Joe Jackson Westwood One Concerts & Specials #PC-83-3 (Pre-FM)

Joe Jackson
Westwood One Concerts & Specials #PC-83-3
The Orpheum Theater, Boston, Massachusetts December 9, 1982
For Broadcast The Week Of January 31, 1983
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast 2x Vinyl Album Set

Lineage:  Pre-FM 2x Vinyl LP Set > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking & Azimuth Set: Tone Arm Pressure Digitally Dialed In at 1.0: Anti-Skid set 1.0) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8

01 Westwood One Concerts & Specials #PC-83-3 Intro & Break
02 Commercial - Budweiser
03 Joe Jackson - On Your Radio
04 Joe Jackson - Another World
05 Commercial - Gillette Razors
06 Commercials - Chewels Chewing Gum
07 Westwood One Concerts & Specials #PC-83-3 Break
08 Joe Jackson - Sunday Papers
09 Joe Jackson - Look Sharp
10 Commercial - Budweiser - Leon Redbone
11 Commercials - Chewels Chewing Gum
12 Westwood One Concerts & Specials #PC-83-3 Break
13 Joe Jackson - Fools In Love
14 Joe Jackson - Is She Really Going Out With Him? (A cappella)
15 Joe Jackson - One More Time
16 Commercial - Gillette Razors
17 Commercials - Chewels Chewing Gum
18 Westwood One Concerts & Specials #PC-83-3 Break
19 Joe Jackson - It's Different For Girls
20 Joe Jackson - Breaking Us In Two
21 Joe Jackson - Steppin' Out
22 Westwood One Concerts & Specials #PC-83-3 Wrap Up
23 Westwood One Concerts & Specials #PC-83-3 Promo Bed w/Voiceover

Total Playing Time: 58mn 26sc

The New Joe Jackson Band:
Joe Jackson vocals, piano
Joe Askew bass, vocals
Ed Roynesdal kyboards, percussion, vocals
Sue Hadjopoulos percussion, vocals
Larry Tolfree drums, percussion

Runout Grooves:
Side 1: PC-83-3-A > ALSHIRE (Stamp) L-12569
Side 2: PC-83-3-B > ALSHIRE (Stamp) L-12569
Side 3: PC-83-3-C > ALSHIRE (Stamp) L-12569
Side 4: PC-83-3-D > ALSHIRE (Stamp) L-12569

JustDave's Notes:
- As always a big Thank You to my fellow members of The Collective Of Live Music.

Known Faults:
- Pressing fault Side 2 during "Sunday Papers" gives the song a low thump-thump-thump sound.
- At the beginning of Side 2 the right channel is silent for .03 seconds since the left channel was too different from the right in sound to use as a patch, the drop out was left alone. Why make an odd sound to cover another odd sound?.

Recording Notes:
- Concert is hosted but like all other shows in the Westwood One Concerts & Specials the host doesn't identify himself.
- This concert has been released by Westwood One at least 3 times; Westwood One In Concert 83-02-X for air January 28, 1983: Westwood One Concerts & Specials PC-83-3 for air January 31, 1983: Joe Jackson/Concrete Blonde In Concert: New Rock 93-32 for air the week of August 2, 1993.
- The Westwood One In Concert 83-02-X has the most songs but is missing "Breaking Us In Two". Westwood One Concerts & Specials PC-83-3 has "Breaking Us In Two" but is missing "Target", "T.V. Age", "Beat Crazy", "Got The Time", "A Slow Song" and "I'm The Man". Joe Jackson/Concrete Blonde In Concert: New Rock 93-32 is missing "On The Radio", "Another World", "Fools In Love", "Target", "T.V. Age", "Got The Time", "A Slow Song" and the set list is in a completely different order.

Editing Notes:
- A Zerostat Positive Ion gun was used on LPs prior to playback.
- A carbon fiber record brush, then a microfiber disc cleaner was used on the records prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LPs cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking & Azimuth Set: Needle Pressure Digitally Dialed In.
- Soundcard stereo field maximized.
- Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.

Other Notes:
- Joe Jackson Orpheum Theater, Boston, Massachusetts December 9, 1982 date listed on onamrecords.com, also on etree.com, setlist.fm, concertarchives.org, jj-archive.net, also discogs for the Westwood One In Concert record
- During the A cappella version of "Is She Really Going Out With Him?" the second time Joe sings "Look over there.." the audience screams "Where?" loud enough to make Joe miss his next line.

Digitized By JustDave For The Collective Of Live Music.

Project Started : August 20, 2024      Project Finished : August 23, 2025

Flac 24bit

Flac 16bit

MP3

Exile - Westwood One Live From Gilley's Show #LG-87-21 (Pre-FM)

Exile
Westwood One Live From Gilley's Show #LG-87-21 - also known as
Westwood One Presents Show #87-21
The Crazy Horse Saloon, Santa Anna, California May 27, 1986
For Broadcast The Week Of May 18, 1987
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Album

Lineage:  Pre-FM Vinyl LP > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking & Azimuth Set: Tone Arm Pressure Digitally Dialed In at 1.0: Anti-Skid set 1.0) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8

Hosted By Jim Duncan

01 Live From Gilley's Show #LG-87-21 Intro - Jim Duncan
02 Exile - She's A Miracle
03 Exile - Woke Up In Love
04 Exile - Hang On To Your Heart
05 Live From Gilley's Show #LG-87-21 Break - Jim Duncan
06 Commercial - Sears Memorial Day Sale
07 Commercial - Rolaids Antacid - Davey Johnson
08 Commercial - Miles Labs Within Multi Vitamin For Women
09 Live From Gilley's Show #LG-87-21 Intro - Jim Duncan
10 Exile - Stay With Me
11 Exile - I Don't Want To Be A Memory
12 Exile - Just In Case
13 Live From Gilley's Show #LG-87-21 Break - Jim Duncan
14 Commercial - Sears May Home Improvement Sale
15 Commercial - Sun Country Wine Cooler - Ring Starr
16 Commercial - Judds Tour Update
17 Live From Gilley's Show #LG-87-21 Intro - Jim Duncan
18 Exile - Crazy For Your Love
19 Exile - Give Me One More Chance
20 Live From Gilley's Show #LG-87-21 Break - Jim Duncan
21 Commercial - Sears Memorial Day Sale
22 Commercial - Caltrate Calcium
23 Commercial - Ford Motorcraft Parts
24 Live From Gilley's Show #LG-87-21 Intro - Jim Duncan
25 Exile - Take Me Down
26 Exile - The Closer You Get
27 Live From Gilley's Show #LG-87-21 Break - Jim Duncan
28 Commercial - Sears May Home Improvement Sale
29 Commercial - Rolaids Antacid - Davey Johnson
30 Commercial - Murine Eye Drops
31 Live From Gilley's Show #LG-87-21 Intro - Jim Duncan
32 Exile - Kiss You All Over
33 Exile - I Could Get Used To You (mis-named I Couldn't Get Used To You)
34 Exile - Oh, Pretty Woman (Roy Orbison)
35 Live From Gilley's Show #LG-87-21 Wrap Up - Jim Duncan

Total Playing Time: 54:47

J.P. Pennington – guitar, vocals
Les Taylor – guitar, vocals
Sonny LeMaire – bass guitar, vocals
Steve Goetzman – drums
Marlon Hargis – keyboards

Runout Grooves:
Side 1: LG-87-21-1 JS (Script) KM (Script)
Side 2: LG-87-21-2 JS (Script) KM (Stamp)

Run out Groove on Side 1 was just 1cm wide I believe this is why the KM was in script rather than stamped.

