Pat Metheny Group - Euphoria Tavern, Portland, Oregon, USA February 24, 1979 (FM) - Goody's Audio Upgrade via Waterwheel

Pat Metheny Group
Euphoria Tavern
Portland, Oregon, USA
February 24, 1979
FM Broadcast Recording
Flac Level 8 & MP3 320kbps
Cover Art Included

Goody's Audio Upgrade via Waterwheel

Goddy's Lineage: iZotope RX10 Advanced (Wow & Flutter removed or reduced, Azimuth and Phase adjustments) > Audition (levels adjusted; tracking updated; fades) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)

01 Phase Dance (Pat Metheny, Lyle Mays) 8:02
02 Circus (Pat Metheny, Lyle Mays) 6:35
03 Pat Speaks 1:22
04 Unity Village (Pat Metheny) / The Windup (Keith Jarrett) 9:30
05 The Epic (Pat Metheny, Lyle Mays) 15:36
06 Jaco (Pat Metheny) 3:48
07 River Quay (Pat Metheny) / Meantime (Pat Metheny) 19:13
08 Band Intros And Thanks 0:54
09 San Lorenzo (Pat Metheny, Lyle Mays) 11:48

Runtime: 1hr 16mn 47sc

This early career broadcast from The Pat Metheny Group is a little "bright" sounding but very enjoyable. It's had the "Goody Treatment" (remastering) but I turn the treble down a little when listening to this recording. Don't be discouraged by that comment, it's a "little bright" but not "brittle" or "tinny" sounding. It's not too thin that you don't hear the bass either. It's a nice listen. Pat Metheny collectors need this show if not for the way the band tacks Keith Jarrett's "The Wind Up" at the end of "Unity Village". It is the usual stellar performance we all come to love from the Pat Metheny Group.

Flac

MP3

The Whispers - Budweiser Concert Hour #86-05 (Pre-FM)

The Whispers
Budweiser Concert Hour #86-05
Bogart's, Cincinnati, Ohio, USA 1984
For Broadcast The Week Of February 24, 1986
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khs
Cue Sheet & Label Scans Included

From The Collection Of JustDave Brought To You By The Collective Of Live Music

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Album

Lineage:  Pre-FM Vinyl LP > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper > Flac Level 8

Hosted By Jim Matix

01 Westwood One Radio Network ID - Bill Withers
02 Budweiser Concert Hour #86-05 Intro & Break - Jim Matix
03 Commercial - Budweiser
04 The Whispers - Tonight
05 The Whispers - Contagious
06 Budweiser Concert Hour #86-05 Break - Jim Matix
07 The Whispers - Say Yes
08 The Whispers - It's A Love Thing (mis-named Love Thing on cue sheet)
09 Commercial - Budweiser
10 Westwood One Radio Network ID - Jeffery Osbourne
11 Budweiser Concert Hour #86-05 Break - Jim Matix
12 The Whispers - Keep On Lovin' Me (mis-named Hey Scotty on cue sheet)
13 The Whispers - Lady
14 Commercial - Budweiser - Lou Rawls
15 Budweiser Concert Hour #86-05 Break - Jim Matix
16 The Whispers - The Beat Goes On
17 Budweiser Concert Hour #86-05 Break - Jim Matix

Total Playing Time: 48mn 51

The Whispers:
Wallace "Scotty" Scott
Walter Scott (R.I.P.)
Leaveil Degree
Marcus Hutson (R.I.P.)
Nicholas Caldwell (R.I.P.)

Runout Grooves:
Side 1 : BC-86-05-1 JS KM (Stamp)
Side 2 : BC-86-05-1 JS KM (Stamp)

JustDave's Notes:
- As always a Big Thank You to my fellow members of The Collective Of Live Music for all the help and inspiration.

Known Faults:
- Westwood One packs over 50 minutes of music and commercials on one Budweiser Concert Hour LP.
- That makes for tighter grooves, making it harder to fight needle damage noise.
- Cue sheet states 2 show promos were at the end of Side 2 Segment 4. No show promos are included on the album. I have done a few of these shows and have yet to see one that includes a show promo.

Recording Notes:
- There are 2 small scratches on the record that when hit caused a repeated deep thump noise. It was noticable in audience portions of the recording. I tried to lessen the noise with a bump filter of 50hz.
- This is the first time that a Budweiser Concert Hour has Celebrity Westwood One Network IDs. Both Soul Legends Bill Withers & Jeffery Osbourne recorded an ID for this show.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Both manually de-clicked and some Pop Fix used depending on what got the best result.

Other Notes:
- Marcus Hutson died May 23, 2000 from prostate cancer, his position was never filled with anyone else. To this day The Whispers perform with one less member in the line up.
- Nicholas Caldwell died January 5, 2016 from complications due to congestive heart failure, he was 71.
- Walter Scott died June 26, 2025 from complications due to cancer, he was 81.
- The Whispers sang the United States National Anthem at game 2 of the 1989 Baseball World Series.
- The only Original Member of The Whispers in the group now is Wallace "Scotty" Scott, who sang lead on quite a few of the groups hits.
- There is another Budweiser Concert Hour featuring The Whispers with the show number of BC-85-05. I am unsure if BC-85-05 and BC-86-05 are the same concert or not.

Digitized By JustDave For The Collective Of Live Music

Project Started : July 23, 2025      Project Finished : July 26, 2025

Flac 24bit

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MP3

April Wine / John Waite - King Biscuit Flower Hour Best Of The Biscuit #BOB-465 (Pre-FM)

April Wine / John Waite
King Biscuit Flower Hour Best Of The Biscuit #BOB-465
April Wine: Wichita, Kansas, USA November 11, 1982 or November 22, 1982
John Waite: Cardie's, Houston, Texas August 18, 1982
For Broadcast April 3, 1983
Pre-FM Recording
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > 280gram Record Weight > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Turntable & Tone Arm Balanced: Needle Tracking, Azimuth Set: Tone Arm Pressure Digitally Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard (Stereo Field Maximized) > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (LAME) (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8 > Tagged with Winamp

Hosted By Bill Minkin

01 Best Of The Biscuit #BOB-465 Intro & Break - Bill Minkin
02 Commercial - United States Army Reserve
03 Best Of The Biscuit #BOB-465 Intro - Bill Minkin
04 April Wine - Future Tense
05 April Wine - Enough Is Enough
06 April Wine - Sign Of The Gypsy Queen
07 April Wine - Just Between You And Me
08 Best Of The Biscuit #BOB-465 Break - Bill Minkin
09 Commercial - Honda Motorcycles
10 Best Of The Biscuit #BOB-465 Intro - Bill Minkin
11 April Wine - I Like To Rock (interpolating Day Tripper & Satisfaction)
12 April Wine - Roller
13 Best Of The Biscuit #BOB-465 Break - Bill Minkin
14 Commercial - Keepsake Diamond Jewelry
15 Best Of The Biscuit #BOB-465 Intro - Bill Minkin
16 John Waite - Wild Life
17 John Waite - Change
18 Best Of The Biscuit #BOB-465 Break - Bill Minkin
19 Commercial - Jenson Car Audio Systems
20 Commercial - United States Army Reserve
21 Best Of The Biscuit #BOB-465 Intro - Bill Minkin
22 John Waite - Mr. Wonderful
23 John Waite - Going To The Top
24 John Waite - Head First (The Babys)
25 Best Of The Biscuit #BOB-465 Break - Bill Minkin
26 Commercial - Honda Motorcycles
27 Commercial - Keepsake Diamond Jewelry
28 Best Of The Biscuit #BOB-465 Wrap Up - Bill Minkin
29 Best Of The Biscuit #BOB-465 Promo Bed w/Voiceover - Bill Minkin
30 Best Of The Biscuit #BOB-465 Promo Bed Music Only

Total Playing Time: 1hr 1mn 59sc

April Wine:
Myles Goodwyn lead vocals, lead & rhythm guitar
Gary Moffet lead & rhythm guitar
Brian Greenway lead & rhythm guitar
Steve Lang bass
Jerry Mercer drums

John Waite Band:
John Waite lead vocals
Ivan Kral rhythm guitar
Franke La Rocca drums
Donnie Nossov bass
Frank Linx lead guitar
Peter Reilich keyboards

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl to encode!
- Thank you also to the other members of The Collective Of Live Music for help and inspiration.

