We Heard You Might Have Missed Us - We Are Back!!!!

Ok so Rosebud & I are finally moved in to our house and the internet connection has been installed so  new stuff will be coming soon!! Just wanted to drop a line and let you know!!

 

JustDave & Rosebud

We're Still Waiting

 It's been a little while since our last post so there has been a few very kind inquiries if Rosebud & I are doing alright. First let me say that is why we keep doing this blog...the very beautiful people we meet because of it...it's done out of love for you!

First thing since my last post I had another PSA test for my cancer. The result was undetectable again. I have to have testing every 3 months for a like 2 years then I go on a every 6 month schedule for another year or 2. I am a 58 year old Metal/Punk and I am actually planning on my very first tattoo. A prostate cancer cell surrounded by the word survivor which will go on my right shoulder.

Second I told you all that Rosebud & I celebrated 25 years of married life by buying ourselves our first house. It was in the process of being built then and we would be moved in by mid September. Unfortunately both slow state inspectors and some bad weather slowed down construction so the house isn't finished yet. It's close, so now the new assumption is that we should be able to move in by mid October (if no more delays happen of course). So I figured I'd set the main computer back up and check to see how everyone is doing and drop a show as well.

So We will check in again real soon!!!

JustDave & Rosebud

Attaque 77 / Motörhead / Ramones - Estadio Vélez Sarsfield: Buenos Aires, Argentina, May 14th 1994 (FM)

Attaque 77 / Motörhead / Rammones
Estadio Vélez Sarsfield
Buenos Aires, Argentina
May 14th 1994
FM Rock & Pop 106.3 FM Broadcast Recording
Flac & MP3 320kbps
No Cover Art

Attaque 77

01-Héroe de nadie (fade-in)
02-Soy de Attaque
03-Justicia
04-Guerra en el complejo
05-Alcohol y desorden
06-¿Cuál es el precio?
07-Armas blancas
08-Alza tu voz
09-Espadas y serpientes
10-HIV
11-Cuarto poder

Running time: 32 min

Ciro Pertusi - lead vocals
Mariano Martínez - guitars, keyboards
Luciano Scaglione - bass, backing vocals
Leonardo De Cecco - drums, percussion

Motörhead

01-Intro
02-Ace of Spades
03-Traitor
04-I'm So Bad (Baby I Don't Care)
05-Metropolis
06-Stay Clean
07-Liar
08-Nothing Up My Sleeve
09-Burner
10-Lost in the Ozone
11-Drum Solo
12-You Better Run
13-Going to Brazil
14-Born to Raise Hell
15-Killed by Death
16-Guitar Solo
17-Cat Scratch Fever (Ted Nugent)
18-Overkill

Running time: 72 min

Ian "Lemmy" Kilmister (R.I.P.) – bass, lead vocals
Phil "Wizzö" Campbell – guitars, backing vocals
Michael "Würzel" Burston (R.I.P.) – guitars, backing vocals
Mikkey "The Sven" Dee – drums

The Ramones

01-Intro/The Good, the Bad and the Ugly
02-Durango 95
03-Teenage Lobotomy
04-Psycho Therapy
05-Blitzkrieg Bop
06-Do You Remember Rock 'n' Roll Radio?
07-I Believe in Miracles
08-Gimme Gimme Shock Treatment
09-Rock 'n' Roll High School
10-I Wanna Be Sedated
11-Substitute (The Who)
12-I Wanna Live
13-My Brain Is Hanging Upside Down (partial)
14-Commando
15-Sheena Is a Punk Rocker
16-Rockaway Beach
17-Pet Sematary
18-Strength to Endure
19-Journey to the Center of the Mind (The Amboy Dukes)
20-Take It as It Comes (The Doors)
21-Somebody Put Something in My Drink
22-Wart Hog
23-Cretin Hop
24-Listen to My Heart
25-Today Your Love, Tomorrow the World
26-Pinhead
27-My Back Pages (Bob Dylan)
28-Poison Heart
29-We're a Happy Family
30-The Shape of Things to Come (Max Frost & The Troopers)
31-Chinese Rocks
32-Beat on the Brat
33-I Just Want to Have Something to Do
34-Have You Ever Seen the Rain? (Creedence Clearwater Revival)
35-Outro

Running time: 80 min

Joey Ramone (R.I.P.) (Jeffrey Hyman) – lead vocals
Johnny Ramone (R.I.P.) (John Cummings) – guitars
C.J. Ramone (Christopher Ward) – bass, backing & co-lead vocals
Marky Ramone (Marc Bell) – drums

