson
20 Fleetwood Mac - Go Your Own Way
21 Westwood One Superstar Concert Series #97-18 Break - J.J. Jackson
22 Commercial - KitKat Candy Bar
23 Commercial - United States Army ROTC
24 Commercial - 1-800-COLLECT
CD Two
01 Westwood One Superstar Concert Series #97-18 Intro - J.J. Jackson
02 Fleetwood Mac - Say You Love Me
03 Fleetwood Mac - Dreams
04 Fleetwood Mac - Isn't It Midnight
05 Westwood One Superstar Concert Series #97-18 Break - J.J. Jackson
06 Commercial - TGI Friday's Restaurant
07 Commercial - United States Army ROTC
08 Commercial - 1-800-COLLECT
09 Westwood One Superstar Concert Series #97-18 Intro - J.J. Jackson
10 Fleetwood Mac - Oh Well
11 Fleetwood Mac - Seven Wonders
12 Fleetwood Mac - Over My Head
13 Westwood One Superstar Concert Series #97-18 Break - J.J. Jackson
14 Commercial - 1-800-COLLECT
15 Commercial - Armor All
16 Commercial - TGI Friday's Restaurant
17 Westwood One Superstar Concert Series #97-18 Intro - J.J. Jackson
18 Fleetwood Mac - Gold Dust Woman
19 Fleetwood Mac - Has Anyone Ever Written Anything For You (Stevie Nicks)
20 Fleetwood Mac - Don't Stop
21 Westwood One Superstar Concert Series #97-18 Wrap Up - J.J. Jackson
22 Westwood One Superstar Concert Series #97-18 Promo Bed - J.J. Jackson
CD1 Recorded at The Forum, Inglwood, California, USA, October 21, 1982
CD2 Recorded at Selland Arena, Fresno, California, USA December 10, 1987
Fleetwood Mac 1982:
Stevie Nicks – vocals, tambourine
Lindsey Buckingham – guitar, vocals, keyboards
Christine McVie – keyboards, vocals
John McVie – bass guitar
Mick Fleetwood – drums, percussion
Fleetwood Mac 1987:
Stevie Nicks – vocals, tambourine
Christine McVie – keyboards, vocals
John McVie – bass guitar
Mick Fleetwood – drums, percussion
Rick Vito – lead guitar, vocals
Billy Burnette – rhythm guitar, vocals
JustDave's Notes:
- Deleted 7 seconds of extra time at end of track 11 CD1 For Local DJ & Station ID all other Local DJ & Station ID breaks where to be done in the normal 2 second silence between CD tracks.
Side Note:
"Has Anyone Ever Written Anything For You" is a song from Stevie Nicks' solo album Rock A Little. The song was written for Joe Walsh. Joe Walsh told Stevie Nicks the story of his song "Song for Emma" on the album So What? "Song for Emma" was written for his 2 year old daughter who died in a car accident. Walsh told Nicks this story when she visited Walsh's daughter's grave with him.
Edited by JustDave January 17, 2025
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MP3
Slade / Rufus featuring Chaka Khan - King Biscuit Flower Hour ~ London, England 1975 & Columbus, Ohio, USA 1975 (FM) Master Reel @ 7 1/2 ips
Slade / Rufus featuring Chaka Khan
King Biscuit Flower Hour
New Victoria Theatre, London, England April 25, 1975
Unknown Venue, Columbus, Ohio, USA May 26, 1975
WBCN-FM Broadcast Recording - Hezekiahx2 Master Reel @ 7 1/2 ips
Flac Level 8 & MP3 320kbps
No Cover Art
From The Collection Of Hezekiahx2
Encoded And Presented By Krw_co
Lineage: WBCN-FM Broadcast > Reel to Reel Master @ 7.5 IPS > TEAC A-7300 Reel to Reel > Creative Soundblaster X-FI HD Model #SB1240 Wav (24bit/96khz) > MAGIX Audio Cleaning Lab For Krw_co Track Marks, Volume Adjustment And Edits > Wav (24bit/96khz) > Trader's Little Helper > Flac Level 6
01 Slade - Them Kinda Monkeys Can't Swing
02 Slade - The Bangin' Man
03 Slade - Gudbuy T' Jane
04 Slade - Far Far Away
05 Slade - How Does It Feel
06 Slade - Just A Little Bit
07 Slade - Let The Good Times Roll
08 Rufus & Chaka Khan - Once You Get Started
09 Rufus & Chaka Khan - Tell Me Something Good
10 Rufus & Chaka Khan - Feel Good
11 King Biscuit Flower Hour Outro