Known Faults:
- As with all King Biscuit shows I've edited so far, the commercials had a maked difference in volume to the music.
- Volume of commercials was adjusted to match the body of the show. This causes excessive needle noise.
- There is a high pitched tone during the first few seconds of Bill Minkins initial introduction to the show. This is on the record so I left it even though it is anoying. There is also drum noise and an explosion during the same intro that really makes it a pretty poor listening experience and I don't understand D.I.R. using it.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There are two locked groove show promos at the end of Side C. The 1st has April Wine Music with a Bill Minkin voiceover, the 2nd has April Wine music only. They have been encoded.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber brush was used to help "sweep" dust from the record's gooves  prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash and soft velvet cloth before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable & tone arm balanced: Needle Tracking & Azimuth set: Needle Pressure & Antiskid digitaly set.
- Soundcard stereo field maximized.
- Goldwave set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- A High Pass Filter with an initial cutoff of 60khz with a Static Steepness of 2 was used to lessen the needle noise during commercials. This needle noise being due to the low volume of the commercials and having to raise said volume to match the music and voiceovers.

Other Notes:
- Being a Best Of The Biscuit both portions of the show were broadcast before.
- The John Waite portion was broadcast on King Biscuit Flower Hour #437 August 19, 1982. The setlist was the same as presented here, and there was nothing different with the mix or edits.
- Now the April Wine portion is a little confusing. The first King Biscuit Flower Hour with April Wine that I can find is King Biscuit Flower Hour #KB-359
- That King Biscuit was recorded at The Hammersmith in London, England.
- This show is confirmed to be Witchita by Myles Goodwyn thanking Witchita after "Future Tense".
- So is there another King Biscuit Flower Hour between King Biscuit Flower Hour #KB-359 and King Biscuit Flower Hour Best Of The Biscuit #BOB-465? Or did King Biscuit just use the Witchita show for the Best of The Biscuit by mistake?
- I have an FM copy of King Biscuit Flower Hour #KB-359 and it is not from this concert.
- The date of the show is another point. King Biscuit Flower Hour Records states on it's CD release of this show as Wichita, Kansas, USA November 21, 1982.
- There are a few different releases by April Wine that are said to be from King Biscuit Flower Hour shows. The first, "Greatest Hits Live" (1999) is said to be from King Biscuit Flower Hour, recorded at The Palmer Auditorium in Davenport, Iowa, USA November 21, 1982 which of course is not the location of this show. The second, called I Like To Rock (2002), says it's from Witchita, Kansas November 11, 1982 and it is the re-release of Greatest Hits Live 1997 (an album I haven't found). Of course we know the release on King Biscuit Records says its November 21, 1982.
- So I dated the show as from either November 11, 1982 or November 22, 1982. I know I could have said it a little more simple but this way was more fun for me.

Digitized by JustDave for The Collective Of Live Music & Sam Elliot's Mustache

Project Started: July 23, 2025      Project Finished: July 30, 2025

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Flac 16bit

MP3

Aldo Nova / George Thorogood & The Destroyers - King Biscuit Flower Hour #KB-421 (Pre-FM)

Aldo Nova / George Thorogood & The Destroyers
King Biscuit Flower Hour #KB-421
Aldo Nova: Bouck Gym, State University Of New York, Cobleskill, New York, USA February 27, 1982
George Thorogood & The Destroyers: Perkin's Palace, Pasadena, California December 11, 1981
For Broadcast May 30, 1982
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz
Cue Sheet & Label Scans Included

From The Collection Of Sam Elliot's Mustache

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Sided 2 Record Radio Broadcast Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wave 16bit/44,1 > Trader's Little Helper (align sector boundaries) > Flac Level 8 16bit/44,1khz

Hosted By Bill Minkin

01 King Biscuit Flower Hour #KB-421 Intro & Break - Bill Minkin
02 Commercial - J.C. Penny MCS Home Stereo Systems
03 Comerrcial - United States Navy
04 Aldo Nova - Cry Baby Cry (unreleased at the time of concert)
05 Aldo Nova - Hot Love
06 Aldo Nova - It's Too Late
07 King Biscuit Flower Hour #KB-421 Break - Bill Minkin
08 Commercial - Honda Motorcycles
09 Commercial - Nestle's $100,000 Candy Bar
10 King Biscuit Flower Hour #KB-421 Intro - Bill Minkin
11 Aldo Nova - Fooling Yourself
12 Aldo Nova - Under The Gun
13 Aldo Nova - War Suite (Instrumental) (unreleased at the time of concert, not listed on cue sheet)
14 Aldo Nova - Fantasy
15 Aldo Nova - Heart To Heart
16 King Biscuit Flower Hour #KB-421 Break - Bill Minkin
17 Commercial - Jenson Car Audio Systems
18 King Biscuit Flower Hour #KB-421 Intro - Bill Minkin
19 George Thorogood - I'm Wanted (Willie Dixon) (mis-named Wanted on cue sheet)
20 George Thorogood - Can't Stop Lovin' (Elmore James) (mis-named She Won't Treat Me Right on cue sheet)
21 George Thorogood - Move It On Over (Hank Williams Sr.)
22 George Thorogood - No Particular Place To Go (Chuck Berry)
23 King Biscuit Flower Hour #KB-421 Break - Bill Minkin
24 Commercial - J.C. Penny MCS Home Stereo Systems
25 Comerrcial - United States Navy
26 Commercial - Honda Motorcycles
27 King Biscuit Flower Hour #KB-421 Wrap Up - Bill Minkin
28 King Biscuit Flower Hour #KB-421 Show Promo w/Voiceover - Bill Minkin
29 King Biscuit Flower Hour #KB-421 Show Promo Music Only

Total Playing Time: 1hr 2mn 12sc

Aldo Nova lead vocals, guitar

Aldo Nova Band:
Kevin Carlson guitar
Billy Carmassi drums
David Sikes bass
Paul Horowitz keyboards

George Thorogood lead vocals, lead & slide guitar

The Destroyers:
Billy Blough bass
Hank Carter saxophone
Jeff Simon drums

Runout Grooves:
Side A : KB-421-A MCR JOE
Side B : KB-421-B MCR JOE
Side C : KB-421-C MCR JOE

JustDave's Notes:
- Huge Thank You To Sam Elliot's Mustache for sending me his vinyl to encode!
- Thank you also to the other members of The Collective Of Live Music for help and inspiration.
- Thank you to the website https://throgood5050tour.wordpress.com for the proof of the George Thorogood date with 6 print ads and 1 ticket stub.

Known Faults:
- As with all King Biscuit shows I've edited so far, the commercials had a maked difference in volume to the music.
- Volume of commercials was adjusted to match the body of the show. This causes excessive needle noise

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There are two locked groove show promos at the end of Side A. They have been encoded and moved to the end of the program.

Editing Notes:
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- A Zerostat Positive Ion gun was used on LP prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable & tone arm balanced: Needle Tracking & Azimuth set: Needle Pressure & Antiskid digitaly set.
- Soundcard stereo field maximized.
- Goldwave set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- A High Pass Filter with an initial cutoff of 60khz with a Static Steepness of 2 was used to lessen the needle noise during commercials. This needle noise being due to the low volume of the commercials and having to raise said volume to match the music and voiceovers.