It's been a little while since I listened to this but I remember it sounded pretty good. You get a great Motörhead set sandwiched between 2 great Punk Rock sets from Attaque 77 and The Ramones. I had never heard Attaque 77 before but I will be checking out some of their studio out put soon, I did enjoy their set. I am a huge fan of both Motörhead and The Ramones, having seen them both live many times (never together). The line up of Lemmy, Fast Eddie Clark and Philthy Aniimal Taylor of course are my favorite line up. Next to that is the twin guitar line up with Phil Campbell & Würzel is a close second. I saw this line up at Harpo's in Detroit, the same year my Speed Metal band Psychosis was banned from Harpo's for being too heavy. It was on Heavy Metal Tuesday at Harpo's so we thought ok we got booked to open the show so we played all our fastest heaviest material. The set included 2 Misfits covers "We Bite" and "Mommy Can I Go Out And Kill Tonight". "Mommy Can I Go Out And Kill Tonight" was song 5 of the set but turned out to be the last. We got pulled of the stage and asked "if we thought we were The Sex Pistols or something". Then told to "go back to Blondies, you will never play Harpo's again". Like I said it was Heavy Metal Tuesday??, I also was wearing a Raven Concert t-shirt I had bought at a show Raven played at Harpo's. To be banned from Harpo's was the best publicity we could get. We made sure it was on every flyer in big red capitol letters "TOO HEAVY FOR HARPO"S" and "BANNED AT HARPO'S". Everyone wanted to see the band that was too heavy for Harpo's. Anyway I ramble too much enjoy the recording and I now think I told you guys this story before...

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Jefferson Airplane - Up Against The Wall... ~ San Francisco, California xx-xx-1970 (SBD)

Jefferson Airplane
Up Against The Wall... (1970 Trade Mark Of Quality ~ TMQ 71011)
Wally Heider Studios, San Francisco, California April 2, 1970
The Family Dog, San Francisco, California, February 4, 1970
TV Broadcast Recordings
Vinyl Rip
Flac & MP3 320kbps
Cover Art Included

Rosebud's Pick

Lineage: Rega P3 Turntable > Audio-Technica AT150MLX Cartridge > Pro-Ject Tube Box SE Phono Preamp (12AX7 Genalex Gold Lion tubes) > Focusrite Scarlett 2i2 Audio Interface > Click Repair > Cubase 4 LE (Editing) > Unknown Flac Encoder > Flac 24bit/96khz

Ripped by jpstooges September 2013

Side A

A1 - We Can Be Together  
A2 - Volunteers  
A3 - Eskimo Blue Day  
A4 - Mexico  
A5 - Somebody To Love  

Side B

B1 - Wooden Ships  
B2 - Plastic Fantastic Lover  
B3 - Emergency  
B4 - Ballad Of You & Me & Pooneil  

All Tracks but A3 & B4 Recorded At Wally Heider Studios, San Francisco, California April 2, 1970
Tracks A3, & B4 Recorded At The Family Dog, San Francisco, California, February 4, 1970

Grace Slick – vocals, keyboards
Marty Balin – vocals, rhythm guitar
Jorma Kaukonen – lead guitar, vocals
Paul Kantner – rhythm guitar, vocals
Jack Casady – bass
Joey Covington – drums, percussion

This is a compilation of 2 separate TV appearances by The Jefferson Airplane. The main body of this recording is from the April 1970 performance from Wally Heider Studios. Just two songs "Eskimo Blue Day" and "Ballad Of You & Me & Pooneil" are from the February 1970 performance at The Family Dog. The Airplane would last roughly 2 more years before becoming The Jefferson Starship. The last two shows of the 1972 tour held at Winterland in San Francisco would be the end of Airplane live shows until 1989. Out of the ashes of The Airplane of course came The Jefferson Starship, but also the band Hot Tuna so some great music was till to be made by all.

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The Kinks - The Palladium: New York City, N.Y. U.S.A. December 31, 1980 (FM)

The Kinks
The Palladium
New York City, N.Y. U.S.A.
December 31, 1980
FM Broadcast Recording
Flac & MP3 320kbps
Cover Art Included

Source: Nice Crispy 1st Generation FM Broadcast Tape
Lineage: CD-r(x) > E.A.C. > Wave to 16-bit > T.L.H. > Flac
 

Disc 1 44:47
01 Radio Announcer Introduction :54
02 You Really Got Me 1:22
03 The Hard Way 2:48
04 Where Have All The Good Times Gone (includes I'm So Tired) 3:50
05 Catch Me Now, I'm Fallin' 4:34
06 Bird Dog (Everly Brothers) 3:00
07 New York City Blues 2:28
08 Lola 5:48
09 Dead End Street 2:20
10 Till The End Of The Day 2:58
11 Low Budget 6:20
12 Band Introductions 1:32
13 Imagination's Real 3:45
14 Nothing More To Lose (Dave Davies Vocal) 3:08
 