JustDave's Notes:
- Thank you to my fellow members of The Collective Of Live Music for all the help and inspiration.
- Thank You Draftervoi for your detective work finding the date for all The Colective Of Live Music's Presentations

Known Faults:
- Westwood One packs over 50 minutes of music and commercials on 2 sides of vinyl making for groove crowding.
- This show on Side 1 was very tight with a runout groove about a centimeter wide at most making those grooves packed very tightly together.
- Groove crowding can cause needle damage to the vinyl causing more pops, snaps & needle noise or rumble.
- The crowd applause on Live From Gilley's recordings can sound like pops and crackles sometimes.

Recording Notes:
- There was no show promo on the record, it seems to be that by 1987 they quit including them and Jim Duncan would just tell you at the end of the program who was coming the next week.
- This show though called Live From Gilley's was recorded at The Crazy Horse Saloon & Steak House, Santa Ana, California. Because of this Jim Duncan introduces the show as Westwood One Presents.
- The only date I find for Exile at The Crazy Horse Saloon in Santa Ana California is March 22, 1988 which is too late.. However Google's AI search said that Exile played 3 nights at The Crazy Horse June 3-5, 1985. I found an ad for Ray Charles June 3 & 4, 1985 at The Crazy Horse so I don't think that is right.
- Ray Charles actually played at The Crazy Horse Saloon 14 times.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a microfiber disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth Set: Needle Pressure Digitally Dialed In:
- Soundcard stereo field maximized
- Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- A high pass filter with an initial cut off of 50hz and static steepness of 2 was used to ease rumble caused by the tight grooves on the album.

Other Notes:
- "Take Me Down" and "The Closer You Get" were written and recorded by Exile. The songs were later covered and made hits by Alabama. Exile recorded and released the songs on their 1980 album Don't Leave Me This Way which was rereleased in 1990 as Keeping It Country with no changes except to the album art.
- Another song written by Exile that became a hit for someone else is "Just In Case" which became a #1 Hit for The Forester Sisters. Exile recorded and released the song on their 1984 album Kentucky Hearts. The Forester Sisters recorded and released the song on their 1985 album The Forester Sisters.
- Exile started out as a Soft Rock Band and had a huge hit with the song "Kiss You All Over". After having no more Top 40 Hits the band re-branded themselves as a Country band or a Souther Rock Band. They actually never changed their sound just who they advertised to. They have always had a bit of Southern in their music in the style of Atlanta Rhythm Section. After re-branding Exile has enjoyed a very long career.
- Exile was on tour for there 1985 release Hang On To Your Heart which debut on Billboards Country Chart at #62 on September 21, 1985. It peaked at #2 on January 1, 1986 from https://www.billboard.com/artist/exile/chart-history/clp/

Digitized By JustDave For The Collective Of Live Music

Project Started : August 27, 2025   Project Finished : September 7, 2025

Flac 24bit

Flac 16bit

MP3
 

Gene Watson - Lonestar Memories ~ Gilley's Club, Pasadena, Texas, USA 1982-XX-XX (FM)

Gene Watson
Lonestar Memories
Gilley's Club
Pasadena, Texas, USA
1982-XX-XX
FM Broadcast Recording
Flac Level 8 16bit/44,1khz & MP3 320kbps
Front Cover Included

01 - Cowboys Don't Get Lucky All The Time
02 - Harvest Time
03 - Bartender's Blues
04 - 14 Karat Mind
05 - Because You Believe In Me
06 - Take Off Those Shoes
07 - One-Sided Conversations
08 - Nothing Sure Looked Good On You
09 - Love In The Hot Afternoon
10 - It's A Long Time
11 - This Dream's On Me
12 - Raisin' Cane In Texas
13 - Baby Me Baby
14 - Speak Softly
15 - Farewell Party

Gene Watson lead vocals, guitar

The Farewell Party Band:
Larry Booth bass
Chris "Tiny" Olsen steel guitar
Doug Boggs drums
Joe Eddie Gough keyboards
Daniel Rainwater lead guitar
Norm Castner guitar

Another great performance by Gene Watson and The Farewell Party Band Live From Gilleys. A great set list with a lot of different songs than the other two Gene Watson shows we have posted.

Flac

MP3

 

Chris Potter, Brad Mehldau, John Patitucci & Johnathan Blake - Amphithéâtre du Domaine d'O Montpellier, France July 9, 2024 (FM) - Master

Chris Potter, Brad Mehldau, John Patitucci & Johnathan Blake
Amphithéâtre du Domaine d'O
Montpellier, France
July 9, 2024
FM Broadcast Recording - Master
Flac & MP3 320kbps
Cover Art Included

New Links Added 09/08/2025

Lineage: France Musique (FM) > Pioneer F91 > Edirol RH-09R > Audacity > XAct > Flac

01 Dream of Home (Chris Potter) 8:47
02 Cloud Message (Chris Potter) 13:25
03 Indigo Ildiko (Chris Potter) 12:38
04 Eagle's Point (Chris Potter) 13:19
05 Aria for Anna (Chris Potter) 7:40
06 Other Plans (Chris Potter) 10:44
07 Horizon Dance (Chris Potter) 13:55
08 Pick Yourself Up (Jerome Kern) 10:06
09 Old Folks (Willard Robison) 9:13

Total Playing Time: 1hr 39mn 46mn

Chris Potter tenor saxophone
Brad Mehldau piano
John Patitucci bass
Johnathan Blake drums

This is not a rare Master Tape but it is some what new to trading circles since it was just recorded this summer. Someone commented calling it "The Mount Rushmore Of Jazz" plays live and that it was "4 Musicians Of The Apocalypse"...I will say that this is a great sounding capture of "an awesome Quartet of top notch musicians inspiring each other to heights even they didn't now they could attain". I love this one on headphones. This Sunday Morning Jazz Time it was on the stereo while I looked out my back window at all the fall color in the trees....

Flac

MP3

Bobby Bare - Westwood One Live From Gilley's Show #LG-87-44 (Pre-FM)

Bobby Bare
Westwood One Live From Gilley's Show #LG-87-44
Gilley's Club, Pasadena, Texas July 25, 1987
For Broadcast October 26, 1987
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included

From The Collection Of BiginV3gas Brought To You By The Collective Of Live Music

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Album

Lineage:  Pre-FM Vinyl LP > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking & Azimuth Set: Tone Arm Pressure Digitally Dialed In at 1.0: Anti-Skid set 1.0) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wav 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8 > Winamp (tagging)

Hosted By Jim Duncan

01 Westwood One Live From Gilley's Show #LG-87-44 Intro - Jim Duncan
02 Bobby Bare - Blind Willie Harper
03 Bobby Bare - 500 Miles Away From Home (mis-named 500 Miles)
04 Bobby Bare - Four Strong Winds (Ian And Sylvia) >
05 Bobby Bare - Shame On Me (Lawton Williams)
06 Westwood One Live From Gilley's Show #LG-87-44 Break - Jim Duncan
07 Commercial - Mineral Ice
08 Commercial - Flintstone Chewable Vitamins
09 Westwood One Live From Gilley's Show #LG-87-44 Intro - Jim Duncan
10 Bobby Bare - The Streets Of Baltimore (Harlon Howard)
11 Bobby Bare - Tequila Sheila (Mack Davis/Shel Sylverstein) >
12 Bobby Bare - Drop Kick Me, Jesus (Shel Sylverstein)
13 Westwood One Live From Gilley's Show #LG-87-44 Break - Jim Duncan
14 Commercial - Duration Nasal Decongestant
15 Commercial - Skinny Sticklets Chewing Gum
16 Commercial - Milky Way Candy Bar
17 Westwood One Live From Gilley's Show #LG-87-44 Intro - Jim Duncan
18 Bobby Bare - High Heeled Sneakers (Tommy Tucker) - (mis-named Long Tall Sall-High Heeled Sneakers)
19 Westwood One Live From Gilley's Show #LG-87-44 Break - Jim Duncan
20 Commercial - Mineral Ice
21 Commercial - Flintstone Chewable Vitamins
22 Westwood One Live From Gilley's Show #LG-87-44 Intro - Jim Duncan
23 Bobby Bare - Green Green Grass Of Home (Johnny Darrel)
24 Bobby Bare - Got To Get Rid Of This Band (Shel Sylverstein)
25 Westwood One Live From Gilley's Show #LG-87-44 Break - Jim Duncan
26 Commercial - Duration Nasal Decongestant
27 Commercial - Snickers Candy Bar
28 Commercial - Wrigley's Juicy Fruit Chewing Gum
29 Westwood One Live From Gilley's Show #LG-87-44 Intro - Jim Duncan
30 Bobby Bare - Numbers (mis-named 10 on cue sheet)
31 Bobby Bare - Marie Laveau (Shel Sylverstein) (mis-spelled Marie Laveu)
32 Westwood One Live From Gilley's Show #LG-87-44 Wrap Up - Jim Duncan