Other Notes:
- The Aldo Nova portion of the show was released again by King Biscuit Flower Hour as Best Of The Biscuit #435 but "Heart To Heart" was not included
- The opening act for George Thorogood & The Destroyers at Perkin's Palace was Blues Legend Albert Collins

Digitized By JustDave For Sam Elliot's Mustache & The Collective Of Live Music

Project Started : July 16, 2025      Project Finished : July 22, 2025

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MP3

Phil Collins - Superstar Concert Series #SS85-26 (Pre-FM) - Vinyl Rip

Phil Collins
Superstar Concert Series #SS85-26
Warner Theater, Washington D.C. USA February 20, 1980
For Broadcast The  Week Of December 28, 1985
Pre-FM Recording
Vinyl Rip
Flac 24bit/96khz & High Quality MP3 320kbps/48khz
Cue Sheet And Box Cover Scans Included

Repost New Links 08/10/2025

Source/Lineage: Pre-FM LPs > Technics SL-1700 Turntable > Denon AVR-3200 Receiver > Focusrite Scarlett 2i2 ADC > VinylStudio > Flac 24bit/96khz

01  Concert Intro
02  Commercial Block: Sprite
03  Segment Intro
04  I Don't Care Anymore
05  The Roof Is Leaking
06  Commercial Block: Coke
07  Segment Break
08  Commercial Block: Sprite
09  I Cannot Believe It's True
10  This Must Be Love
11  You Know What I Mean
12  Commercial Block: Coke
13  Segment Break
14  Thru These Walls
15  The West Side
16  Commercial Block: Sprite
17  Segment Break
18  Commercial Block: Coke
19  Like China
20  You Can't Hurry Love
21  It Don't Matter To Me
22  Commercial Block: Sprite
23  Segment Break
24  ... And So To F
25  Commercial Block: Coke
26  Segment Break
27  In The Air Tonight
28  Hand In Hand
29  End Credits
30  Commercial Block: Sprite

Phil Collins – Vocals, Piano, Drums

Daryl Stuermer – Guitar, Bass, Banjo
Mo Foster – Bass
Peter Robinson – Keyboards
Chester Thompson – Drums, Percussion

The Phoenix Horns:

Rhamlee Michael Davis – Trumpet
Michael Harris – Trumpet
Don Myrick – Sax
Louis Satterfield – Trombone

JustDave's Notes
In my collection I have Westwood One Superstars In Concert #SS84-25 and Captured Live #CL783. They both are also from the Warner Theater, Washington D.C. USA February 20, 1980 with different track lists. Original uploaders complete notes are included.

This sounds great, so I think you will enjoy it!

Flac

MP3

Godsmack / Red Hot Chili Peppers - Westwood One In The Zone #00-29 (Pre-FM)

Godsmack / Red Hot Chili Peppers
Westwood One In The Zone #00-29
For Broadcast the Weekend of July 15/16, 2000
Woodstock Music & Arts Festival 1999
Griffis Air Force Base
West Stage
Rome, New York
July 25, 1999
Pre-FM Recording
Flac Level 8 & MP3 320kbps
Cue Sheet & CD Scans Included

Repost New Links 08/10/2025

Censored Version

Encoded From An Original 2 CD Broadcast Set

Lineage: Silver Pre-FM 2 CD set > E.A.C. (secured) > Wave 16bit/44,1khz > GoldWave v.6.83 (editing) > Wave 16bit/44,1khz > Traders Little Helper (align sector boundaries) > Flac Levl 8

Disc One

01 Godsmack - Now Or Never >
02 Godsmack - Immune >
03 Godsmack - Time Bomb
04 Commercial - Jeep / Chrysler
05 Commercail - United States Army
06 Commercial - Jensen Car Stereo
07 Godsmack - Stress >
08 Godsmack - Keep Away >
09 Godsmack - Get Up, Get Out
10 Commercial - Jensen Car Stereo
11 Commercial - Jeep / Chrysler
12 Commercial - Wyndham Hotels
13 Godsmack - Bad Religion
14 Commercial - Wyndham Hotels
15 Commercial - Jeep / Chrysler
16 Commercial - Jensen Car Stereo
17 Commercial - Bantam Paperback Shooting At Midnight

Disc Two

01 Godsmack - Whatever
02 Commercial - Jensen Car Stereo
03 Commercial - Wyndham Hotels
04 Commercial - Jeep / Chrysler
05 Commercial - Jensen Car Stereo
06 Red Hot Chili Peppers - Scar Tissue
07 Red Hot Chili Peppers - Emit Remmus
08 Red Hot Chili Peppers - Soul To Squeeze
09 Commercial - E Entertainment Network
10 Commercial - Jeep / Chrysler
11 Commercial - Jensen Car Stereo
12 Commercial - Wyndham Hotels
13 Commercial - Jeep / Chrysler
14 Red Hot Chili Peppers - Californication
15 Red Hot Chili Peppers - My Lovely Man
16 Commercial - HBO Classic Comedy - Ellen DeGeneres

Total Playing Time: 1hr 23mn 22sc

Godsmack:
Sully Erna – lead vocals, rhythm guitar, drums, percussion, keyboards, harmonica
Robbie Merrill – bass guitar
Tony Rombola – lead guitar, backing vocals
Tommy Stewart – drums, percussion

Red Hot Chili Peppers:
Anthony Kiedis – lead vocals
Michael "Flea" Balzary – bass, backing vocals
Chad Smith – drums, percussion
John Frusciante - lead guitar, backing vocals

JustDave's Notes:
- No Host so no voice overs.
- This is the Censored Version everytime someone swears it sounds like a DJ scratching.
- Each segment padded at the end with :15 seconds of audience noise for Local DJ & Station ID.
- Tracks on CD2 after "My Lovely Man" were spots in the clear those were not encoded.
- HBO Ellen DeGeneres Vignette was included because it was unique to other spots in the clear.

Woodstock 1999 Pre-FM, it's censored but it has more songs than the uncensored versions going around as far as the Godsmack set goes. The Red Hot Chili Peppers part of the show is just a fragment of what they performed but hey, it's still Pre-FM quality.

Flac

MP3

Bill Evans Trio - Live In Europe 1972 (FM)

Bill Evans Trio
Live In Europe 1972 - (Remastered Live On Broadcasting)
Unknown Date & Location
1972-00-00
FM Broadcast Recording
Flac 16bit/44,1khz
Front Cover Only

01 - Announcement 1:27
02 - Very Early 6:32
03 - Gloria's Step 7:45
04 - Re- Person I Knew 7:00
05 - How My Heart Sings 5:05
06 - Twelve Tone Tune (T.T.T.) 6:36
07 - What Are You Doing the Rest of Your Life 6:01
08 - Nardis 16:03
09 - Waltz for Debby 5:48
10 - I'm Getting Sentimental Over You 4:28

I have no info on this recording. I downloaded it from a site called hd24bit.com. The site is for downloading mostly copyrighted commercial releases. Sometimes a nice bootleg will pop up. They usually give no info on anything, sometimes there is a sample to listen to. The name of the bootleg company that released this recording is Remastered On Broadcasting, that doesn't necessarily mean the recording is remastered. I have a few from this company that definitely are not remastered versions.

What I can tell you about this show is the sound quality is very nice and the performance is what any fan of Bill Evans would expect, nothing less than stellar! I love the fact that he seems to always play my favorite piece by him "Twelve Tone Tune (T.T.T.)". I first learned of 12 Tone composition through the work of Frank Zappa. Late in his career Frank Zappa did a lot of 12 Tone compositions on his Synclavier. He talked about it in an interview, explaining the 12 tone composition process in great detail. A simple explanation is a 12 tone composition is not in any key, all 12 notes of the chromatic scale are used in the composition and all are equally emphasized. That's not exactly it but will suffice for now.

Fans of Piano Jazz should add this to their collections, you will not be disappointed. As for Bill Evans fans, You already know if you do not have this show, it's a must have!!