Disc 2: 51:39
15 I'm Not Like Everybody Else / Come On Now 5:46
16 You Really Got Me 6:15
17 Give The People What They Want 5:00
18 A Gallon Of Gas 6:17
19 Celluloid Heroes 8:25
20 All Day And All Night 5:55
21 Announcer / Stop Your Sobbin' / David Watts / Pressure 4:23
22 Radio Announcer Encore Break :49
23 Superman 6:11
24 Announcer Closing Comments 2:37

Ray Davies – vocals, guitar, keyboards, harmonica
Dave Davies – lead guitar, vocals
Jim Rodford (R.I.P.) – bass, backing vocals
Mick Avory – drums, percussion
Ian Gibbons (R.I.P.) – keyboards, piano, backing vocals

Jim Rodford died January 20, 2018 from complications due to a fall, he was 76
Ian Gibbons died August 1, 2019 from bladder cancer, he was 67

"You Really Got Me" and "All Day And All Night" are 2 songs that straddle both worlds of Heavy Metal and Punk Rock influence. Iggy Pop and members of Van Halen say The Kinks had a big influence on their song writing. A big sounding guitar riff and a simple memorable sing along chorus. The Kinks did something a lot of British bands didn't, they stayed very obviously British. Ray Davies never tried to lose his accent when singing or conversing. This truth to self is one thing that endeared The Kinks to the UK & American Punk scenes. You could tell a UK Punk band from an American Punk band even after they started copying each other's styles, the UK accent was always there.

I went to see a local Michigan Punk band called Bachus with a friend because he heard they were great. They were not great, they were barely good. They did however open with a decent rendition of The Kinks' "Give The People What They Want". It was their only cover, they should have played more, they faded pretty quick.

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The Who - Philadelphia: 1973 Broadcast Recording ~ Philadelphia Spectrum: Philadelphia, Pennsylvania, USA December 4th 1973 (FM)

The Who
Philadelphia: 1973 Broadcast Recording - (Leftfield Media – LFM2CD634)
Philadelphia Spectrum
Philadelphia, Pennsylvania, USA
December 4th 1973
FM Broadcast Recording
Flac & MP3 320kbps
Cover Art Included

CD One

01 - I Can't Explain 03:27
02 - Summertime Blues 04:03
03 - My Wife 07:17
04 - My Generation 08:19
05 - I Am The Sea 01:43
06 - The Real Me 05:51
07 - The Punk And The Godfather 06:07
08 - I'm One 03:03
09 - 5:15 06:33
10 - Sea And The Sand 08:10
11 - Drowned 09:07

CD Two

01 - Bell Boy 05:28
02 - Doctor Jimmy 08:32
03 - Won't Get Fooled Again 09:02
04 - Pinball Wizard 02:52
05 - See Me, Feel Me 05:52
06 - Naked Eye 12:29

Roger Daltrey – lead vocals, harmonica
Pete Townshend – lead and rhythm guitars, backing and lead vocals
John Entwistle (R.I.P.) – bass, backing and lead vocals
Keith Moon (R.I.P.) – drums, occasional vocals

Keith Moon died September 7, 1978 from an overdose of a prescription drug to stop drinking
John Entwistle died June 27, 2002 from a heart attack caused by cocaine and existing heart disease

I love The Who Live! It took them a while to actually get a decent representation of their live power on a studio album. The critics all agree that Who's Next was that album. I agree with them on this point. Still, my favorite Who album is Live At Leeds. Basically it was the second Who release I owned. It was on 8-track tape...so yes I am old (lol). I was also given a little before that the American release Magic Bus The Who On Tour. A compilation of early Who tracks that were from singles or EPs. The early recordings sounded real thin to me but Live At Leeds blew me away. The power reminded me of bands like Vanilla Fudge, The Jeff Beck Group and Led Zeppelin.

I can't remember when it was but not too long ago Pete Townshend made a statement that The Who had invented Heavy Metal with Live At Leeds. It was some what controversial with some Metal Heads and critics. Now me I believe a little more like this: The Who was definitely an influence on Heavy Metal and on Punk Rock. The tones and performance on Live At Leeds were just as instrumental as the more accepted Metal influences. The MC5, Blue Cheer, Black Sabbath, Led Zeppelin, Deep Purple, Vanilla Fudge and The Jeff Beck Group with Rod Stewart are all accepted as Proto-Metal Hard Rock Bands. The thing I found interesting is how many US Punk Rockers I met that loved The Who and hated almost every one else. Anyway this is another version of a very well known Who show, but it sounds real good!