Total Playing Time: 54mn 18sc

Runout Grooves:
Side 1: LG-87-44-1 JS (Script) KM (Stamp)
Side 2: LG-87-44-2 JS (Script) KM (Stamp)

JustDave's Notes:
- Thank you to BiginV3gas for sending his vinyl for encoding!
- Thank you to my fellow members of The Collective Of Live Music for all the help and inspiration

Known Faults:
- Westwood One packs over 50 minutes of music and commercials on 2 sides of vinyl making for groove crowding.
- Groove crowding can cause needle damage to the vinyl causing more pops, snaps & needle noise or rumble.
- The crowd applause on Live From Gilley's recordings can sound like pops and crackles sometimes, this has always bugged me but I have never noted it before the encoding of this show.

Recording Notes:
- There was no show promo on the record, it seems to be that by 1987 they quit including them and Jim Duncan would just tell you at the end of the program who was coming the next week.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a microfiber disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth Set: Needle Pressure Digitally Dialed In:
- Soundcard stereo field maximized
- Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voice overs.
- Declicked manually and some noise reduction used depending on what best served situation.
- A high pass filter with an initial cut off of 50hz and static steepness of 2 was used to ease rumble caused by the tight grooves on the album.

Other Notes:
- "Marie Laveau" by Shel Sylverstein was first recorded by the band Dr. Hook & The Medicine Show in 1971.
- "Tequila Sheila" written by Mack Davis and Shel Sylverstein was recorded by Bobby Bare in 1980.
- A well respected hit song writer himself Bobby Bare also has a talent for picking great songs by other fantastic song writers such as Harlon Howard's "The Streets Of Baltimore", Lawton Williams' "Shame On Me", Johnny Darrel's "Green Green Grass Of Home".
- Bobby Bare's July 25, 1987 appearance at Gilley's Night Club was one of the last major concert events at the club before it's eventual closing. This info found out through google and links at https://guestpectacular.com and setlist.fm
- I also found a picture of Gilley's Sign with Bobby Bare's name and the number 25 next to it. I dare say it might be to advertise this show.

Digitized By JustDave For BiginV3gas & The Collective Of Live Music

Project Started : August 20, 2025   Project Finished : August 25, 2025

Flac 24bit

Flac 16bit

MP3

Brad Mehldau Trio - Arena Santa Giuliana: Perugia, Italy July 11, 2006 (FM)

Brad Mehldau Trio
Arena Santa Giuliana
Perugia, Italy
July 11, 2006
RAI Radio 3 FM Broadcast Recording
Flac Level 6
No Cover Art

Lineage: RAI Radio 3 broadcast > Sanyo FMT-3510L FM tuner > Audigy SoundBlaster > HD > Sound Forge 7.0 > CD Wave Editor > FLAC Frontend (level 6)

01 Wonderwall (Oasis) 8:09
02 Fat Kid (B.Mehldau) 10:50
03 Secret Beach (B.Mehldau) 9:59
04 Black Hole Sun (Soundgarden) 14:41
05 C.T.A. (J.Heath) 11:33
06 Secret Love (Sunny Fain) 9:07
07 Countdown (J.Coltrane) 9:02

Total Playing Time: 1hr 13mn 21sc

Brad Mehldau - piano
Jeff Ballard - drums
Larry Grenadier - bass

Sorry this is the only one I have prepped for Jazz On Sunday. Hey at least it's something awesome like The Brad Mehldau Trio!!

Flac

MP3
 

Don Williams - Westwood One Live From Gilley's Show #LG-87-32 (Pre-FM)

Don Williams
Westwood One Live From Gilley's Show #LG-87-32 - also known as
Westwood One Presents Show #87-32
Westbury Music Fair, North Hempstead, Long Island, New York August 21, 1985
For Broadcast August 3, 1987
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included

From The Collection Of JustDave Brought To You By The Collective Of Live Music

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Single Album

Lineage:  Pre-FM Vinyl LP > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking, Azimuth Set: Tone Arm Pressure Digitally Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8

Hosted By Jim Duncan

01 Westwood One Live From Gilley's Show #LG-87-32 Intro - Jim Duncan
02 Don Williams - Tulsa Time (Danny Flowers)
03 Don Williams - That's The Thing About Love
04 Don Williams - 'Til The Rivers Run Dry
05 Westwood One Live From Gilley's Show #LG-87-32 Break - Jim Duncan
06 Commercial - Mineral Ice
07 Commercial - Valu-Rite Pharmacy - Tom Bosley
08 Westwood One Live From Gilley's Show #LG-87-32 Intro - Jim Duncan
09 Don Williams - We've Got A Good Fire Goin'
10 Don Williams - I Believe In You
11 Don Williams - Amanda
12 Westwood One Live From Gilley's Show #LG-87-32 Break - Jim Duncan
13 Commercial - Miles Labs Flintstone Kids Chewable Vitamins
14 Commercial - Sun Country Wine Cooler
15 Commercial - Westwood One Judds Tour Update
16 Westwood One Live From Gilley's Show #LG-87-32 Intro - Jim Duncan
17 Don Williams - Good Ole Boys Like Me
18 Don Williams - It Must Be Love
19 Don Williams - I'll Be Faithful To You
20 Westwood One Live From Gilley's Show #LG-87-32 Break - Jim Duncan
21 Commercial - Miles Labs Flintstone Kids Chewable Vitamins
22 Commercial - Dove Ice Cream Bar
23 Commercial - Peter Pan Peanut Butter
24 Commercial - Westwood One/Coca-Cola Sweepstakes
25 Westwood One Live From Gilley's Show #LG-87-32 Intro - Jim Duncan
26 Don Williams - Lord, I Hope This Day Is Good (Corbin-Hanner Band)
27 Don Williams - I Recall A Gypsy Woman
28 Westwood One Live From Gilley's Show #LG-87-32 Break - Jim Duncan
29 Commercial - Dove Ice Cream Bar
30 Commercial - Wrigley's Chewing Gum
31 Commercial - Valu-Rite - Tom Bosley
32 Westwood One Live From Gilley's Show #LG-87-32 Intro - Jim Duncan
33 Don Williams - I'm Just A Country Boy (Harry Belafonte) - (mis-named Country Boy)
34 Don Williams - Louisiana Saturday Night
35 Westwood One Live From Gilley's Show #LG-87-32 Wrap Up - Jim Duncan

Total Playing Time: 54mn 13sc

Runout Grooves:
Side 1 : LG-87-32-1 JS (SCRIPT) KM (STAMP)
Side 2 : LG-87-32-2 JS (SCRIPT) KM (STAMP)

JustDave's Notes:
- Thank you to My fellow members of The Collective Of Live Music for help and inspiration.
- This one is dedicated to my late Grandmother for making me a fan of Don Williams and The Ink Spots.