Flac

MP3
 

Chuck Mangione - Mishawaka Inn, Bellvue, Colorado, U.S.A 09-03-1994 (SBD)

Chuck Mangione
Mishawaka Inn
Bellvue, Colorado
September 3, 1994
Soundboard Recording Dat Master
Flac & MP3 320kbps
No Cover Art

Rest In Peace 11/29/1940 - 07/22/2025

Source: SBD > Panasonic 255 > DAT(Master) @ 16/48
Transfer: DAT/m > Tascam DA-20 MKII > MacMini(Audacity) >xACT(FLAC/TAG)

01 Manhã de Carnaval (Luiz Bonfá)
02 Here 'Tis (Lou Donaldson)
03 Slow Ro
04 Piña Colada
05 Chase The Clouds Away
06 Land Of Make Believe

Set Break

07 Once Upon a Love Time
08 Children of Sanchez (Main Theme)
09 Consuelo's Love Theme / Hot Consuelo
10 Bellavia / Children of Sanchez (Finale)
11 Feels So Good (includes America the Beautiful)

Chuck Mangione flugelhorn, trumpet, keyboards
Gerry Niewood saxophones, flute
Bob Sneider guitars
Tom Brigandi bass
Charles Ruggiero drums

Chuck Mangione was actually making great Jazz records years before the single "Feels So Good" was released. He was a member of Art Blakey's Jazz Mesengers recording on 2 Art's releases Buttercorn Lady & Hold On, I'm Coming. Mangione released his first solo record in 1970. However after the 1977 single hit #2 on The Billboard Singles Chart, and #4 on The Billboard Adult Contemporary Chart, Manjione was unfairly labeled as the Kenny G of the flugelhorn. This kick ass recording from 1994 is a great example why that label was wrong and why Chuck Mangione is still touring and recording to this day.

Flac

MP3

Merle Haggard - Silver Eagle II #TBS-SE-3 (Pre-FM)

Merle Haggard
Silver Eagle II #TBS-SE-3
Dewey Groom's Longhorn Ballroom, Dallas, Texas March 26, 1981
For Broadcast February 13, 1982
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz
Label Scans Included

Canadian Version Of Silver Eagle Cross Country Music Show

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast 2 Vinyl LP 3 Sided Record Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave V6.83 (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8 16bit/44,1kz

Hosted By Larry Kenny

01 Silver Eagle II #TBS-SE-3 Intro & Break - Larry Kenny
02 Silver Eagle II #TBS-SE-3 Intro - Larry Kenny
03 Merle Haggard - Misery And Gin
04 Merle Haggard - I Think I'll Just Stay Here And Drink
05 Merle Haggard - Back To The Barrooms
06 Merle Haggard - Our Paths May Never Cross (mis-named Paths May Never Cross Again on cue sheet)
07 Silver Eagle II #TBS-SE-3 Break - Larry Kenny
08 Silver Eagle II #TBS-SE-3 Intro - Larry Kenny
09 Merle Haggard - Make-Up And Faded Blue Jeans (mis-named Downtown Modesto on cue sheet)
10 Merle Haggard & Dewey Groom - A Special Message From Dewey
11 Merle Haggard - It's Been A Great Afternoon (mis-named Great Afternoon on cue sheet)
12 Merle Haggard - My Favorite Memory (mis-named Favorite Memory on cue sheet)
13 Silver Eagle II #TBS-SE-3 Break - Larry Kenny
14 Silver Eagle II #TBS-SE-3 Intro - Larry Kenny
15 Merle Haggard - Mama Tried
16 Merle Haggard - The Mule (Unreleased Track Maybe?)
17 Merle Haggard - Fiddle Breakdown (mis-named Breakdown on cue sheet)
18 Merle Haggard - Brain Cloudy Blues (Bob Wills)
19 Silver Eagle II #TBS-SE-3 Break - Larry Kenny
20 Silver Eagle II #TBS-SE-3 Intro - Larry Kenny
21 Merle Haggard - Tulare Dust (not listed on cue sheet)
22 Merle Haggard - The Way I Am
23 Merle Haggard - Good Old American Guest
24 Merle Haggard - Always Late (With Your Kisses) (Lefty Frizzell) (mis-named Always Late on cue sheet)
25 Silver Eagle II #TBS-SE-3 Break - Larry Kenny
26 Silver Eagle II #TBS-SE-3 Intro - Larry Kenny
27 Merle Haggard - Pennies From Heaven
28 Merle Haggard - Right Or Wrong (Mike Markel's Orchestra)
29 Merle Haggard - Today I Started Lovin' You Again
30 The Strangers - Merle Haggard Walk Off Music
31 Silver Eagle II #TBS-SE-3 Break - Larry Kenny
32 Silver Eagle II #TBS-SE-3 Wrap Up - Larry Kenny
33 Silver Eagle II #TBS-SE-3 Promo w/Voiceover - Larry Kenny

Total Playing Time : 1hr 14mn 19sc

Runout Grooves:
Side 1 : TBS-SE-3-A
Side 2 : TBS-SE-3-B
Side 3 : TBS-SE-3-C

JustDave's Notes:
- This one is for the 6 foot 8 inch ghost in my house, my Father In-Law Alphonse if I only knew you were a Merle Haggard Fan when you were with us.....We miss you always!
- As always a Big Thank You to my fellow members of The Collective Of Live Music for all the help and inspiration.
- I also want to thank BiginV3 for setting me on a search for what he called the holy grail of Merle Haggard Collectors.

Known Faults:
- No Cue sheet included with the records when purchased.
- The show promo included is actually for the wrong show. The one on the record is for Merle Haggard & The Strangers at Opryland in Nashville, Tennessee. The show on the record is from Dewey Groom's Longhorn Ballroom, Dallas, Texas. The location is identified a few times by Merle Haggard. Also Dewey Groom would not be yelling at the guests to sit down if it was Opryland.
- Some vinyl artifacts may still be audible as sometimes it's better to leave them alone than make a worse sound with the"cure".

Recording Notes:
- Silver Eagle II is the Canadian version of Silver Eagle Cross Country Music Show produced by the D.I.R. Broadcasting Corp.
- The Silver Eagle II is pressed on 2 LPs with the 2nd LP only having one side. It still has the same amount of music as the American version there is just no commercials on the albums. The commercials would be for Canadian products since the show would be broadcast over Canadian radio.
- Unlike the Silver Eagle Cross Country Music Show, the Silver Eagle II has no test tone for setting the balance and play levels at the radio station. There are no locked grooves whatsoever. The segments fade out then the next fades in. The show promo is on the 3rd side but is between the 2 music segments.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Both manually de-clicked and some Pop Fix used depending on what got the best result.

Other Notes:
- Merle Haggard had the historical distinction of sharing a marquee with The Sex Pistols. When touring the United States The Sex Pistols played The Longhorn Ballroom January 10, 1978. Merle Haggard played there on January 19, 1978 so both names were on the marque at the same time.
- Dewey Groom yells at the crowd, for a minute and a half, that he has a problem with them standing up because people behind them can not see. Can you imagine this guy having to deal with The Sex Pistols and their audience at his club.
- According to my research the song "The Mule" was first performed by Merle Haggard & The Strangers at Dewey Groom's Longhorn Ballroom, Dallas, Texas March 26, 1981.

Digitized By JustDave For The Collective Of Live Music

Project Started : July 14, 2025     Project Finished : July 16, 2025

Flac 24bit

Flac 16bit

MP3

Quincy Jones & Friends - Westwood One Concerts & Specials #WPC-83-9 (Pre-FM)

Quincy Jones & Friends
Westwood One Concerts & Specials #WPC-83-9
Budweiser Superfest, Rose Bowl, Pasadena, California August 1, 1982
For Broadcast In 1983
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bir/96khz
High Quality MP3 320kbps
Label Scans Included

Featuring:
James Ingram
Patti Austin
Ernie Watts
Charles "Dune" May
Nick Ashford
Valerie Simpson
Michael Jackson

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast 2x Vinyl Album Set

Lineage:  Pre-FM Double Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Goldwave v6.83 (re-sample) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8