Slade Recorded New Victoria Theatre, London, England April 25, 1975
Rufus featuring Chaka Khan Recorded Unknown Venue, Columbus, Ohio, USA May 26, 1975
Slade:
Noddy Holder Vocals, Guitar
Dave Hill Guitar, Vocals
Jim Lea Bass, Vocals
Don Powell, Drums
Rufus featuring Chaka Khan
Chaka Kahn Vocals
Kevin Murphy Keyboards
Andre Fischer Drums
Tony Maiden Guitar, Vocals
Bobby Watson Bass
Nate Morgan keyboards
Now this is a unique combination of performers. It's Glam Rock and Funky Soul, they just don't pair them up like they used to. Now you get 2 groups from the exact same genre like Rock and Roll should never mix with any other kind of music. Back in the 1960s and 1970s promoters would mix bills like that all the time. Yes, I know these 2 bands didn't play together for this recording but the producers of King Biscuit still combined 2 genres that wouldn't be combined in a broadcast in this era. It just doesn't happen like that anymore. I miss the days of someone like The J. Geils Band taking a band like Früt on tour or a Rocker like Bob Seger taking a Southern Pop Rock band like Toby Beau out as an opening act. Yes I saw both those combinations. Früt opened up for the J. Geils Band for their Love Stinks Tour and Toby Beau opened for Bob Seger on his Stranger In Town tour (a freaking kick ass show!!!) I still have my button and program from that show.
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Journey / Meatloaf - King Biscuit Flower Hour 1978 ~ New York City, New York 1978 & Cleveland, Ohio 1977
Journey / Meatloaf
King Biscuit Flower Hour 1978
The Palladium, New York City, New York, USA March 24, 1978
Music Hall, Cleveland, Ohio, USA December 10, 1977
Pre-FM Recording - Vinyl LP To Reel To Reel @ 7.5ips
Flac level 8 24bit/96khz & MP3 320kbps/48khz
No Cover Art
From The Collection Of R.J.P
Transferred And Presented By Krw_co
Lineage: Pre-FM Vinyl LPs > Reel to Reel @ 7.5ips > TEAC A-7300 Reel to Reel (w/ manual Azimuth Adjustment) > Creative Soundblaster X-FI HD Model #SB1240 Wav (24bit/96khz) > MAGIX Audio Cleaning Lab For Krw_co Track Marks, Volume Adjustment And Edits > Wav (24bit/96khz) > Trader's Little Helper > Flac Level 8
01 King Biscuit Flower Hour Show Promo
02 King Biscuit Flower Hour Intro
03 Journey - Feeling That Way
04 Journey - Anytime
05 Journey - La Do Da
06 Journey - Next
07 Journey - Jam
08 Journey - You're On Your Own
09 Journey - Feel Alright
10 Meatloaf - Paradise By The Dashboard Light
11 Meatloaf - Two Out Of Three Ain't Bad
12 Meatloaf - All Reved Up With No Place To Go
13 King Biscuit Flower Hour
14 King Biscuit Flower Hour
Journey recorded The Palladium, New York City, New York, USA March 24, 1978
Meatloaf recorded Music Hall, Cleveland, Ohio, USA December 10, 1977
Journey
Greg Rolie Keyboards, Vocals
Neil Schon Guitar
Ross Valory Bass
Aynsley Dunbar Drums
Steve Perry Vocals
So more from the collection of Krw_co this time a Pre-FM vinyl to reel to reel transfer from the R.J.P. Collection. The Krw_co crew have a vast library of recordings from FM to Pre-FM and most of their collection is made up of master recordings. Personally I would have liked the commercials and voice overs included but we can't get everything we would like can we.
Flac
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Supertramp - King Biscuit Flower Hour #99-42 (Pre-FM) Royal Albert Hall, London, England, 1977 (1999 Master)
Supertramp
King Biscuit Flower Hour #99-42
The Royal Albert Hall, London, England, U.K. February 5, 1977
For Broadcast The Week Of October 11th to 17th, 1999
Pre-FM Recording
Flac Level 8 & MP3 320kbps
Cue Sheet & CD Scan Included
MP3 LINK FIXED!