Known Faults:
- Some small scratches on vinyl which make pop sounds but no skips.
- Westwood One packs over 50 minutes of music and commercials on 2 sides of vinyl making for groove crowding.
- Groove crowding can cause needle damge to the vinyl causing more pops, snaps & needle noise or rumble.
- There are a few spots on the album where a rumble noise gets pretty strong. This was on the LP and not due to needle pressure or anti-skid being too high as my needle is set at 1.2 and anti-skid is at 1.0.

Recording Notes:
- There was no show promo on this album.
- Recording is presented as both Westwood One Live From Gilley's & Westwood One Presents.
- Westwood One Presents is the name Westwood One started using after they started recording Country shows at locations other than Gilley's Bar in Texas.
- The Record labels and runout grooves have the show number as LG-87-32, LG being Live From Gilley's .
- The cue sheet says Westwood One Presents Show #87-32
- Jim Duncan calls the show Westwood One Presents during his show wrap up, not Live From Gilley's
- There is a listing for a show called Live From Gilley's #87-01 for broadcast on December 29, 1986 that has a duplicate set list.
- There is a song called "We've Got A Good Fire Goin'" in the set that is on Don Williams' 1986 album New Moves. But artists do play unreleased material live to get audience reactions and "Road Test" a song.
- I found a newspaper ad for Don Williams' appearance at Westbury Music Fair in 1985 but not for 1986.


Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a microfiber disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth Set: Needle Pressure Digitally Dialed In:
- Soundcard stereo field maximized
- Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- A high pass filter with an initial cut off of 50hz and static steepness of 2 was used to ease rumble caused by the tight grooves on the album.

Other Notes:
- There are only 2 songs played at this concert that were not aired: "Say It Again" & "You're My Best Friend".
- "Say It Again" was played between "'Til The Rivers Run Dry" & "I Believe In You".
- "You're My Best Friend" was played between "Amanda" & "Good Ole Boys Like Me".
- "Some Broken Hearts Never Mend" was covered by Telly Savalas in 1981. It was #1 on the Swiss charts and #2 in Australia and #4 in The Netherlands. Telly Savalas is most notable in The USA for being an actor who portrayed the lollipop eating police detective Kojak of the TV show with the same name. His famous catch phrase being "Who's lookin' at you baby?"

Flac 24bit

Flac 16bit

MP3

Gene Watson - Westwood One Live From Gilley's Show #LG-87-37 (Pre-FM)

Gene Watson
Westwood One Live From Gilley's Show #LG-87-37
Gilley's Bar, Pasadena, Texas, USA 1987 - First Show
For Broadcast The Week (Unknown)
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48kh
Cue Sheet & Label Scans Included

From The Collection of BiginV3

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Single Album

Lineage:  Pre-FM Vinyl LP > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking, Azimuth Set: Tone Arm Pressure Digitally Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boudries) > Flac Level 8 > Winamp (tagging)

Hosted By Jim Duncan

01 Live From Gilley's #LG-87-37 Intro - Jim Duncan
02 Gene Watson - Speak Softly
03 Gene Watson - Got No Reason Now For Goin' Home
04 Gene Watson - Will Your Guitar Pick The Wildwood Flower
05 Gene Watson - Make The World Go Away (Eddy Arnold)
06 Live From Gilley's #LG-87-37 Break - Jim Duncan
07 Commercial - Campbell's Soup
08 Commercial - Snickers Candy Bar
09 Commercial - Schick Razors
10 Live From Gilley's #LG-87-37 Intro - Jim Duncan
11 Gene Watson - This Dream's On Me (firecrackers)
12 Gene Watson - Raisin' Cane In Texas
13 Gene Watson - Honky Tonk Crazy
14 Live From Gilley's #LG-87-37 Break - Jim Duncan
15 Commercial - Mineral Ice
16 Commercial - Milky Way Candy Bar
17 Commercial - Judds' Tour Update
18 Live From Gilley's #LG-87-37 Intro - Jim Duncan
19 Gene Watson - I Wonder Where You're Crazy Tonight (unreleased at the time)
20 Gene Watson - When We Were Down To Nothin', Nothin' Sure Looked Good On You
21 Gene Watson - You Took Her Off My Hands, Now Take Her Off My Mind (Harlan Howard)
22 Gene Watson - Cowboy's Don't Get Lucky All The Time
23 Live From Gilley's #LG-87-37 Break - Jim Duncan
24 Commercial - Schick Razors
25 Commercial - Hamburger Helper
26 Commercial - Milky Way Candy Bar
27 Live From Gilley's #LG-87-37 Intro - Jim Duncan
28 Gene Watson - Bottle Of Tears
29 Gene Watson - Should I Come Home Or Should I Go Crazy
30 Live From Gilley's #LG-87-37 Break - Jim Duncan
31 Commercial - Schick Razors
32 Commercial - Hamburger Helper
33 Commercial - Segrams Wine Coolers
34 Live From Gilley's #LG-87-37 Intro - Jim Duncan
35 Gene Watson - Farewell Party
36 Live From Gilley's #LG-87-37 Wrap Up - Jim Duncan

Total Playing Time: 54mn 11sc

Gene Watson lead vocals, guitar

The Farewell Party Band:
Larry Booth bass
Chris "Tiny" Olsen steel guitar
Doug Boggs drums
Joe Eddie Gough keyboards
Daniel Rainwater lead guitar
Norm Castner guitar

Runout Grooves:
Side 1 : LG-87-32-1 JS (script) KM (stamp)
Side 2 : LG-87-32-2 JS (script) KM (stamp)

JustDave's Notes:
- Thank you to BiginV3 for donating vinyl to The Collective to be archived.
- Thank you to My fellow members of The Collective Of Live Music for help and inspiration.

Known Faults:
- Cue sheet was not included with purchase.
- Westwood One packs over 50 minutes of music and commercials on one Live From Gilley's LP.
- That makes for tighter grooves, making it harder to fight needle damage noise.
- Record was rated Good Minus by the seller due to all the small scratches on the album.
- There is a spot on the vinyl that looks like it was "bleached out", it is almost white, and is full of static. The spot is in the intro to the song "Bottle Of Tears" and is thick with a fuzz that can not be removed without making another sound problem to fix. It was left alone. No music is marred by this problem just Gene's spoken intro.

Recording Notes:
- There was no show promo on this album
- At the end of "This Dream's On Me" someone lights of firecrackers in the bar. This causes the guitarist to flub a note but Gene Watson just says "Well somebody's happy" and carries on with the show.
- This Gene Watson Live From Gilley's show, #LG-87-37, was not listed on Discogs.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a microfiber disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth Set: Needle Pressure Digitally Dialed In:
- Soundcard stereo field maximized
- Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- Album has 5 segments and each segment needed a different anti-skid setting to avoid skipping.

Other Notes:
- Gene Watson was on tour to promote his 1987 album Honky Tonk Crazy and the title track single putting this concert in 1987.
- This project was one of the hardest I have worked so far. It was actually 2 weeks worth of work with about 5 hours a day spent on it. The record was covered in small scratches causing quite a bit of noise that needed editing. A screen grab of a half minute of the wave, showing the pops and clicks is included with the file set.
- This record is over 40 years old. When buying old, used vinyl you never know how the last owner treated it. This one was abused so there may be some noises that were left due to there being a worse problem afterwards or may have been missed during the editing process.