01 Westwood One Concerts & Specials #WPC-83-9 Intro & Break
02 Commercial - Budweiser
03 Commercial - Chewels Sugarless Chewing Gum
04 Quincy Jones & Friends - The Duke
05 Quincy Jones & Friends - Love Is In Control
06 Commercial - Schick Disposable Razor
07 Commercial - Budweiser - Joe Jackson
08 Commercial - Dentine Chewing Gum
09 Westwood One Concerts & Specials #WPC-83-9 Break
10 Quincy Jones & Friends - Razzamatazz (feat. Patti Austin)
11 Quincy Jones & Friends - One Hundred Ways (feat. James Ingram)
12 Quincy Jones & Friends - Hold On
13 Commercial - Chewels Sugarless Chewing Gum
14 Commercial - Schick Disposable Razor
15 Westwood One Concerts & Specials #WPC-83-9 Break
16 Quincy Jones & Friends - Just Once (feat. James Ingram)
17 Quincy Jones & Friends - Do You Love Me (feat. Patti Austin)
18 Quincy Jones & Friends - Chariots Of Fire (Dance Version) (feat. Ernie Watts)
19 Quincy Jones & Friends - Ai No Corrida (feat. Charles "Dune" May)
20 Commercial - Dentine Chewing Gum
21 Commercial - Schick Disposable Razor
22 Commercial - Chewels Sugarless Chewing Gum
23 Westwood One Concerts & Specials #WPC-83-9 Break
24 Quincy Jones & Friends - Stuff Like That (feat. Nick Ashford, Valerie Simpson, Michael Jackson)
25 Westwood One Concerts & Specials #WPC-83-9 Wrap Up
26 Westwood One Concerts & Specials #WPC-83-9 Promo Bed w/Voiceover

Total Playing Time: 58mn 54sc

Quincy Jones (R.I.P.) - Keyboards, Master of Ceremonies, Musical Director, Composer, Arranger,

The Special Friends:
James Ingram (R.I.P.) - Lead Vocal "One Hundred Ways", "Just Once"
Patti Austin - Lead Vocal "Razzamatazz", "Do You Love Me"
Ernie Watts - Saxophone "Chariots Of Fire (Dance Version)"
Charles "Dune" May (R.I.P.) - Lead Vocal "Ai No Corrida"
Nick Ashford (R.I.P.) - Lead Vocal "Stuff Like That"
Valerie Simpson - Lead Vocal "Stuff Like That"
Michael Jackson (R.I.P.) - Lead Vocal "Stuff Like That"

The Friends:
Greg Phillinganes - Keyboards & Vocals
Rod Temperton (R.I.P.) - Keyboards & Vocalss
Carlos Rios – Guitar
Louis Johnson (R.I.P.) – Bass
John Robinson – Drums
Ollie Brown – Percussion
Jerry Hey - Trumpet, Flugelhorn
Jerome Richardson (R.I.P.) - Tenor Saxophone
George Bohanon (R.I.P.) – Trombone
Vivian Cherry – Vocals
Peggy Lipton Jones (R.I.P.) – Vocals

Runout Grooves:
Side 1 : WPC-83-9-A > ALSHIRE (Stamp) L-13215
Side 2 : WPC-83-9-B > ALSHIRE (Stamp) L-13215
Side 3 : WPC-83-9-C > ALSHIRE (Stamp) L-13215
Side 4 : WPC-83-9-D > ALSHIRE (Stamp) L-13215

JustDave's Notes:
- As always a Big Thank You to my fellow members of The Collective Of Live Music for help and insperation
- Also A Big Thank You to Emperor Nobody who did a digitization of this same concert but from the Budweiser Concert Hour transcription disc. Included in his upload was a poster with proof of the recording date and guests. He also included some photos from the gig which confirm that Michael Jackson actually participated and sang co-lead vocals with Ashford & Simpson on "Stuff Like That"

Known Faults:
- No cue sheet included with the records when purchased.
- Side three has a scratch at the beginning which gives a thumping noise each time the needle hits it. I did my best to hide that sound but some artifacts of it are left because to go any farther with noise reduction resulted in a "too prosessed sounding" section.
- A couple times during the concert Quincy Jone's sampler for his keyboard fails and you get some buzzing noises before he can fix it. For some reason Westwood One did not fix this in post production.

Recording Notes:
- The show host never identifies himself.
- There is a locked groove show promo at the end of Side Two. It was encoded and moved to the end of the program.
- The concert took place in an outside sports arena. This resulted in some wind noise through the on stage mics.
- At the beginning of "One Hundred Ways" James Ingram's mic is too low making him a little hard to hear but for some reason it was not fixed in post production by Westwood One

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.
- To deal with some of the scratches in the surface of Side 3 an anti-skid level of 3 had to be used. Normally my anti-skid is set at 1.5.
- A Highpass filter with an initial cut off of 30khz and a static steepness of 2 was used to lower the wind noise in the onstage mics.

Other Notes:
- This concert was also released by Westwood One as the highly sought (and expensive) Budweiser Concert Hour Show #82-18.
- This version of the concert is the longer version of the 2 versions released, having one more song, the Grammy and Acadamy Award Winning song "Chariots Of Fire (Dance Version)" from the Motion Picture Soundtrack.
- This version of the concert, Westwood One Concerts & Specials #WPC-83-9, is from the rare Pop Concert Series. Some of these shows were concerts and some artist profiles. Some were even released as the Startrak Profile Series and Startrak Profile - In Concert Series. The Collective Of Live Music is just starting to explore this series in depth.
- Once again on a Westwood One Concerts & Specials sow the host never identifies himself. I am starting to think this is a regular occurrence with the Pop Concert Series since so far it has happened on all I have encoded.
- Ernie Watts toured with The Rolling Stones, Charlie Haden, Pat Metheny, Tom Coster, and former Journey drummer Steve Smith's jazz band. The famous saxophone in the "Theme Song From Night Court" was played by Ernie Watts. Saxophone player Ernie Watts also played on soundtracks for Grease, and The Color Purple.

Digitized By JustDave For The Collective Of Live Music

Project Started : July 7, 2025              Project Finished : July 10, 2025

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MP3

Pat Metheny Quartet - Jazz Baltica 2003 ~ Landeskulturzentrum Salzau: Konzertscheune Salzau, Germany July 5, 2003 (SBD)

Pat Metheny Quartet
Jazz Baltica 2003
Landeskulturzentrum Salzau, Konzertscheune
Salzau, Germany
July 5, 2003
Digital TV Broadcast/Soundboard Recording
Flac Level 8
No Cover Art

Uploader Given Source/Lineage: CD Trade of Professionally Recorded Broadcast (lineage below) > EAC > Audacity > TLH > TTD

Original Recording Lineage: Source Digital TV (signal 11954 mhz, 27500kbs) > SPDIF Cable > PC > Wavlab > wav 44.100hz, 16 bit > Flac

JustDave's Additional Lineage: Trader's Little Helper (align sector boundaries) > Flac Level 8

01 Soul Cowboy 10:08
02 What Do You Want 8:10
03 James 9:37
04 PM Intros and comments 1:42
05 Everyday I Thank You 13:02
06 Song For Bilbao 9:40
07 As I Am 8:01
08 Question & Answer 20:49

Pat Metheny - guitar
Mike Brecker - sax
Christian McBride - bass
Antonio Sanchez - drums

Just one this Sunday Morning but it's Live Metheny with Michael Brecker and Christian McBride. Throw in Antonio Sanchez on drums and you have one hell of a Quartet!!

Flac

MP3

The Charlie Daniels Band - Westwood One Live From Gilley's #LG-87-06 (Pre-FM)

The Charlie Daniels Band
Westwood One Live From Gilley's #LG-87-06
Gilley's Rodeo Arena, Pasadena, Texas, November 11, 1986 or November 21, 1986
For Broadcast The Week Of February 2, 1987
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz
Label, Certficate & Delvery Schedual Scans Included

From The Collection Of BiginV3

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast Single Album

Lineage:  Pre-FM Single Vinyl LP > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing, tagging) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boudaries) > Flac Level 8