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Sorry We Have Been So Slow Posting Stuff This Summer

Sorry things have been so slow with the posts. Rosebud and I have been very busy working on a project for our family. As many of you know I have been medically retired for the past 5 years. This due to an injury unrelated to my cancer, that happened from a fall at work due to faulty equipment. With my retirement money blown on medical bills and unable to work I had to apply for my Social Security Benefits. I am not 65 so I had to actually get a lawyer so I could get the benefits I paid for. It took 5 years so they had to pay me 4.5 years of back pay. It really is harder than most people think to get your SSD.

They paid me my back pay and I put it to work for my family. I bought us a house, not just a house but a new one. A new construction which is close to being done. I have rented all my life so this is something I have dreamed of. With the economy scaring people the housing market has really slowed down. I found a very good price then I actually found a good fixed rate by shopping around (a 2 month mortgage search actually and Rosebud actually found it). So my plans for this summer got turned upside down by this. Now I will be packing for that move which is most likely coming in September. This means packing up my music room, a huge job. The last to go will be my computers and hard drives so that there will be playable music in the house. The picture above was taken by my oldest son Spider just 2 days ago. It shows how far they have gotten in the build. I may actually be moving in mid August by the looks of it

Thank You So Much For Your Patience As We Prep For And Make This Move

Rosebud & JustDave

Deep Purple - The Mephisto Waltz ~ Amsterdam, Netherlands August 24, 1969 & Dusseldorf, Germany June 1, 1970 (SBD & Aud)

Deep Purple
The Mephisto Waltz - (Darker Than Blue ~ DTB 007/008)
Club Paradiso, Amsterdam, Netherlands August 24, 1969
Rheinhalle, Dusseldorf, Germany June 1, 1970
Soundboard & Good Audience Recordings
Flac & MP3 320kbps
Cover Art Included

Lineage: Extracted to FLAC from original silver CDs via EZ CD Audio Converter

Disc One

101 Kneel And Pray
102 Child In Time
103 Mandrake Root
104 Wring That Neck (Instrumental)
105 Paint It Black (Rolling Stones) (Instrumental)

Disc Two

106 Speed King
107 Black Night
201 Child In Time
202 Wring That Neck (Instrumental)
203 Paint It Black (Rolling Stones) (Instrumental)
204 Mandrake Root

Ian Gillan – lead vocals, percussion, harmonica
Ritchie Blackmore – guitar
Roger Glover – bass
Jon Lord (R.I.P.) – keyboards
Ian Paice – drums, percussion

Disc One is the same show as the classic Deep Purple bootleg Ritchie's Blues. It's listed as an audience recording but it is actually a soundboard recording. "Kneel And Pray" is an early version of "Speed King" which will soon be recorded on the In Rock album. "Child In Time" is pretty much the same song that will be recorded for In Rock but of course stretched a little bit here. The "Paint It Black (Rolling Stones)" is done in an instrumental form basically using the main theme of the song as a vehicle for Ian Paice's drum solo. The song will remain in the set until "The Mule" is recorded for the Fireball album. "Mandrake Root" fades just as things are getting started. The important part is the "Wring That Neck" track being included here. It is usually left off uploads because it is thought to be on the New, Live And Rare release. The version of "Wring That Neck" on that album is actually from the Deep Purple's opening set from The Royal Albert Hall during the Live With London Philharmonic Show. The same live tracks from the American Powerhouse compilation release.

Disc Two is a passable audience recording from Deep Purple's tour of Germany in 1970. It's of course a great performance as MK2 had not started to splinter yet. The recording of and tour for the In Rock album is regarded by most members of the band as a time when everyone was in harmony. You do get the full versions of "Wring That Neck" and "Mandrake Root" both almost a half hour each. The interplay between Jon Lord's organ and Ritchie Blackmore's guitar was already developed from 3 years of touring with the MK1 line up. On these performances it was the driving force as the new members Ian Gillan & Roger Glover found their area in Deep Purple's live shows. Ian Gillan's voice would become another lead instrument in the show. Roger Glover had the hardest task of them all. He would hold down the rhythm as Ian Paice plays drums in a much faster pace than most other drummers of the day.

I am so glad that there are so many Deep Purple bootlegs out from all eras. My first chance to see any live Deep Purple was on the California Jam TV broadcast when the MK3 line up was on tour for Burn. My first chance to see Deep Purple live in person was with Tommy Bolan in the band when they played in Detroit. I thought they lacked the energy of the Burn line up, of course we know they were all done with Deep Purple by then. Some of my first shows were seeing classic bands in a state of flux. Deep Purple MK4, Black Sabbath on the Never Say Die Tour, Journey on their first tour with Steve Perry, Foghat after Rod Price left, Ted Nugent with Charlie Huhn, Aerosmith on the Draw The Line Tour. I didn't catch the Deep Purple MK2 line up until the reunion in the early 1980s.

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Downloaded From purplehippies.com a great place for all kinds of shows from The Deep Purple Family Tree.