Digitized By JustDave For BiginV3 & The Collective Of Live Music

Project Started : August 1, 2025      Project Finished : August 11, 2025

Flac 24bit

Flac 16bit

MP3

Not The Same Show As The Other Gene Watson Live From Gilley's Here

Gene Watson - Westwood One Live From Gilley's Show #LG-88-18 (Pre-FM) Vinyl

Gene Watson
Westwood One Live From Gilley's Show #LG-88-18
Gilley's Bar, Pasadena, Texas, USA
For Broadcast The Week Of April 25, 1988
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included

From The Collection of BiginV3

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Single Album

Lineage:  Pre-FM Single Vinyl LP > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing, tagging) > Flac Level 8 24bit/96khz

Hosted By Jim Duncan

01 Westwood One Live From Gilley's Show #LG-88-18 Intro & Break  - Jim Duncan
02 Gene Watson - Speak Softly
03 Gene Watson - Got No Reason Now For Going Home (missnamed "Got No Reason")
04 Gene Watson - 14 Karat Mind
05 Gene Watson - Dreams Of A Dreamer
06 Westwood One Live From Gilley's Show #LG-88-18 Break  - Jim Duncan
07 Commercial - Mineral Ice - Patrick O'Neal
08 Commercial - Hamburger Helper
09 Westwood One Live From Gilley's Show #LG-88-18 Intro - Jim Duncan
10 Gene Watson - This Dream's On Me
11 Gene Watson - Memories To Burn
12 Gene Watson - Paper Rosie
13 Westwood One Live From Gilley's Show #LG-88-18 Break  - Jim Duncan
14 Commercial - Motel 6 - Tom Bodett
15 Commercial - Hamburger Helper
16 Westwood One Live From Gilley's Show #LG-88-18 Intro - Jim Duncan
17 Gene Watson - Love In The Hot Afternoon
18 Gene Watson - Old Man And His Horn
19 Westwood One Live From Gilley's Show #LG-88-18 Break  - Jim Duncan
20 Commercial - Golf Digest - Tom Watson
21 Commercial - Dazey Whirlpool Portable Spa
22 Westwood One Live From Gilley's Show #LG-88-18 Intro - Jim Duncan
23 Gene Watson - Nothing Sure Looked Good On You (missnamed "Nothing Sure Looks Good On You")
24 Gene Watson - You're Out Doin' What I'm Doin' Without
25 Westwood One Live From Gilley's Show #LG-88-18 Break  - Jim Duncan
26 Commercial - Hamburger Helper
27 Commercial - Fisherman's Friend Throat & Chest Lozenges
28 Commercial - Dazey Whirlpool Portable Spa
29 Westwood One Live From Gilley's Show #LG-88-18 Intro - Jim Duncan
30 Gene Watson - Cowboys Don't Get Lucky
31 Gene Watson - Farewell Party
32 Westwood One Live From Gilley's Show #LG-88-18 Wrap Up  - Jim Duncan
33 Westwood One Live From Gilley's Show #LG-88-18 Promo Bed  - Jim Duncan

Total Playing Time: 54mn 12sc

Gene Watson lead vocals, guitar

The Farewell Party Band:
Larry Booth bass
Chris "Tiny" Olsen steel guitar
Doug Boggs drums
Joe Eddie Gough keyboards
Daniel Rainwater lead guitar
Norm Castner guitar

Runout Grooves:
Side One: L- 88-18-1 (RM2) K² KM
Side Two: L- 88-18-2 (RM2) K² KM
(Pressed By – KM Records Inc.)

JustDave's Notes:
- Thank you to BiginV3 for sending his vinyl to be encoded.
- Thank you to Draftervoi, Sam Elliot's Mustache and avnut for help and inspiration.
- Thank you to the people who put together the Discogs Runout Groove Forum.

Known Faults:
- Westwood One packs over 50 minutes of music and commercials on one Live From Gilley's LP.
- That makes for tighter grooves, making it harder to fight needle damage noise.
- During the spoken introduction to "Dreams Of A Dreamer" there is some vinyl noise that I had to leave because getting rid of it left behind worse noise than was originally there.

Recording Notes:
- There is a locked groove show promo bed with voice over at the beginning of Side One. It has been encoded and moved to the end of the program.
- There are 5 locked groove segments to the program of varying lengths. Local DJ & Station I.D.s were to be between theses segments.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- A rumble filter with a 40hz initial cutoff used in the quiet parts of the recording (ie: spoken introductions & segment fades) to lighten needle noise.

Other Notes:
- Gene Watson's career started in 1962. His first national hit was the song ""Love in the Hot Afternoon", which was the title track to his first nationally released album.
- Watson's career includes 5 Number 1 Hits, 21 Top Ten Hits, and 48 Singles that actually hit the charts. A total of 35 studio albums have been released so far.
- Gene Watson was finally invited to join The Grand Ole Opry on January 17, 2020. The invitation was extended by Vince Gill.

Digitized By JustDave For BiginV3 & The Collective Of Live Music

Project Started : June 10, 2025   Project Finished : June 11, 2025

Flac 24bit

Flac 16bit

MP3

Bonham - The Cat Club, New York City, New York, 11-27-1989 (FM)

Bonham
Cat Club
New York City, New York
Monday, November 27, 1989
102.7 WNEW-FM Broadcast Recording
Flac & MP3 320kbps
Cover Art Included

 

Repost New Links Added 08/14/2025

01 The Disregard Of Timekeeping
02 Wait For You
03 Holding On Forever
04 Cross Me And See
05 Bringing Me Down
06 Guilty
07 Playing To Win
08 Come Together
09 Dreams

total time: 1hr 1mn 14sc 

Daniel MacMaster (R.I.P.) - Lead Vocals
Ian Hatton - Guitars, Backing Vocals
John Smithson - Bass, Keyboards, Violin, Backing Vocals
Jason Bonham - Drums, Percussion, Backing Vocals

6 Degrees Of Led Zeppelin Post # 13

Another obvious choice here. Bonham was formed by Jason Bonham, son of the late John Bonham, Led Zeppelin's drummer. Jason Bonham of course would go on to play drums for Led Zeppelin at their reunion shows.

Bonham's music (for those that never heard it) bears a striking resemblance to Led Zeppelin, vocalist Daniel MacMaster could be a young Robert Plant.

Daniel MacMaster died on March 16, 2008 from a Group A streptococcal infection, he was just 39 years of age.

Flac

 

MP3

DIO - Definitive Evil ~ Le Zenith, Paris, France, November 23, 1987 (FM)

DIO
Definitive Evil - (Shades 142)
Le Zenith, Paris, France
November 23, 1987
FM Broadcast Recording or Stereo Soundboard Recording
Flac & MP3 320kbps
Cover Art Included

Rosebud's Pick

Repost New Links Added 08/14/2025

Lineage: Extracted to FLAC from original silver CDs via EZ CD Audio Converter

Disc One

101 Stand Up And Shout
102 Dream Evil
103 Neon Knights (Black Sabbath)
104 Sunset Supermen
105 Naked In The Rain
106 Guitar Solo / Naked In The Rain (reprise)
107 The Last In Line
108 Holy Diver
109 Drum Solo

Disc Two

201 Heaven And Hell (Black Sabbath)
202 Man On The Silver Mountain (Rainbow)
203 All The Fools Sailed Away
204 Keyboard Solo / Instrumental
205 All The Fools Sailed Away (reprise) / The Last In Line (reprise)
206 Night People
207 Rock 'n' Roll Children
208 Overlove
209 Long Live Rock 'n' Roll (Rainbow) / Rock 'n' Roll Children (reprise)
210 Rainbow In The Dark
211 Mob Rules (Black Sabbath)
212 We Rock

Total Playing Time: 1hr 39mn 10sc

Ronnie James Dio (R.I.P.) – lead vocals
Craig Goldy – guitar
Jimmy Bain (R.I.P.) – bass, backing vocals
Vinny Appice – drums, percussion
Claude Schnell – keyboards, piano

Rosebud has a pretty wide musical taste but if I ask her what she wants to hear I usually have to preface it with no Queensryche, Kansas or Dio. They are her 3 go to bands when asked, which sometimes annoys me since I have her every CD she asked for. I usually have to remind her she has the compete recorded works of Grace Slick and Lynyrd Skynyrd to get a different response out of her. Last night I didn't say that, so that means you benefit with a great Dio show! I probably say this too much but  one thing I really love about Ronnie's Dio music is that it neatly ties together the music from his days in both Black Sabbath and Ritchie Blackmore's Rainbow.