Digitized From An Original Radio Broadcast CD
Original Lineage: Silver Broadcast CD > dbPower Amp Secure Rip > Flac Level 5
JustDave Additional Lineage: Trader's Little Helper > Wave 16bit/44,1khz > Goldwave v6.83 (editing) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8
Hosted By Ed Sciaky
01 King Biscuit Flower Hour #99-42 Intro - Ed Sciaky
02 Commercial - United States Army
03 Commercial - Campbell's Chunky Soups
04 Commercial - Halloween Collector's Edition
05 Commercial - Sound & Vision Magazine
06 King Biscuit Flower Hour #99-42 Intro - Ed Sciaky
07 Supertramp - Give A Little Bit
08 Supertramp - Bloody Well Right
09 Supertramp - Sister Moonshine
10 King Biscuit Flower Hour #99-42 Break - Ed Sciaky
11 Commercial - Campbell's Chunky Soups
12 Commercial - United States Army
13 Commercial - Halloween Collector's Edition
14 Commercial - Vaccaro Guitars & Basses
15 King Biscuit Flower Hour #99-42 Intro - Ed Sciaky
16 Supertramp - Hide In Your Shell
17 Supertramp - Poor Boy
18 Supertramp - Dreamer
19 King Biscuit Flower Hour #99-42 Break - Ed Sciaky
20 Commercial - United States Army
21 Commercial - Campbell's Chunky Soups
22 Commercial - Halloween Collector's Edition
23 Commercial - Sound & Vision Magazine
24 King Biscuit Flower Hour #99-42 Intro - Ed Sciaky
25 Supertramp - Fool's Overture
26 King Biscuit Flower Hour #99-42 Wrap Up - Ed Sciaky
Rick Davies – vocals, keyboards, piano, harmonica
Roger Hodgson – vocals, piano, keyboards, bass, guitar
Dougie Thomson – bass
Bob Siebenberg – drums, percussion
John Helliwell – saxophone, clarinet, keyboard, backing vocals
Thank you goes to BurnBoy For The Original CD Rip!
JustDave's Notes:
- Received as 4 flac files and dbPoweramp Secure Rip Log.
- Found Cue Sheet & CD scan on internet.
- Decoded files and indexed tracks, re-encoded to flac level 8 aligning sector boundries.
- This version is a King Biscuit Flower Hour Rebroadcast of an old show with a new 1990s master. It is different from the 2 versions on the Traders Den as one is an FM broadcast recording and the other is a Pre-FM without the commercials and in the upload explanation says it was made from more than one CD and that the uploader thinks that the spectrum analysis shows the upload may actually be from an FM source, so lineage seems in doubt. This upload is ripped from 1 single King Biscuit Flower Hour CD with confirmed lineage.
Like the notes above state, this is an updated version of a classic Supertramp show. It's been remastered by King Biscuit and re-released for broadcast on CD. If you already have this show this would most likely be a sonic upgrade for you.
Flac
MP3
Corrosion of Conformity - Westwood One Absolutely Live High Voltage #02-10 Disc 2 Of 2 (Pre-FM) Disc 2 Not Included
Corrosion of Conformity
Westwood One Absolutely Live High Voltage #02-10 Disc 2 Of 2
Recoded At The Metro, Chicago, Illinois, August 2, 1997
For Broadcast The Weekend Of March 09/10, 2002
Pre-FM Recording
Flac Level 8 & MP3 320kbps
CD Scan Only
Digitized From An Original Radio Broadcast CD
Lineage: Pre-FM Siver CD > E.A.C. (secure) > Wave 16bit/44,1khz > GoldWave v.6.83 (editing) > Wave 16bit/44,1khz > Traders Little Helper (align sector boudaries) > Flac Level 8
Hosted By Tawn Mastrey
01 Westwood One Absolutely Live High Voltage #02-10 Intro - Tawn Mastrey
02 Corrosion of Conformity - Fuel
03 Corrosion of Conformity - Wiseblood
04 Corrosion of Conformity - Albatross
05 Westwood One Absolutely Live High Voltage #02-10 Break - Tawn Mastrey
06 Commercial - PGA Masters.org
07 Commercial - United States Navy
08 Commercial - Trident Sugarless Gum
09 Commercial - Folgers Coffee
10 Westwood One Absolutely Live High Voltage #02-10 Intro - Tawn Mastrey
11 Corrosion of Conformity - King Of The Rotten
12 Corrosion of Conformity - Vote With a Bullet
13 Westwood One Absolutely Live High Voltage #02-10 Break - Tawn Mastrey
14 Commercial - 1-800-CALLATT
15 Commercial - GEICO Insurance
16 Commercial - Penut Butter TWIX
17 Westwood One Absolutely Live High Voltage #02-10 Intro - Tawn Mastrey
18 Corrosion of Conformity - Drowning In Daydream
19 Corrosion of Conformity - Deliverance
20 Corrosion of Conformity - The Snake Has No Head
21 Westwood One Absolutely Live High Voltage #02-10 Wrap Up - Tawn Mastrey
22 Westwood One Absolutely Live High Voltage #02-10 Promo Bed - Tawn Mastrey
Total Playing Time: 37mn 42sc
Pepper Keenan- guitar, vocals
Mike Dean – bass, vocals
Woody Weatherman – lead guitar, backing vocals
Reed Mullin – drums, percussion, vocals
JustDave's Notes:
- I received this in a box of Pre-FM CDs & FM CD-rs sent to me by an online friend.