Hosted By Jim Duncan

01 Westwood One Live From Gilley's LG-87-06 Intro - Jim Duncan
02 The Charlie Daniels Band - Love Pouring Out Of Me
03 The Charlie Daniels Band - The South's Gonna Do It Again
04 The Charlie Daniels Band - What'd I Say (Ray Charles)
05 Westwood One Live From Gilley's LG-87-06 Break - Jim Duncan
06 Commercial - The Everly Brothers Reunion Concert Album
07 Commercial - Hamburger Helper Chili Tomato
08 Westwood One Live From Gilley's LG-87-06 Intro - Jim Duncan
09 The Charlie Daniels Band - Can't You See (The Marshall Tucker Band)
10 The Charlie Daniels Band - Uneasy Rider
11 Westwood One Live From Gilley's LG-87-06 Break - Jim Duncan
12 Commercial - Campbell's Zesty Tomato Soup Sauce
13 Commercial - Mineral Ice
14 Commercial - Rolaids Antacid - Davey Johnson
15 Westwood One Live From Gilley's LG-87-06 Intro - Jim Duncan
16 The Charlie Daniels Band - Class of '63
17 The Charlie Daniels Band - In America
18 The Charlie Daniels Band - Long Haired Country Boy
19 Westwood One Live From Gilley's LG-87-06 Break - Jim Duncan
20 Commercial - Hamburger Helper Chili Tomato
21 Commercial - Rolaids Antacid - Davey Johnson
22 Westwood One Live From Gilley's LG-87-06 Intro - Jim Duncan
23 The Charlie Daniels Band - Drinkin' My Baby Goodbye
24 The Charlie Daniels Band - Dixie On My Mind
25 Westwood One Live From Gilley's LG-87-06 Break - Jim Duncan
26 Commercial - Le Menu Lifestyle Dinners
27 Commercial - Value Right Pharmacy - Tom Bosley
28 Commercial - Rolaids Antacid - Davey Johnson
29 Westwood One Live From Gilley's LG-87-06 Intro - Jim Duncan
30 The Charlie Daniels Band - The Devil Went Down To Georgia
31 Westwood One Live From Gilley's LG-87-06 Wrap Up - Jim Duncan (over "Orange Blossom Special")

Total Playing Time: 54mn 12sc

Charlie Daniels lead vocal, guitar, fiddle
Tom Crain guitar, vocals, steel guitar
Taz DiGregorio keyboards, vocals
Charlie Hayward bass
Fred Edwards drums, percussion

Runout Grooves:
Side 1 : (etched) LG-87-06 JS KM
Side 2 : (etched) LG-87-06 JS KM

JustDave's Notes:
- Thank you to BiginV3 for sending his vinyl to be encoded.
- Thank you to Draftervoi, Sam Elliot's Mustache and avnut for help and inspiration.
- Thank you to the people who put together the Discogs Runout Groove Forum.

Known Faults:
- Westwood One packs over 50 minutes of music and commercials on one Live From Gilley's LP.
- That makes for tighter grooves, making it harder to fight needle damage noise.
- Cue sheet was not included with purchase, found a small copy on the internet.

Recording Notes:
- There was no show promo on this album
- Live from Gilley's theme song is not used for this broadcast.
- Jim Duncan's intro is over the first few seconds of "Love Pouring Out Of Me".
- Jim Duncan's show wrap up is done over The Charlie Daniels Band's performance of "Orange Blossom Special"

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually and some noise reduction used depending on what best served situation.

Other Notes:
- Charlie Daniels was a highly sought session player before he finally reached his career high in the late 1970s to the mid 1980s playing fiddle on a lot of Capricorn Records Artist's recoords.
- Charlie Daniels played fiddle on Hank Williams Jr's cover of Marshall Tucker's "Losin' You", "Stoned At The Jukebox" and "Family Tradition".
- Charlie Daniels also played fiddle on a few of The Marshall Tucker Band's albums including the live & studio tracks on the double album Where We All Belong. He also played on the Marshall Tucker albums: Carolina Dreams, Searchin' For A Rainbow, and A New Life.
 - Charley also played fiddle on a recording by Elvis Presley (on a song Charlie Daniels wrote). Also recordings by Bob Dylan, Leonard Cohen, Ringo Star and produced the Youngbloods album Elephant Mountain.
- Charlie Daniels even played on Bob Dylan and Leonard Cohen's tour together in 1971.
- After Charley Daniels became a Born Again Christian he changed the "Long Haired Country Boy" lyrics from "I get stoned in the mornin'/Get drunk in the after noon" to "I get up in the mornin'/Get down in the afternoon". He also removed Hippy Culture references from his songs including changing the Peace sign in the rear window of his car in "Uneasy Rider" to a gun rack.

Digitized By JustDave For BiginV3 & The Collective Of Live Music

Project Started : July 6, 2025           Project Finished : July 8, 2025

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Charley Pride - Birmingham Symphony Hall, Birmingham, England 05-13-1995 (FM)

Charley Pride
Birmingham Symphony Hall
Birmingham, England
May 13, 1995
BBC Radio2 FM Broadcast Recording
Flac & MP3 320kbps
Cover Art Included

 

New Links Added 07/20/2025

01 BBC Radio 2 Intro - Ken Bruce
02 A Whole Lotta Things To Sing About
03 Mountain of Love
04 Me And Bobby Mcgee
05 Streets of Baltimore
06 Amy's Eyes
07 Someone Loves You Honey
08 Do What You Do Do Well
09 Crystal Chandeliers
10 Is Anybody Going To San Antone?
11 Why, Baby, Why?
12 I Hope (You Never Cry Again)
13 I Don't Know Why I Love You But I Do
14 All I Have To Offer You Is Me
15 Medley: Snakes Crawl At Night/Just Between You And Me/Does My Ring Hurt Around Your Finger
16 Mississippi Cotton Picking Delta Town
17 Kiss An Angel Good Morning
18 Green, Green, Grass Of Home
19 Kaw-Liga
20 Louisiana Man
21 Jeannie Norman
22 Cotton Fields
23 BBC Radio2 Outro - Ken Bruce

Country Music Legend Charley Pride......I don't need to say any more than that do I?

Flac

MP3

Crosby, Stills & Nash - Westwood One Startrack Profile - In Concert #PC 84-04 (Pre-FM)

Crosby, Stills & Nash
Westwood One Startrack Profile - In Concert #PC 84-04
Universal Amphitheatre, Los Angeles, California, November 28, 1982
For Broadcast The Week Of January 23, 1984
Pre-FM Recording
Vinyl Rip
Flac Level 8 16bit/44,1khz
Flac Level 8 24bit/96khz
High Quality MP3 320kbps/48khz
Label Scans Included

From The Collection Of JustDave Brought To You By The Collective Of Live Music

Brought To You By The Collective Of Live Music

Digitized From An Original Radio Broadcast 2x Vinyl Album Set

Lineage:  Pre-FM 2x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 16bit/44,1khz > Trader's Little Helper > Flac Level 8

01 Westwood One Startrack Profile In Concert #PC 84-04 Intro & Break
02 Commercial - Snickers Candy Bar
03 Westwood One Startrack Profile In Concert #PC 84-04 Intro
04 Crosby, Stills & Nash - Chicago / We Can Change the World (Graham Nash)
05 Crosby, Stills & Nash - Just A Song Before I Go
06 Crosby, Stills & Nash - Wooden Ships
07 Commercial - Budweiser
08 Westwood One Startrack Profile In Concert #PC 84-04 Break
09 Crosby, Stills & Nash - Dark Star
10 Crosby, Stills & Nash - Barrel of Pain (Half-Life) (Graham Nash)
11 Commercial - Gillette Good News Razor
12 Westwood One Startrack Profile In Concert #PC 84-04 Break
13 Crosby, Stills & Nash - You Don't Have To Cry
14 Crosby, Stills & Nash - Blackbird (The Beatles)
15 Crosby, Stills & Nash - Wasted On The Way
16 Crosby, Stills & Nash - Magical Child (Graham Nash)
17 Commercial - Budweiser - Orleans
18 Commercial - Gillette Good News Razor
19 Westwood One Startrack Profile In Concert #PC 84-04 Break
20 Crosby, Stills & Nash - Suite: Judy Blue Eyes
21 Crosby, Stills & Nash - The Southern Cross
22 Commercial - Gillette Good News Razor
23 Commercial - Budweiser - Joe Jackson
24 Westwood One Startrack Profile In Concert #PC 84-04 Break
25 Crosby, Stills & Nash - Long Time Gone
26 Crosby, Stills & Nash - For What It's Worth (Buffalo Springfield)
27 Crosby, Stills & Nash - Love The One You're With (Stephen Stills)
28 Crosby, Stills & Nash - Teach Your Children (Crosby, Stills, Nash & Young)
29 Westwood One Startrack Profile In Concert #PC 84-04 Wrap Up
30 Westwood One Startrack Profile In Concert #PC 84-04 Promo Bed

Total Playing Time : 1hr 21mn 11sc

David Crosby (R.I.P.) – vocals, guitars
Stephen Stills – vocals, guitars, keyboards
Graham Nash – vocals, guitars, organ

Michael Sturgis – guitar
Mike Finnigan (R.I.P.) – keyboards
Efrain Toro – percussion
George "Chocolate" Perry – bass
Joe Vitale – drums
James Newton Howard – keyboards

Runout Grooves:
Side 1 : PC-84-04-A (RM2) K² KM
Side 2 : WW1 PC-84-04-B (RM2) K² KM
Side 3 : WW1 PC-84-04-C (RM2) K² KM
Side 4 : PC-84-04-D (RM2) K² KM

JustDave's Notes:
- As always a big Thank You to my partners in The Collective Of Live Music for the help and inspiration.