Flac

MP3

Downloaded from https://purplehippies.com/ the best place for Deep Purple and related bootlegs!

Bill Evans Trio - Bill Evans In Ottawa 1974 - Camp Fortune: Chelsea, Quebeco, Canada, August 2, 1974 (FM)

Bill Evans Trio
Bill Evans In Ottawa 1974 - (Remastered In Broadcasting)
Camp Fortune, Chelsea, Quebeco, Canada, August 2, 1974
With Bonus Tracks From New York City, New York, USA September 17, 1972
FM Broadcast Recording
Bonus Tracks TV Broadcast/Soundboard Recording
Flac 16bit/44,1khz
High Quality MP3 320kbps/48khz
Front Cover Only

01 Intro
02 Midnight Mood
03 Elsa
04 Sugar Plum
05 Morning Glory
06 A Sleepin' Bee
07 How My Heart Sings
08 Time Remembered
09 Beautiful Love
10 How My Heart Sings (Bonus Track)
11 Gloria's Step (Bonus Track)
12 Time Remembered (Bonus Track)
13 My Romance (Bonus Track)

Bill Evans piano
Eddie Gomez bass
Marty Morell drums

Tracks 01-09 Camp Fortune, Chelsea, Quebeco, Canada, August 2, 1974
Tracks 10-13 TV Broadcast, Unknown Location, New York City, New York, USA September 17, 1972

JustDave's Notes:
Camp Fortune is in Quebeco, Canada just about 15 minutes from Downtown Ottawa, Ontario, Canada (according to Wikipedia) so the show was called Live In Ottawa.

This is another awesome set from The Bill Evans Trio. You can not deny that during their day The Bill Evans Trio was one of the Best Live Jazz Units out there. Every performance I have heard is nothing short of awe inspiring. Piano Jazz at it's best....Enjoy!!

Flac

MP3

Downloaded from https://hd24bit.com/

Pat Metheny Group - Euphoria Tavern, Portland, Oregon, USA February 24, 1979 (FM) - Goody's Audio Upgrade via Waterwheel

Pat Metheny Group
Euphoria Tavern
Portland, Oregon, USA
February 24, 1979
FM Broadcast Recording
Flac Level 8 & MP3 320kbps
Cover Art Included

Goody's Audio Upgrade via Waterwheel

Goddy's Lineage: iZotope RX10 Advanced (Wow & Flutter removed or reduced, Azimuth and Phase adjustments) > Audition (levels adjusted; tracking updated; fades) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)

01 Phase Dance (Pat Metheny, Lyle Mays) 8:02
02 Circus (Pat Metheny, Lyle Mays) 6:35
03 Pat Speaks 1:22
04 Unity Village (Pat Metheny) / The Windup (Keith Jarrett) 9:30
05 The Epic (Pat Metheny, Lyle Mays) 15:36
06 Jaco (Pat Metheny) 3:48
07 River Quay (Pat Metheny) / Meantime (Pat Metheny) 19:13
08 Band Intros And Thanks 0:54
09 San Lorenzo (Pat Metheny, Lyle Mays) 11:48

Runtime: 1hr 16mn 47sc

This early career broadcast from The Pat Metheny Group is a little "bright" sounding but very enjoyable. It's had the "Goody Treatment" (remastering) but I turn the treble down a little when listening to this recording. Don't be discouraged by that comment, it's a "little bright" but not "brittle" or "tinny" sounding. It's not too thin that you don't hear the bass either. It's a nice listen. Pat Metheny collectors need this show if not for the way the band tacks Keith Jarrett's "The Wind Up" at the end of "Unity Village". It is the usual stellar performance we all come to love from the Pat Metheny Group.

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The Whispers - Budweiser Concert Hour #86-05 (Pre-FM)

The Whispers
Budweiser Concert Hour #86-05
Bogart's, Cincinnati, Ohio, USA 1984
For Broadcast The Week Of February 24, 1986
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khs
Cue Sheet & Label Scans Included

From The Collection Of JustDave Brought To You By The Collective Of Live Music

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Album

Lineage:  Pre-FM Vinyl LP > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper > Flac Level 8

Hosted By Jim Matix

01 Westwood One Radio Network ID - Bill Withers
02 Budweiser Concert Hour #86-05 Intro & Break - Jim Matix
03 Commercial - Budweiser
04 The Whispers - Tonight
05 The Whispers - Contagious
06 Budweiser Concert Hour #86-05 Break - Jim Matix
07 The Whispers - Say Yes
08 The Whispers - It's A Love Thing (mis-named Love Thing on cue sheet)
09 Commercial - Budweiser
10 Westwood One Radio Network ID - Jeffery Osbourne
11 Budweiser Concert Hour #86-05 Break - Jim Matix
12 The Whispers - Keep On Lovin' Me (mis-named Hey Scotty on cue sheet)
13 The Whispers - Lady
14 Commercial - Budweiser - Lou Rawls
15 Budweiser Concert Hour #86-05 Break - Jim Matix
16 The Whispers - The Beat Goes On
17 Budweiser Concert Hour #86-05 Break - Jim Matix

Total Playing Time: 48mn 51

The Whispers:
Wallace "Scotty" Scott
Walter Scott (R.I.P.)
Leaveil Degree
Marcus Hutson (R.I.P.)
Nicholas Caldwell (R.I.P.)

Runout Grooves:
Side 1 : BC-86-05-1 JS KM (Stamp)
Side 2 : BC-86-05-1 JS KM (Stamp)

JustDave's Notes:
- As always a Big Thank You to my fellow members of The Collective Of Live Music for all the help and inspiration.

Known Faults:
- Westwood One packs over 50 minutes of music and commercials on one Budweiser Concert Hour LP.
- That makes for tighter grooves, making it harder to fight needle damage noise.
- Cue sheet states 2 show promos were at the end of Side 2 Segment 4. No show promos are included on the album. I have done a few of these shows and have yet to see one that includes a show promo.

Recording Notes:
- There are 2 small scratches on the record that when hit caused a repeated deep thump noise. It was noticable in audience portions of the recording. I tried to lessen the noise with a bump filter of 50hz.
- This is the first time that a Budweiser Concert Hour has Celebrity Westwood One Network IDs. Both Soul Legends Bill Withers & Jeffery Osbourne recorded an ID for this show.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Both manually de-clicked and some Pop Fix used depending on what got the best result.

Other Notes:
- Marcus Hutson died May 23, 2000 from prostate cancer, his position was never filled with anyone else. To this day The Whispers perform with one less member in the line up.
- Nicholas Caldwell died January 5, 2016 from complications due to congestive heart failure, he was 71.
- Walter Scott died June 26, 2025 from complications due to cancer, he was 81.
- The Whispers sang the United States National Anthem at game 2 of the 1989 Baseball World Series.
- The only Original Member of The Whispers in the group now is Wallace "Scotty" Scott, who sang lead on quite a few of the groups hits.
- There is another Budweiser Concert Hour featuring The Whispers with the show number of BC-85-05. I am unsure if BC-85-05 and BC-86-05 are the same concert or not.