- This is only CD2 of 2, CD1 was not sent to me in said box of shows.
- No cue sheet for this CD was included either.
- I had to lower the voice over volumes 3db as they over powered everything else.
- Preservation being key the show was encoded with the commercials and voice overs.
- Commercials & voice overs indexed so the may be omitted if you so wish.
- There were 16 commercials after the show promo called "spots in the clear" not encoded.
- Also on this bill were Machine Head, Drain STH, The Muffs & Fu Manchu
Digitized by JustDave December 20, 2024
Another from my Westwood One collection a Pre-FM Corrosion of Conformity show, which really blew my mind when I found out about it. I have posted this in an edited form before but this time I encoded the whole thing.
Flac
MP3
Sunday, April 5, 2026
Maria Pia De Vito, Nguyên Lê & The NDR Big Band - A Tribute to Pink Floyd ~ Rolf Liebermann Studio Hamburg, Germany 05-17-2013 (FM)
Il Cartellone - Radio Tre Suite Jazz
Play The Dark Side of the Moon - A Tribute to Pink Floyd
Rolf Liebermann Studio, Hamburg, Germany
Recorded: May 17, 2013
Broadcast: October 22, 2014
Radio 3 RAI Italy FM Broadcast Recording
Flac Level 8 & MP3 320kbps
Front Cover Only
Repost & Flac Upgrade
Lineage: Sony ST-S370 FM tuner > Sony PCM-D50 linear PCM recorder > 44.100khz/16bit wav on Sony Memory Stick ProDuo [mark2] > usb > Audacity 2.0 Beta (editing and track splitting) > 44.100khz/16bit flac's (level 8)
00 - Radio Introduction by Pino Saulo
01 - Speak To Me 2.34
02 - Breathe 4.20
03 - On The Run 2.55
04 - Time 8.03
05 - Breathe (Reprise) 1.59
06 - Magic Spells 2.12
07 - Hear This Whispering 2.02
08 - The Great Gig In The Sky 2.23
09 - Gotta Go Sometime 3.26
10 - Money 7.19
11 - guitar intro 0.56
12 - Us And Them 7.56
13 - Purple or Blue (trumpet intro) 1.19
14 - Any Colour You Like 8.50
15 - Brain Damage 4.12
16 - Eclipse 3.18
Total Playing Time: 1hr 8mn 1sc
Track 00 - Radio Introduction by Pino Saulo indexed as song 00 so it can be omitted from play without ruining continuity of play.
Maria Pia De Vito vocal
Nguyên Lê guitar, arrangement
The NDR Big Band:
Thorsten Benkenstein trumpet
Nicolas Boysen trumpet
Claus Stötter trumpet
Reiner Winterschladen trumpet
Klaus Heidenreich trombone
Jon Welch trombone
Stefan Lottermann trombone
Ingo Lahme bass trombone
Fiete Felsch alto sax
Peter Bolte alto sax
Christoph Lauer tenor sax
Lutz Büchner tenor sax
Frank Delle baritone sax
Vladyslav Sendecki piano, keyboards
Jürgen Attig bass
Gary Husband drums
Marcio Doctor percussion
This is an amazing tribute to one of Rocks Classic Albums. Nguyên Lê has played with the arrangements of each track, putting his own unique Jazz twist to Pink Floyd's creations. Fans of Jazz and of Pink Floyd should check this one out. I personally am very addicted to this recording.