Known Faults:
- When I initially "auditioned" the albums the grooves on side one were so dirty the needle just slid across the LP like the anti-skid was off. After the cleaning ritual I go through for each album, the set played and looked near mint.
- The only bad point was 2 spots during Segment 2 where the album skipped. See editing notes.
- 2 very small scratches on Side 2 Segment 2, very easy to over look, caused the above problem.

Recording Notes:
- There is a locked groove show promo at the end of Side 4, which has been encoded.
- Show is hosted but the host never identifies himself.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Both manually de-clicked and some Pop Fix used depending on what got the best result, although not a lot of clicks and pops needed fixing since this was on of the best vinyls I have encoded in a while.
- There was 2 spots during Segment 2 where the album skipped. One during "Dark Star" and one during "Barrel Of Pain". I had to re-record Segment 2 again. To get the segment to not skip I had to adjust my anti-skid pressure on the fly. To 2.5 during "Dark Star" then back to 1.5 during "Barrel Of Pain". It took about 5 or 6 tries to get it right and to not make a bump noise with my hand when touching the turntable.

Other Notes:
- Westwood One also released this concert under there Westwood One Concerts & Specials "Pop Concert Series". I have that album somewhere but can not locate it to re-encode or get the show number of it. I do have an encoding with the commercials and voice overs edited out.
- The 2 releases were almost identicle except for the commercials, none of the song edits are different and the running order is the same.
- Show identified as Universal Amphitheatre, Los Angeles, California, November 28, 1982 by comparing the Mike Millard audience recording of the show. Song introductions and performances match.
- Both "Suite: Judy Blue Eyes" and "You Don't Have To Cry" were written by Stephen Stills for his then girlfriend singer Judy Collins. Both were written about their relationship ending.
- "Dark Star" was written by Stephen Stills for Joan Baez, with whom Stills was having an affair.
- George "Chocolate" Perry and Joe Vitale are known for also being long serving members of Joe Walsh's recording and touring bands.
- Westwood One was only a little creative about the set list. The full set from Universal Amphitheatre, Los Angeles, California, November 28, 1982 is listed below:

01 Turn Your Back On Love
02 Chicago
03 The Lee Shore
04 Just A Song Before I Go
05 Dark Star
06 Barrel Of Pain (Half-Life)
07 To The Last Whale...a. Critical Mass b. Wind On The Water
08 Wooden Ships
09 Love The One You're With
10 See The Changes
11 You Don't Have To Cry
12 Blackbird
13 Wasted On The Way
14 Delta
15 Guinevere
16 Magical Child
17 Treetop Flyer
18 Suite: Judy Blue Eyes
19 Cathedral
20 Southern Cross
21 Long Time Gone
22 For What It's Worth
23 Carry On

Digitized By JustDave For The Collective Of Live Music

Project Started : June 21, 2025 Project Finished : June 27, 2025

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Steve Winwood / Steely Dan - The Colosseum at Caesars Palace: Las Vegas, Navada, USA June 19, 2016 (ExAud) - GMan

Steve Winwood / Steely Dan
The Colosseum at Caesars Palace
Las Vegas, Navada, USA
June 19, 2016
Excellent Audience Recording
Flac & MP3 320kbps
No Cover Art

Repost New Links Added 07/20/2025

Recorded by Gman
Recorded using a Tascam DR-05 left breast pocket mics sticking out
Recording Location 2nd Mezzanine, Row G, Seat 310 One section off of center
amplify the volume with Audacity (as usual I needed to pull down the bass and boost the treble, as well as amplifying the end result)

Steve Winwood Set

01 I'm A Man (Spencer Davis Group)
02 Pearly Queen (Traffic)
03 At Times We Do Forget
04 Can't Find My Way Home (Blind Faith)
05 Them Changes (Buddy Miles)
06 Low Spark Of High Heeled Boys (Traffic)
07 Higher Love
08 Dear Mr. Fantasy (Traffic)
09 Gimme Some Lovin' (Spencer Davis Group)

Steely Dan set

01 November Afternoon
02 Black Cow
04 Hey 19
05 Black Friday
06 Babaylon Sister
07 Kid Charlomaign
08 Time Out Of Mind
09 Razer Boy
10 Boutissatva
11 Daddy Don't Live In That New York City No More
12 Godwhacker fade out
13 I Want To Do Everything For You fade in
14 Josie
15 Peg
16 My Old School
17 encore break
18 Realin In The Years
19 The Untouchables

Our Good Friend and Follower of The Site, GMan, has sent me a copy of his recording of the Steely Dan, Steve Winwood show in Vegas the year 2016. He said I could post it if I liked it. When he sent it he said it was not one of his better recordings. You hear that sometimes from tapers because there might be a flaw they don't like in the recording. They are their own worst critics which I'm glad to say GMan is no different. This is a really good recording. You can hear everything coming from the stage. There is some talking, not all the time so not too distracting. A couple loud clappers here and a loud whistler there. No real big deal at all...I think you will enjoy it! I added a copy of a ticket on sale on Ebay, and a couple other picks just in case there is someone who wants to make art work for themselves, here is a start.

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MP3

I Haven't Done This In A While

I received a lot of messages asking if I was alright since there was a long absence from posting. I am very sorry to have worried anyone. I am doing fine and my health is always getting better. I have even lost 45 pounds, now I am back to the weight I was when I met Rosebud 29 years ago.

I actually had gotten lost in my work. I have been encoding a lot of Pre-FM recordings from my ever growing collection. Since me and 3 other collectors kind of eased into becoming The Collective Of Live Music I have been buying Pre-FM vinyl like crazy. I am also assisting Draftervoi encode the very huge collection of Sam Elliot's Mustache. The fruits of this creative burst of energy are posted below.

There are 3 unique versions of the same concert from Smokey Robinson. Each different broadcast has it's own mix, and edits making each one a must have for collectors. Also there is a classic Pat Benatar King Biscuit Best Of The Biscuit from 1982. Another King Biscuit Best Of The Biscuit featuring Canadian Pomp-Prog Rockers Saga paired with Scandal touring for their first EP. One of many David Bowie Westwood One Superstar Concert Series recordings from Tokyo 1990. Country Music singer Gene Watson from one of his many Live From Gilley's appearances. Also something I'm really proud of finding Country Music Legend Roy Clark on the Silver Eagle Cross Country Music Show in 1982!!!!

There is a lot more to come: Eddie Money, Steve Forbet, Asleep At The Wheel, Don Williams, Quincy Jones, The Charlie Daniels Band, Charly McClain, Exile, The Pointer Sisters, April Wine, John Waitt, Aldo Nova, George Thorogood, Merle Haggard, and Charlie Pride. That's just to name a few....

Sorry there has been no Jazz lately. I will be better about that too.