Digitized By JustDave For The Collective Of Live Music

Project Started : July 23, 2025      Project Finished : July 26, 2025

Flac 24bit

Flac 16bit

MP3

April Wine / John Waite - King Biscuit Flower Hour Best Of The Biscuit #BOB-465 (Pre-FM)

April Wine / John Waite
King Biscuit Flower Hour Best Of The Biscuit #BOB-465
April Wine: Wichita, Kansas, USA November 11, 1982 or November 22, 1982
John Waite: Cardie's, Houston, Texas August 18, 1982
For Broadcast April 3, 1983
Pre-FM Recording
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking, Azimuth Set: Tone Arm Pressure Digitally Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (LAME) (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8 > Tagged with Winamp

Hosted By Bill Minkin

01 Best Of The Biscuit #BOB-465 Intro & Break - Bill Minkin
02 Commercial - United States Army Reserve
03 Best Of The Biscuit #BOB-465 Intro - Bill Minkin
04 April Wine - Future Tense
05 April Wine - Enough Is Enough
06 April Wine - Sign Of The Gypsy Queen
07 April Wine - Just Between You And Me
08 Best Of The Biscuit #BOB-465 Break - Bill Minkin
09 Commercial - Honda Motorcycles
10 Best Of The Biscuit #BOB-465 Intro - Bill Minkin
11 April Wine - I Like To Rock (interpolating Day Tripper & Satisfaction)
12 April Wine - Roller
13 Best Of The Biscuit #BOB-465 Break - Bill Minkin
14 Commercial - Keepsake Diamond Jewelry
15 Best Of The Biscuit #BOB-465 Intro - Bill Minkin
16 John Waite - Wild Life
17 John Waite - Change
18 Best Of The Biscuit #BOB-465 Break - Bill Minkin
19 Commercial - Jenson Car Audio Systems
20 Commercial - United States Army Reserve
21 Best Of The Biscuit #BOB-465 Intro - Bill Minkin
22 John Waite - Mr. Wonderful
23 John Waite - Going To The Top
24 John Waite - Head First (The Babys)
25 Best Of The Biscuit #BOB-465 Break - Bill Minkin
26 Commercial - Honda Motorcycles
27 Commercial - Keepsake Diamond Jewelry
28 Best Of The Biscuit #BOB-465 Wrap Up - Bill Minkin
29 Best Of The Biscuit #BOB-465 Promo Bed w/Voiceover - Bill Minkin
30 Best Of The Biscuit #BOB-465 Promo Bed Music Only

Total Playing Time: 1hr 1mn 59sc

April Wine:
Myles Goodwyn lead vocals, lead & rhythm guitar
Gary Moffet lead & rhythm guitar
Brian Greenway lead & rhythm guitar
Steve Lang bass
Jerry Mercer drums

John Waite Band:
John Waite lead vocals
Ivan Kral rhythm guitar
Franke La Rocca drums
Donnie Nossov bass
Frank Linx lead guitar
Peter Reilich keyboards

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl to encode!
- Thank you also to the other members of The Collective Of Live Music for help and inspiration.

Known Faults:
- As with all King Biscuit shows I've edited so far, the commercials had a maked difference in volume to the music.
- Volume of commercials was adjusted to match the body of the show. This causes excessive needle noise.
- There is a high pitched tone during the first few seconds of Bill Minkins initial introduction to the show. This is on the record so I left it even though it is anoying. There is also drum noise and an explosion during the same intro that really makes it a pretty poor listening experience and I don't understand D.I.R. using it.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There are two locked groove show promos at the end of Side C. The 1st has April Wine Music with a Bill Minkin voiceover, the 2nd has April Wine music only. They have been encoded.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber brush was used to help "sweep" dust from the record's gooves  prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash and soft velvet cloth before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable & tone arm balanced: Needle Tracking & Azimuth set: Needle Pressure & Antiskid digitaly set.
- Soundcard stereo field maximized.
- Goldwave set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- A High Pass Filter with an initial cutoff of 60khz with a Static Steepness of 2 was used to lessen the needle noise during commercials. This needle noise being due to the low volume of the commercials and having to raise said volume to match the music and voiceovers.

Other Notes:
- Being a Best Of The Biscuit both portions of the show were broadcast before.
- The John Waite portion was broadcast on King Biscuit Flower Hour #437 August 19, 1982. The setlist was the same as presented here, and there was nothing different with the mix or edits.
- Now the April Wine portion is a little confusing. The first King Biscuit Flower Hour with April Wine that I can find is King Biscuit Flower Hour #KB-359
- That King Biscuit was recorded at The Hammersmith in London, England.
- This show is confirmed to be Witchita by Myles Goodwyn thanking Witchita after "Future Tense".
- So is there another King Biscuit Flower Hour between King Biscuit Flower Hour #KB-359 and King Biscuit Flower Hour Best Of The Biscuit #BOB-465? Or did King Biscuit just use the Witchita show for the Best of The Biscuit by mistake?
- I have an FM copy of King Biscuit Flower Hour #KB-359 and it is not from this concert.
- The date of the show is another point. King Biscuit Flower Hour Records states on it's CD release of this show as Wichita, Kansas, USA November 21, 1982.
- There are a few different releases by April Wine that are said to be from King Biscuit Flower Hour shows. The first, "Greatest Hits Live" (1999) is said to be from King Biscuit Flower Hour, recorded at The Palmer Auditorium in Davenport, Iowa, USA November 21, 1982 which of course is not the location of this show. The second, called I Like To Rock (2002), says it's from Witchita, Kansas November 11, 1982 and it is the re-release of Greatest Hits Live 1997 (an album I haven't found). Of course we know the release on King Biscuit Records says its November 21, 1982.
- So I dated the show as from either November 11, 1982 or November 22, 1982. I know I could have said it a little more simple but this way was more fun for me.

Digitized by JustDave for The Collective Of Live Music & Sam Elliot's Mustache

Project Started: July 23, 2025      Project Finished: July 30, 2025

Flac 24bit

Flac 16bit

MP3

Aldo Nova / George Thorogood & The Destroyers - King Biscuit Flower Hour #KB-421 (Pre-FM)

Aldo Nova / George Thorogood & The Destroyers
King Biscuit Flower Hour #KB-421
Aldo Nova: Bouck Gym, State University Of New York, Cobleskill, New York, USA February 27, 1982
George Thorogood & The Destroyers: Perkin's Palace, Pasadena, California December 11, 1981
For Broadcast May 30, 1982
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wave 16bit/44,1 > Trader's Little Helper (align sector boundaries) > Flac Level 8 16bit/44,1khz

Hosted By Bill Minkin

01 King Biscuit Flower Hour #KB-421 Intro & Break - Bill Minkin
02 Commercial - J.C. Penny MCS Home Stereo Systems
03 Comerrcial - United States Navy
04 Aldo Nova - Cry Baby Cry (unreleased at the time of concert)
05 Aldo Nova - Hot Love
06 Aldo Nova - It's Too Late
07 King Biscuit Flower Hour #KB-421 Break - Bill Minkin
08 Commercial - Honda Motorcycles
09 Commercial - Nestle's $100,000 Candy Bar
10 King Biscuit Flower Hour #KB-421 Intro - Bill Minkin
11 Aldo Nova - Fooling Yourself
12 Aldo Nova - Under The Gun
13 Aldo Nova - War Suite (Instrumental) (unreleased at the time of concert, not listed on cue sheet)
14 Aldo Nova - Fantasy
15 Aldo Nova - Heart To Heart
16 King Biscuit Flower Hour #KB-421 Break - Bill Minkin
17 Commercial - Jenson Car Audio Systems
18 King Biscuit Flower Hour #KB-421 Intro - Bill Minkin
19 George Thorogood - I'm Wanted (Willie Dixon) (mis-named Wanted on cue sheet)
20 George Thorogood - Can't Stop Lovin' (Elmore James) (mis-named She Won't Treat Me Right on cue sheet)
21 George Thorogood - Move It On Over (Hank Williams Sr.)
22 George Thorogood - No Particular Place To Go (Chuck Berry)
23 King Biscuit Flower Hour #KB-421 Break - Bill Minkin
24 Commercial - J.C. Penny MCS Home Stereo Systems
25 Comerrcial - United States Navy
26 Commercial - Honda Motorcycles
27 King Biscuit Flower Hour #KB-421 Wrap Up - Bill Minkin
28 King Biscuit Flower Hour #KB-421 Show Promo w/Voiceover - Bill Minkin
29 King Biscuit Flower Hour #KB-421 Show Promo Music Only

Total Playing Time: 1hr 2mn 12sc

Aldo Nova lead vocals, guitar

Aldo Nova Band:
Kevin Carlson guitar
Billy Carmassi drums
David Sikes bass
Paul Horowitz keyboards

George Thorogood lead vocals, lead & slide guitar

The Destroyers:
Billy Blough bass
Hank Carter saxophone
Jeff Simon drums

Runout Grooves:
Side A : KB-421-A MCR JOE
Side B : KB-421-B MCR JOE
Side C : KB-421-C MCR JOE

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl to encode!
- Thank you also to the other members of The Collective Of Live Music for help and inspiration.
- Thank you to the website https://throgood5050tour.wordpress.com for the proof of the George Thorogood date with 6 print ads and 1 ticket stub.