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Rita Marcotulli - Omaggio ai Pink Floyd ~ Casa del Jazz Roma, Rome, Italy 03-17-2008 (SBD)
Omaggio ai Pink Floyd - (Casa Del Jazz – CdJ305)
Casa del Jazz Roma
Rome, Italy
March 17, 2008
Soundboard Recording
MP3 192kbps
Cover Art Included
01 Astronomy Domine (Barrett)
02 Melodico (Rita Marcotulli)
03 Cirrus Minor (Waters)
04 Intromoney (Michele Rabbia)
05 Money (Waters)
06 Goodbye Blue Sky (Waters)
07 Burning Bridges (Waters, Wright)
08 San Tropez (Waters)
09 Crying Song (Waters)
10 Set The Controls For The Heart Of The Sun (Waters)
11 Us and Them (Waters, Wright)
Andy Sheppard - tenor & soprano sax
Fausto Mesolella - electric guitar
Giovanni Tommaso - contra bass
Matthew Garrison - electric bass
Michele Rabbia - electronic percussion
Alfredo Golino - drums
Raiz - vocals
This CD was part of the Jazz Italiano series.This series created by Luciano Linzi, artistic director of Casa del Jazz of Rome, was produced in collaboration with publishing group "la Repubblica/L'espresso". The series was published for four consecutive years, 2006, 2007, 2008, 2009. The recordings are all original live productions. These CDs were not for sale, but were distributed in Italy with the weekly magazine "L'espresso".
Black Sabbath - Earth: The Legendary Lost Tapes ~ Studio Demo (Studio)
Black Sabbath
Earth: The Legendary Lost Tapes - (2025, Big Bear Records ~ BEARCD60)
Zella Studios, Birmingham, England, U.K.
Circa: 1969
Studio Recording
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cover Art Included
01 Blue Suede Shoes
02 Evenin'
03 Wee Wee Baby
04 Untitled
05 Free Man
06 Song For Jim (Guitar Version)
07 Song For Jim (Flute Version)
08 Wicked (Demo)
09 Warning
Ozzy Osbourne vocals
Tony Iommi guitar, flute
Terence "Geezer" Butler bass
Bill Ward drums, percussion
JustDave's notes:
- These are all complete songs not like "When I Come Down" or "The Rebel" which were bits of complete tracks. These are demos submited to labels for consideration. The Black Sabbath sounds, vibes and tones were still embrionic at this point.
- "Blue Suede Shoes" is the Carl Perkins song made extra famous due to an Elvis Presley cover version. While it sounds like the version on the Musicladen performance it has extra "speaking" before and after by I'm assuming Ozzy.
- "Song For Jim" was used by Earth and early Black Sabbath as the live vehicle for Bill Ward's drum solo. They would use both flute and guitar live.
- "Wicked (Demo)" is the demo version of "Wicked World" and uses the lyrics that Ozzy sings on the Live At Last version.
- "Warning" is an early demo version of the song that would end up on Black Sabbath's first album.
Thank you to Record Collector the original uploader on Guitars101
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Meshuggah - P3 Radio Session: Piteå, Sweden December 5, 1998 (FM) - Low Gen Cassette
Meshuggah
P3 Radio Session
Piteå, Sweden
December 5, 1998
P3 FM Broadcast Recording - Unknown Generation Cassette
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cassette Scan Included
From The Collection Of JustDave
Brought To You By The Collective Of Live Music
Lineage: Low Gen Trade Cassette > Nakamichi RX-505 Cassette Deck (EX1-EQ120) - Azimuth Adjusted > Sony TA-AV561 AV Control Integrated Amplifier > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (LAME) > Flac Level 8 24bit/96khz
01 P3 Radio - Meshuggah Interview #1
02 Meshuggah - Concatenation
03 Meshuggah - Sickening
04 Meshuggah - Sane
05 Meshuggah - Suffer in Truth
06 Meshuggah - Soul Burn
07 Meshuggah - Neurotica
08 P3 Radio - Meshuggah Interview #2
09 Meshuggah - Transfixion
10 Meshuggah - Elastic
11 Meshuggah - Future Breed Machine
12 Meshuggah - Gods of Rapture
13 P3 Radio - Broadcast Wrap Up
Total Playing Time: 55mn 52sc
Jens Kidman – lead vocals
Fredrik Thordendal – lead guitar, backing vocals
Tomas Haake – drums, spoken word vocals
Mårten Hagström – rhythm guitar, backing vocals
Gustaf Hielm – bass
JustDave's Notes:
- A big Thank You to my fellow members of The Collective of Live Music for continued suport and inspiration.