JustDave

Roy Clark - The Silver Eagle Cross Country Music Show #SE-075

Roy Clark
The Silver Eagle Cross Country Music Show #SE-075
The Broadway Theatre, Pittman, New Jersey 1982
For Broadcast December 18, 1982
Pre-FM Recording
Vinyl Rip
Flac Level 8 24bit/96khz
Flac Level 8 16bit/44,1khz
High Quality MP3 320kbps/48khz
Label & Cue Sheet Scans Included

From The Collection Of JustDave

Brought To You By The Collective Of Live Music

Digitized From An Original 3 Album 5 Sided Radio Broadcast Vinyl Set

Lineage:  Pre-FM 3x Vinyl LP Set > Sony PS-LX300H Belt Driven Turntable @ 33+1/3 RPM/60Hrz (Balanced, Needle Tracking, Azimuth & Pressure Dialed In) > Sony TA-AV561 AV Control Integrated Amplifier (bass/treble +/- zero) > Line In (4ft cables w/gold plated tips) > HP Envy 700 Series > BEATS Audio Realtek High Definition Audio Soundcard > Goldwave v6.83 (recording, editing) > Wave 24bit/96khz > Trader's Little Helper > Flac Level 8

Hosted By Larry Kenny

01 The Silver Eagle Cross Country Music Show #SE-075 Intro & Break - Larry Kenny
02 Commercial - AT&T Communications - Roger Miller
03 Commercial - Levi's Jeans For Men
04 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
05 Rodney Lay & The Wild West - I Wish I Had A Job To Shove
06 Rodney Lay & The Wild West - I'll Be There (If You Ever Want Me) (Ray Price)
07 Rodney Lay & The Wild West - Foggy Mountain Breakdown (Flatt & Scruggs)
08 Rodney Lay & The Wild West - You May See Me Walkin' (Ricky Scaggs)
09 Rodney Lay & The Wild West - William Tell Overture (Gioachino Rossini)
10 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
11 Commercial - Kodamatic Cameras & Film Sweepstakes - David Copperfield
12 Commercial - Avon Nail Polish
13 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
14 Rodney Lay & The Wild West - Roy Clark Introduction
15 Roy Clark - Tennessee Saturday Night (Red Foley)
16 Roy Clark - Uncle Penn (Bill Monroe)
17 Roy Clark - Love Takes Two (Oak Ridge Boys)
18 Roy Clark - Ghost Riders (Instrumental) (Stan Jones)
19 Roy Clark - Here We Go Again (Ray Charles)
20 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
21 Commercial - Maxwell House Coffee - Ray Charles
22 Commercial - Campbell's Soup
23 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
24 Roy Clark - Thinkin' Tonight Of My Blue Eyes (The Carter Family)
25 Roy Clark - Polka Instrumental
26 Roy Clark - Hits Medley*
27 Roy Clark - Yesterday When I Was Young
28 Roy Clark - Somewhere My Love (Instrumental) (Ray Conniff)
29 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
30 Commercial - Levi's Jeans For Men
31 Commercial - Campbell's Chunky Soup
32 Commercial - Avon Nail Polish
33 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
34 Roy Clark - Rappin' And Pickin'/Dueling Banjos
35 Roy Clark - It Wouldn't Be Christmas Without You
36 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
37 Commercial - Maxwell House Coffee - Ray Charles
38 Commercial - Campbell's Soup
39 Commercial - Kodamatic Cameras & Film Sweepstakes - David Copperfield
40 The Silver Eagle Cross Country Music Show #SE-075 Intro - Larry Kenny
41 Roy Clark - Orange Blossom Special (Ervin T. & Gordon Rouse)
42 Roy Clark - Malagueña (Lecuona) (Instrumental)
43 Rodney Lay & The Wild West - Roy Clark Walk Off Music
44 The Silver Eagle Cross Country Music Show #SE-075 Break - Larry Kenny
45 Commercial - AT&T Communications
46 Commercial - Levi's Jeans For Men
47 The Silver Eagle Cross Country Music Show #SE-075 Wrap Up - Larry Kenny
48 The Silver Eagle Cross Country Music Show #SE-075 Promo Bed - Larry Kenny

*Medley (Come Live With Me/Honeymoon Feeling/I Let It Slip Through My Hands/Thank God And Greyhound)

Total Playing Time: 1hr 23mn 28sc

Roy Clark - lead vocals, guitars, mandolin, banjo, fiddle

Fancy:
Mary Beth Anderson - vocals
Sherri Baker - vocals
Carolyn Anderson - vocals

Rodney Lay & The Wild West:
Rodney Lay - bass, lead vocal "I Wish I Had A Job To Shove", Master of Ceremonies

Vernon Sandusky - guitar
Jimmy Henley - banjo, guitar, lead vocal "You May See Me Walkin'"
James Henley - rhythm guitar
Troy Klontz - steel guitar
Shelby Eicher - fiddle
Kenny Putnam - fiddle
Terrell Glaze - drums
John French - piano

Runout Grooves:
Side A : SE-075-A MCR JOE
Side B : SE-075-B MCR JOE
Side C : SE-075-C MCR JOE
Side D : SE-075-D MCR JOE
Side E : SE-075-E MCR JOE

JustDave's Notes:
- Thank you to Draftervoi, Sam Elliot's Mustache and avnut for input and assistance!
- "Yesterday When I Was Young" is the first Roy Clark song I remember ever hearing. I was pretty young kid but a big music fan. "Yesterday When I Was Young" is the first song that ever made me cry. It wasn't exactly because of the very sad lyics of a man confronting his winter of life. It was because it was so beautiful in a maudlin sense of the word. It was one of the first singles I remember buying with my own money.

Known Faults:
- The low volume of the commercials contributes to a higher amount of needle noise in the commercials. A highpass filter with a initial cutoff of 40Hz was used to lessen the effect.

Recording Notes:
- There is a locked groove test tone at the beginning of Side A for radio stations to set balance and output levels before broadcast. It was not encoded.
- There is a locked groove show promo at the end of Side D with a voice over. It was encoded.

Editing Notes:
- A Zerostat Positive Ion gun was used on LP prior to playback.
- A carbon fiber record brush, then a felt disc cleaner was used on the record prior to playback.
- Records hand cleaned with Record Research Lab Super Record Wash before playback.
- LP cleaned with the HumminGuru Ultrasonic Vinyl Record Cleaning System prior to playback.
- Raw transfer: EQ off, treble and bass levels set at +/- zero for most accurate sound of LP.
- Turntable balanced: Needle Tracking, Azimuth, Pressure & Antiskid Dialed In: Soundcard stereo field maximized: Goldwave always set to record while filtering any offset.
- Recording and all editing done in 24bit/96khz.
- Preservation being key the show is encoded complete with commercials and voiceovers.
- Declicked manually no Pop Fix Noise Reduction was necessary with this rip.
- The commercials had a maked difference in volume to the music. Volume was adjusted to match the body of the show.

Other Notes:
- Roy Clark was a huge influence on Southern Rockers Lynyrd Skynyrd for his guitar playing. Ronnie Van Zant actually name checks Roy Clark by saying things like "Ahhh sounds like some Roy" and "Come on play me some Roy" at various guitar solos on the bands albums.
- In 1976 Arthur Fiedler invited Roy Clark to perform with The Boston Pops for "An Evening at The Pops with Roy Clark and the Boston Pops Orchestra", Arthur Fiedler conducted.
- Roy Clak was just 17 years old when he first played at The Grand Ole Opry in 1950.
- Roy Clark, who started his professional career in 1947, was invited to join the Grand Ole Opry in 1987. Fourty years after he started his career.
- Roy Clark was shamefully not inducted into the Country Music Hall Of Fame until 2009, just 9 years before his passing.
- Roy Clark passed away November 15, 2018 at the age of 85, from complications of pneumonia.
- Roy Clark was also a pilot, obtaining his license in 1953. After Roy Clark died, His 1953 Piper Tri-Pacer was raffled off on December 17, 2012 to benefit the charity Wings of Hope.
- Wings of Hope is a nonprofit organization that partners with organizations in ten countries outside of the U.S. to provide medical evacuation flights and access to health care for remote communities. Wings of Hope also provides free medical air transportation to people within a 900-mile radius of its St. Louis headquarters.- Wings Of Hope info copied and pasted from Roy Clark's Wikipedia page.
- Ray Charles sang the Maxwell House "Good To The Last Drop" jingle for a long time. The jingle itself was written by Joseph Brooks.

Digitized By JustDave For The Collective Of Live Music

Project Started : June 16, 2025     Project Finished : June 19, 2025

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