Known Faults:
- As with all King Biscuit shows I've edited so far, the commercials had a maked difference in volume to the music.
- Volume of commercials was adjusted to match the body of the show. This causes excessive needle noise

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There are two locked groove show promos at the end of Side A. They have been encoded and moved to the end of the program.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable & tone arm balanced: Needle Tracking & Azimuth set: Needle Pressure & Antiskid digitaly set.
- Soundcard stereo field maximized.
- Goldwave set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- A High Pass Filter with an initial cutoff of 60khz with a Static Steepness of 2 was used to lessen the needle noise during commercials. This needle noise being due to the low volume of the commercials and having to raise said volume to match the music and voiceovers.

Other Notes:
- The Aldo Nova portion of the show was released again by King Biscuit Flower Hour as Best Of The Biscuit #435 but "Heart To Heart" was not included
- The opening act for George Thorogood & The Destroyers at Perkin's Palace was Blues Legend Albert Collins

Digitized By JustDave For Sam Elliot's Mustache & The Collective Of Live Music

Project Started : July 16, 2025      Project Finished : July 22, 2025

Flac 24bit

Flac 16bit

MP3

Phil Collins - Superstar Concert Series #SS85-26 (Pre-FM) - Vinyl Rip

Phil Collins
Superstar Concert Series #SS85-26
Warner Theater, Washington D.C. USA February 20, 1980
For Broadcast The  Week Of December 28, 1985
Pre-FM Recording
Vinyl Rip
Flac 24bit/96khz & High Quality MP3 320kbps/48khz
Cue Sheet And Box Cover Scans Included

Repost New Links 08/10/2025

Source/Lineage: Pre-FM LPs > Technics SL-1700 Turntable > Denon AVR-3200 Receiver > Focusrite Scarlett 2i2 ADC > VinylStudio > Flac 24bit/96khz

01  Concert Intro
02  Commercial Block: Sprite
03  Segment Intro
04  I Don't Care Anymore
05  The Roof Is Leaking
06  Commercial Block: Coke
07  Segment Break
08  Commercial Block: Sprite
09  I Cannot Believe It's True
10  This Must Be Love
11  You Know What I Mean
12  Commercial Block: Coke
13  Segment Break
14  Thru These Walls
15  The West Side
16  Commercial Block: Sprite
17  Segment Break
18  Commercial Block: Coke
19  Like China
20  You Can't Hurry Love
21  It Don't Matter To Me
22  Commercial Block: Sprite
23  Segment Break
24  ... And So To F
25  Commercial Block: Coke
26  Segment Break
27  In The Air Tonight
28  Hand In Hand
29  End Credits
30  Commercial Block: Sprite

Phil Collins – Vocals, Piano, Drums

Daryl Stuermer – Guitar, Bass, Banjo
Mo Foster – Bass
Peter Robinson – Keyboards
Chester Thompson – Drums, Percussion

The Phoenix Horns:

Rhamlee Michael Davis – Trumpet
Michael Harris – Trumpet
Don Myrick – Sax
Louis Satterfield – Trombone

JustDave's Notes
In my collection I have Westwood One Superstars In Concert #SS84-25 and Captured Live #CL783. They both are also from the Warner Theater, Washington D.C. USA February 20, 1980 with different track lists. Original uploaders complete notes are included.

This sounds great, so I think you will enjoy it!

Flac

MP3

Godsmack / Red Hot Chili Peppers - Westwood One In The Zone #00-29 (Pre-FM)

Godsmack / Red Hot Chili Peppers
Westwood One In The Zone #00-29
For Broadcast the Weekend of July 15/16, 2000
Woodstock Music & Arts Festival 1999
Griffis Air Force Base
West Stage
Rome, New York
July 25, 1999
Pre-FM Recording
Flac Level 8 & MP3 320kbps
Cue Sheet & CD Scans Included

Repost New Links 08/10/2025

Censored Version

Encoded From An Original 2 CD Broadcast Set

Lineage: Silver Pre-FM 2 CD set > E.A.C. (secured) > Wave 16bit/44,1khz > GoldWave v.6.83 (editing) > Wave 16bit/44,1khz > Traders Little Helper (align sector boundaries) > Flac Levl 8

Disc One

01 Godsmack - Now Or Never >
02 Godsmack - Immune >
03 Godsmack - Time Bomb
04 Commercial - Jeep / Chrysler
05 Commercail - United States Army
06 Commercial - Jensen Car Stereo
07 Godsmack - Stress >
08 Godsmack - Keep Away >
09 Godsmack - Get Up, Get Out
10 Commercial - Jensen Car Stereo
11 Commercial - Jeep / Chrysler
12 Commercial - Wyndham Hotels
13 Godsmack - Bad Religion
14 Commercial - Wyndham Hotels
15 Commercial - Jeep / Chrysler
16 Commercial - Jensen Car Stereo
17 Commercial - Bantam Paperback Shooting At Midnight

Disc Two

01 Godsmack - Whatever
02 Commercial - Jensen Car Stereo
03 Commercial - Wyndham Hotels
04 Commercial - Jeep / Chrysler
05 Commercial - Jensen Car Stereo
06 Red Hot Chili Peppers - Scar Tissue
07 Red Hot Chili Peppers - Emit Remmus
08 Red Hot Chili Peppers - Soul To Squeeze
09 Commercial - E Entertainment Network
10 Commercial - Jeep / Chrysler
11 Commercial - Jensen Car Stereo
12 Commercial - Wyndham Hotels
13 Commercial - Jeep / Chrysler
14 Red Hot Chili Peppers - Californication
15 Red Hot Chili Peppers - My Lovely Man
16 Commercial - HBO Classic Comedy - Ellen DeGeneres

Total Playing Time: 1hr 23mn 22sc

Godsmack:
Sully Erna – lead vocals, rhythm guitar, drums, percussion, keyboards, harmonica
Robbie Merrill – bass guitar
Tony Rombola – lead guitar, backing vocals
Tommy Stewart – drums, percussion

Red Hot Chili Peppers:
Anthony Kiedis – lead vocals
Michael "Flea" Balzary – bass, backing vocals
Chad Smith – drums, percussion
John Frusciante - lead guitar, backing vocals

JustDave's Notes:
- No Host so no voice overs.
- This is the Censored Version everytime someone swears it sounds like a DJ scratching.
- Each segment padded at the end with :15 seconds of audience noise for Local DJ & Station ID.
- Tracks on CD2 after "My Lovely Man" were spots in the clear those were not encoded.
- HBO Ellen DeGeneres Vignette was included because it was unique to other spots in the clear.

Woodstock 1999 Pre-FM, it's censored but it has more songs than the uncensored versions going around as far as the Godsmack set goes. The Red Hot Chili Peppers part of the show is just a fragment of what they performed but hey, it's still Pre-FM quality.

Flac

MP3