- Thank you to whoever I got this tape from, it was a long time since I have traded and I have forgotten who I received this from and what generation you said it would be.
Recording Notes:
- A cassette from a box of tapes I have that have no labels and or j-cards.
- There is a small pop between "Transfixion" and "Elastic" not sure of the cause.
Editing Notes:
- Recording and editing done in 24bit/96khz.
- Due to recording being done on a 120 minute tape there was no tape flip to edit.
- The only tampering I did with this tape was to add a fade in at the beginning of the show and cleaning up the fade out at the end.
Other Notes:
- Meshuggah is a Swedish metal band that plays a type of Extreme Metal sometimes called Math Metal.
- The Metal community, especially those who do not like Meshuggah's style, made up the new genre name of Djent for Meshuggah and bands influenced by them. This name came from an interview where one of Meshuggah's guitarists was talking about tuning the guitars and said something to the effect of "you have to tune the guitars till you get the proper djent sound from them"
- Rolling Stone magazine has called them one of the ten most important Hard Rock and Heavy Metal bands.
- Rolling Stone did say the only drawback to Meshuggah was Jens Kidman's Hardcore Punk vocals.
- The song "Soul Burn" was used in an episode of The Osbournes where Ozzy was having a feud with his neighbor about the neighbors loud music. Jack turns his speakears to the window and says "this'll get em it's Swedish Death Metal called Meshuggah. It did not stop the neighbors but it got Meshuggah on the next Ozzfest Tour.
- The band uses Polyrhythms, Polymetered Riff Cycles, Rhythmic Syncopation, Rapid Key and Tempo Changes, and Neo-Jazz chromatics in their song writing.
- In Polymeters typically used by Meshuggah, the guitars might play in odd meters such as 5/16 or 17/16, while drums play in 4/4. In one song, drummer Haake keeps the hi-hat and ride cymbal in 4/4 time but uses the snare and double bass drums in 23/16 time.
- The band uses downtuned 8 string guitars and 6 string basses to get their particular sound, and are always trying to challenge their audience as well as their musical ability.
- The challenging of their audience, besides the music, also comes in the way they release their albums. After the success of the Nothing CD (2002), the band released an EP consisting of one 21 minute song called I (2004). After I, the band released Catch Thirtythr33 (2005), a full length album consisting of one 47 minute track divided into 13 subtitles. Next, they released a re-recorded version of Nothing before finally releasing a proper follow up album, obZen (2008).
- The reason for re-recording the Nothing album was because they intended the album to be the 1st recorded with their 8-string guitars. The special ordered guitars were not finished in time so they tuned 7-string guitars to somewhat match 8-string instruments.
- The band was never happy with the results so re-recorded all the guitar parts. Drum parts were also re-recorded and some vocal touch ups as well. Both versions of the album are awesome but myself I prefer the original over the re-recorded version by a small margin.
- Nothing and the albums that followed have all charted on the Billboard 200. Koloss, released March 23, 2012, was the most successful yet. It debuted at number 17 in the USA.
- In 2006 and 2009 the band was nominated for Swedish Grammy Awards.
- This show was recorded while the band was promoting their 3rd full length album Chaosphere.
Digitized By JustDave For The Collective Of Live Music
Flac 24bit
Flac 16bit
MP3
Joe Cocker - Live In Denver ~ Denver, Colorado, U.S.A. 05-02-1981 (SBD)
Joe Cocker
Live In Denver - (Superior ~ SU 29505 A)
Denver, Colorado, U.S.A.