Wall To Wall Miles Davis ~ A Tribute To Miles Davis - Symphony Space, New York City, NY 03-24-2001 (FM) 8 CD Set

Wall To Wall Miles Davis
Symphony Space
New York City, NY
March 24, 2001
FM Broadcast Recording
MP3 224kbps
Cover Art Included

 

New Links And Mirror Added

 8 CD Box Set Over 9 Hours Of Music

Featuring:

Bobby Previte’s Voodoo Down Orchestra

Terell Strafford Quartet

Olu Dara Ensemble

Bobby Watson and Horizon featuring Victor Lewis

Hagans/Belden Animation Project featuring DJ Kingsize

Sex Mob with Bill Frisell and DJ Logic

Burnt Sugar/The Arkestra Chamber

Dave Douglas New Quintet

Ingrid Jensen Group

Russell Gunn Group

Frank London & Invocations

Graham Haynes Nonet

Joe Lovano Quintet

Mamadou Diabate & the Ben Allison Trio

David Sanchez & the Melaza Sextet

Melvin Gibbs’ Liberation Theology

Don Byron Music For Six Musicians

Joe Locke

Maria Schneider Orchestra

Vernon Reid and Masque

Adam Holzman and Brave New World

Wallace Roney Group

Lenny White

 Pete Cosey

CD1
101 Bitches Brew/Spanish Key 18:40
102 Milestones 7:31
103 It Could Happen To You 9:40
104 Excerpts from Doo-Bop [1991] 8:56
105 Excerpts from The Hot Spot [1990] 3:02
106 Freedom Jazz Dance 10:27
107 Gingerbread Boy 6:05

CD2
201 Intro / Mother Dearest Mother 0:51
202 Paraphernilia 14:56
203 Selim 18:12
204 How Deep Is the Ocean/Solar 20:49
205 Someday My Prince Will Come 3:12
206 Summertime 3:59
207 All Blues 6:45
208 So What/I Don’t Live Today 7:09

CD3
301 Intro 0:26
302 Music inspired by the album Aura [1985, P Mikkelborg] 2:11
303 Music inspired by the album Aura [1985, P Mikkelborg] 3: 51
304 Mtume/Directions 16:04
305 Little Church 8:46
306 Boplicity/Sanctuary/Kix 12:38
307 I Fall In Love Too Easily 3:04
308 If I Were A Bell/Walkin’ 19:26

CD4
401 Love For Sale/Stella By Starlight 8:37
402 Time After Time (Cyndi Lauper) 6:33
403 He Loved Him Madly 12:28
404 When Miles Split! 8:36
405 Jeru (G Mulligan) 6:11
406 Moon Dreams (C MacGregor/J Mercer) 3:57
407 Venus de Milo (G Mulligan; transcribed by Joe Muccioli) 3:56
408 Deception 4:16
409 Rouge 5:35
410 Sketches Of Spain outtakes 2:56
411 Reminiscences 14:26

CD5
501 Round Midnight 8:30
502 All Blues [Kind of Blue, 1959] 5:35
503 Blue In Green [Kind of Blue, 1959] 7:49
504 Airegin 8:47
505 Bags Groove 9:06
506 Oleo 6:44
507 Seven Steps To Heaven 6:07
508 Milestones [Milestones, 1958] 10:42
509 Prince Of Darkness [Sorcerer, 1967] 15:24

CD6
601 lfe/Calypso Frelimo - Part A 12:17
602 lfe/Calypso Frelimo - Part B 13:34
603 Shhh/Peaceful/In A Silent Way/It’s About That Time - Part A 8:42
604 Shhh/Peaceful/In A Silent Way/It’s About That Time - Part B 10:45
605 On Green Dolphin Street [58 Sessions, 1958] 7:20
606 Footprints [Miles Smiles, 1966 – W Shorter] 8:11
607 Interview 2:43
608 The Making Of Kind Of Blue 9:17

CD7
701 Concierto de Aranjuez (Joaquin Rodrigo) 9:43
702 Will O’ the Wisp (M De Falla) 8:16
703 The Pan Piper (G Evans) 3:57
704 Saeta (G Evans) 4:04
705 Solea (G Evans) 5:48
706 Song Of Our Country 10:43
707 Donna Lee/Half Nelson 11:57

CD8
801 Right Off (Miles Davis) 13:27
802 Freddie Freeloader (Miles Davis) 8:40
803 Opening Medley (unreleased, late 1980s) 2:06
804 Tomas (Tutu, 1986) 4:08
805 Maze (unreleased) 7:07
806 Lament/Filles de  Killmanjaro/A Love Supreme 11:52
807 Round Midnight 7:45
808 Frelon Brun/Portia 9:59


total playing time: 9hrs 14mn 35sc

Who Played What:

CD1 Info

Track 01:
Bobby Previte’s Voodoo Down Orchestra
Bobby Previte - drums
Ray Anderson - trombone
Peter Epstein - soprano saxophone
Adam Kolker - bass clarinet
Pete McCann - guitar
Russ Lossing - Fender Rhodes
Jon Dryden - Fender Rhodes
Peter Herbert - acoustic bass
Jim Pugliese - percussion

Tracks 02-03:
Terell Strafford Quartet
Terell Strafford - trumpet
Ed Howard - bass
George Colligan - piano
Victor Lewis - drums

Tracks 04-05:
Olu Dara Ensemble
Olu Dara - cornet, guitar, vox
Kwatei Jones Quartey - guitar
Alonzo Gardner - bass
Larry Johnson - drums
Coster Massamba - percussion

Tracks 06-07:
Bobby Watson and Horizon featuring Victor Lewis
Bobby Watson - alto saxophone
Victor Lewis - drums
Terell Strafford - trumpet
Edward Simon - piano
Curtis Lundy - bass

CD2 Info

Tracks 01-02:
Hagans/Belden Animation Project featuring DJ Kingsize
DJ Kingsize - turntables
Tim Hagans - trumpet
Bob Belden - tenor saxophone
Scott Kinsey - piano
David Dyson - electric bass
Zach Danzinger - drums

Track 03:
Sex Mob with Bill Frisell and DJ Logic
Bill Frisell - guitar
DJ Logic - turntables
Steven Bernstein - trumpet
Briggan Krauss - alto saxophone
Tony Scherr - bass
Kenny Wolleson - drums

Track 04:
Jane Ira Bloom - soprano saxophone, live electronics
Bobby Previte - drums
Cameron Brown - bass
Vincent Bourgeyx - piano

Track 05-07:
The Campbell Brothers
Phil Campbell - guitar
Chuck Campbell - pedal steel guitar
Darick Campbell - lap steel guitar
Malcolm Kirby, Jr. - bass
Carlton Campbell - drums

Track 08:
Nora York - vocals
Claire Daly - baritone saxophone
Dave Hofstra - bass
Ronnie Williams - drums

CD 3 Info

Tracks 01-03:
Tamango - tap dancer
Fabio Morgera - trumpet

Tracks 04-05
Burnt Sugar/The Arkestra Chamber

Track 06:
Dave Douglas New Quintet
Dave Douglas - trumpet
Antonio Hart - alto saxophone
Uri Caine - electric piano
James Genus - bass
Clarence Penn - drums

Tracks 07-08:
Ingrid Jensen Group
Ingrid Jensen - trumpet
Gary Thomas - tenor saxophone
Orrin Evans - keys
Ed Howard - bass
Jeff “Tain” Watts - drums

CD4 Info

Tracks 01-02:
Russell Gunn Group
Russell Gunn - trumpet
Carl Burnett - guitar
Marc Cary - piano
Taurus Mateen - bass
Terreon Gully - drums

Track 03:
Frank London & Invocations
Frank London - trumpet
Anthony Coleman - organ
Ken Filiano - double bass

Track 04:
Ntozake Shange - poetry

Tracks 05-09:
Graham Haynes Nonet
Graham Haynes - trumpet
Gary Valente - trombone
Vincent Chancey - french horn
Bob Stewart - tuba
Avram Fefer - alto saxophone
Alex Harding - baritone saxophone
Uri Caine - piano
Clarence Penn - drums

Track 10:
Sketches Of Spain outtakes (never before heard)

Track 11:
George Avakian (producer of Miles Ahead)

CD5 Info

Tracks 01-03:
Melba Joyce - vox
Kalyn Dean - trumpet
Wally Gator - drums
Calvin Hill - bass
Dwight Dickerson - piano, flugelhorn
Tanya Darby - trumpet
Anat Cohen - clarinet, soprano saxophone??

Tracks 04-06:
Joe Lovano Quintet
Joe Lovano - saxophones
Tom Harrell - trumpet
Mulgrew Miller - piano
Idris Muhammad - drums
Cameron Brown - bass

Tracks 07-08:
Mamadou Diabate & the Ben Allison Trio
Mamadou Diabate - kora
Famoro Diabate - balafon
Michael Blake - saxophones
Mike Sarin - drums
Ben Allison - bass

Track 09:
David Sanchez & the Melaza Sextet
David Sanchez - saxophone
Miguel Zenon - alto saxophone
Edsel Gomez - piano
Hans Glawischneg - bass
Antonio Sanchez - drums