May 2, 1981
Soundboard Recording
Flac Level 8 & MP3 320kbps
Cover Art Included
Rosebud's Pick
Lineage: My Silver Double CD Set > E.A.C. (secure) > Wave 16bit > Traders Little Helper > Flac Level 8
CD 1
01 - Feelin' Alright
02 - I Can't Say No
03 - Put Out The Light
04 - Look What You've Done
05 - Whiter Shade Of Pale
06 - Sweet Little Woman
07 - I Don't Wanna Live With Out Lovin' You
08 - Just Like Always
09 - Shocked
10 - Seven Days
CD 2
01 - Jealous Kind
02 - Hitchcock Railway
03 - Watching The River Flow
04 - You Are So Beautiful
05 - Sweet Forgiveness
06 - With A Little Help From My Friends
07 - The Letter
08 - The Moon Is A Harsh Mistress
09 - I Heard It Through The Grapevine
justdave's notes:
This CD is much like the Chicago Toronto Rock'n' Roll Revival recording from 1969. It's one of those grey area CDs. It's considered a legal release, but is not officially recognized by Joe Cocker's Organization. It's been released on many different labels that "licensed it" from some other label. It's had just as many titles, too. No one really knows it's actual legality. It is not listed by Joe Cocker's webpage which is selling all his CDs including a few live albums. I actually bought this double disc at Walmart for 5 dollars U.S.
There is a single CD version of this show floating around trade circles. I however haven't seen a double disc version anywhere myself. This is the entire show. I do believe it is a Pre-FM source but I can not prove that so I labeled it a soundboard recording.
I was actually lucky enough to catch Joe Cocker live once. He was on tour with Stevie Ray Vaughan as his opening act! So I was able to catch Stevie Ray as well. It was at Pine Knob in Clarkston Michigan. Stevie Ray came out and played a full headlining set. An hour and a half of Stevie Ray kicking major ass. He was sober and on fire that year. He died after that tour if my memory is correct (It's always possible that I remember wrong). After Stevie played, Joe Cocker came out and played a blazing hour and a half of his own. When Joe came back for his encore Stevie Ray came out with him. They jammed for at least another half hour before leaving the stage. I actually almost didn't go to the show. My ex-wife's (my wife at the time) Grandmother had day died days earlier. I was unable to take the time off work to travel out of state for the funeral so I stayed home. My friend Gypsy Dan called and said he had tickets to see Cocker (did not mention Stevie Ray). I said I was going to stay home because I would feel guilty going to the show since my wife was going to a funeral. Dan say's "she will understand", (she didn't) then says "just don't tell her" (I did of course). I went, and thinking back, I feel like I did the right thing, so does Rosebud.
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Bob Seger & the Silver Bullet Band - The Beginnings Club, Schaumburg, IL 06-23-1976 (FM)
The Beginnings Club
Schaumburg, Illinois, USA
Recorded June 23, 1976
Broadcast November 1976
Flac Level 8 & High Quality MP3 320kbps/48khz
Cover Art Included
lineage: CDR > plex tool professional XL > wav > flac
01 Dj Intro / Bo Diddley (Bo Diddley)
02 Travelin' Man >
03 Beautiful Loser >
04 Katmandu
05 Feel Like Wakin' Up in Somebody Elses Bed (Ronnie Hawkins)
06 Lookin' Back / Dj talks / Mary Lou*
07 Ramblin' Gamblin' Man
08 Let It Rock (Chuck Berry)
09 Rosalie
10 Whole Lotta Love Boogie (Led Zeppelin)
11 Lucifer
Bob Seger lead vocals, guitar, keyboards
Drew Abbott lead guitar, backing vocals
Chris Campbell bass, backing vocals
Charlie Allen Martin drims, percussion, backing vocals
Robyn Robbins keyboards, backing vocals
Tommy "Alto Reed" Cartmell saxophone, flute, backing vocals
This recording comes from comes from a time of transition for Bob Seger. The highly successful Live Bullet was released in April 1976. This album will help Bob Seger achieve a higher level of commercial success. The tour to promote Live Bullet was kind of a telling as to Bob's success being regional . He had headlined a concert at The Pontiac Silverdome with Todd Rundgren, Elvin Bishop and Point Blank in front of 78,000 people. The next day was this concert in Schaumburg, Illinois, at a Shopping Mall Club (as it's called by the DJ in his intro) in front of less than a thousand people. The tour would wrap up and Bob Seger would record the fabulous Night Moves album which sends Bob into the Billboard Charts landing at #8 and now certified 6x Platinum in sales. Live Bullet is 5x Platinum in sales.





