CD6 Info

Tracks 01-02:
Melvin Gibbs’ Liberation Theology
Melvin Gibbs - bass
Graham Haynes - cornet
Joe Lovano - saxophones
Pete Cosey - guitar, sitar, thumb piano
James Hurt - keys
Terreon Gully - drums
Felix Sanabria - percussion
Nancy Assis - percussion
DJ Logic - turntables

Tracks 03-04:
Don Byron Music For Six Musicians
Don Byron - clarinet, bass clarinet
James Zollar - trumpet, flugelhorn
Edsel Gomez - piano
Leo Traversa - bass, vox
Ben Wittman - drums, percussion
Milton Cardona - congas, percussion, vox

Tracks 05-06:
Jimmy Cobb - drums
Eddie Henderson - trumpet, flugelhorn
Kevin Hays - piano
Ed Howard - bass
Joe Locke - vibraphone

Track 07:
Lenny White, Dave Holland, Joe Zawinul

Track 08:
Ashley Kahn (author), includes list of top 10 musicians Miles dug in the ’60s

CD7 Info

Tracks 01-06:
Maria Schneider Orchestra with soloists Wallace Roney and Miles Evans (Gil Evans’ son)
Maria Schneider - conductor
Wallace Roney - trumpet
Miles Evans - trumpet
Bud Burridge - trumpet
Laurie Fink - trumpet
Alexander Sipiagin - trumpet,
Lew Soloff - trumpet
Dennis Wilson - trombone
Douglas Purviance - bass trombone
Theresa McDonnell - french horn
Jeffrey Scott - french horn
Tom Varner - french horn
Bob Stewart - tuba
Dennis Anderson - reeds
Charles Pillow - reeds
Mark Thrasher - reeds
Lou Marini - reeds
Rob Scheps - reeds
Badrena - percussion
Terry Silverlight - drums

Track 07:
Jon Faddis - trumpet
Jimmy Owens - trumpet
Paquito D’Rivera - alto saxophone
James Williams - piano
John Patitucci - bass
Tony Reedus - drums

CD8 Info

Tracks 01-02:
Vernon Reid and Masque
Vernon Reid - guitar
Miles Evans - trumpet
Micah Gaugh - tenor saxophone
Marion Browden - drums
Hank Schroy - bass
Leon Gruenbaum - keys
DJ Logic - turntables

Tracks 03-05:
Adam Holzman and Brave New World
Adam Holzman - keys
Freddy Cash, Jr - bass
Aaron Heick - saxophone

Tracks 06-08:
Wallace Roney Group
Wallace Roney - trumpet
Antonie Roney - drums
Adam Holzman - piano
Buster Williams - bass
Lenny White - drums

The first of today's Sunday Morning Jazz offerings is a huge one with something for every Jazz fan. A celebration of the many phases of Miles Davis' career.

This marathon tribute concert lasted over 12 hours. This 8 CD set contains every performance from the show with out all the breaks in between resulting in over 9 hours of performances.

I have broken up this large file set into 4 zip files. CD's 1 & 2, CD's 3 & 4 etc. Each zip file will open separately because I found some visitors were having problems with the multi-part zip files.

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Supertramp - BBC Rock Hour #602 ~ Queen Mary College, London, England, U.K. November 10, 1977 (Pre-FM)

Supertramp
BBC Rock Hour #602
for Broadcast Jan 13, 1985
Queen Mary College, London, England, U.K. November 10, 1977
Pre-FM Recording
Vinyl Rip
Flac & MP3 320kbps
Label & Cue Sheet Scans Included

Lineage: 1x12" LP > PRE-FM (London Wavelength) > Mofi Studiodeck Turntable > AT-VM720Eb Cartridge > Moon 110LP v2 Phono Amp > DENON DN-700R (24/96 wav) > Audacity & Izotope Software > FLAC 24bit-96KHz

01 - Radio Presentation
02 - Give a Little Bit
03 - Bloody Well Right
04 - Lady
05 - From Now On
06 - Babaji
07 - Poor Boy
08 - Dreamer
09 - Fools Overture
10 - Ending Credits

Rick Davies – vocals, keyboards, piano, harmonica
Roger Hodgson – vocals, piano, keyboards, bass, guitar
John Helliwell – master of ceremonies, saxophone, clarinet, keyboard, backing vocals
Dougie Thomson – bass
Bob Siebenberg – drums, percussion

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Barclay James Harvest BBC Transcription Services – CN 2129/SQ (Pre-FM) SQ-Quadraphonic Encoded

Barclay James Harvest
BBC Transcription Services – CN 2129/SQ
Stereo Pop Special 77(i)
Pop Spectacular Featuring Barclay James Harvest In Concert
The Golders Green Hippodrome
London, England, U.K.
June 19, 1974
SQ-Quadraphonic Encoded Pre-FM Recording
Flac Level 8 & MP3 320kbps
Cover Art Included

Lineage: DVD Audio Extractor > Quadraphonic Wave 24bit/48khz > Trader's Little Helper > Flac Level 8

Hosted By – Bob Harris

01 - Introduction By Bob Harris
02 - Summer Soldier
03 - Medicine Man
04 - Introduction To Crazy City
05 - Crazy City
06 - After The Day
07 - Introduction To Negative Earth
08 - Negative Earth
09 - She Said
10 - Band Introduction
11 - Paper Wings

Les Holroyd Bass, Rhythm Guitar, Vocals
Mel Pritchard Drums, Percussion
Woolly Wolstenholme Electric Piano, Synthesizer, Vocals
John Lees Lead Guitar, Vocals

My plans for the Quadraphonic Summer has gone a little bust. I have been busy with a lot of things needed to try and byuy my first house. Sorry I been a little slow getting these things to all of you. Enjoy!!

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Charles Mingus Quintet - Postaula, Bremen, Germany 07-09-1975 (SBD)

Charles Mingus Quintet
Postaula
Bremen, Germany
July 9, 1975
Soundboard Recording
MP3 224kbps
Cover Art Included

Disc 1
01 Sue’s Changes - Part A 9:03
02 Sue’s Changes - Part B 13:04
03 Sue’s Changes - Part C 10:45
04 For Harry Carney 13:13
05 Free Cell Block F, ‘Tis Nazi USA 8:13

Disc 2
01 Black Bats And Poles 11:39
02 Fables Of Faubus 15:32
03 Duke Ellington’s Sound Of Love 13:09
04 Theme 1:45
05 Remember Rockefeller At Attica 9:36
06 Devil Blues 8:46

Charles Mingus (R.I.P.) - bass
Jack Walrath - trumpet
George Adams - tenor saxophone
Don Pullen - piano
Dannie Richmond - drums

Our second Sunday Morning Jazz offering comes from the Legendary Charles Mingus. Charles Mingus worked with Miles Davis, Duke Ellington, Paul Bley, & Lionel Hampton just to name a few of his more famous sessions. Charles Mingus is considered by many as one of the greatest American Jazz Composers. He also received many honors including having a United States Commemritive Postage Stamp released in 1995, and is in The Down Beat Jazz Hall Of Fame, The Grammy Hall Of Fame, and The Jazz At Lincoln Center Nesuhi Ertegun Jazz Hall of Fame. Jeff Beck recorded a version of Charles Mingus' "Good-Bye Pork Pie Hat" for his Wired album. Andy Summers of Police fame payed tribute to Charles Mingus & Thelanious Monk at the 32nd Deutsches Jazz Festival by playing a set comprised of songs by both artists (available here). This fine sounding soundboard recording should be included in all Jazz fans archive.

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The Allman Brothers Band - The Whiskey A-Go-Go: Los Angeles, California, U.S.A. January 24, 1970 (FM)

The Allman Brothers Band
The Whiskey A-Go-Go
Los Angeles, California, U.S.A.
January 24, 1970
Soundboard Recording
Flac & MP3 320kbps
Cover Art Included

Updated Files In Zip File Links Already Tested!!! 1969 Was The Wrong Date, Actual Date Is 1970 Just Update Your File If You Already Downloaded This Recording Before July 5, 2023!!!

01 - Don't Keep Me Wonderin'
02 - Stormy Monday
03 - In Memory Of Elizabeth Reed
04 - Trouble No More
05 - Dreams
06 - Mountain Jam

Gregg Allman (R.I.P.) – organ, piano, vocals
Duane Allman (R.I.P.) – lead and slide guitars
Dickey Betts – lead guitar, vocals
Berry Oakley (R.I.P.) – bass, backing vocal
Butch Trucks (R.I.P.) – drums, percussion, backing vocals
Jaimoe – drums, percussion, backing vocals

Updated info!! Please read all who already downloaded. Thanks to our friend SteVe my questions about the songs in the 1969 set list have been answered. The recording is actually from January 24, 1970 not January 24, 1969. This is just one of the reasons I think I have the best visitors & friends a blog like this can have. The help in figuring out when I make a mistake. I still wonder why The Allman Brothers Band was playing at a venue the size of The Whiskey A-Go-Go. Was it some kind of showcase gig? Was it a prestige thing like playing The Bottom Line in New York City? I remember reading an issue of Rolling Stone when I was a school kid (my Mom made sure I had a subscription from the age of 10 or 11 till I moved out of the house) about Bruce Springsteen playing The Bottom Line and I laughed because the place was way too small for the ticket demand. I figure it would be the same for The Allman Brothers Band playing at a venue as small as The Whiskey.

I have always loved "Dreams", the lyrical theme and the kind of haunted feel of Gregg's vocal delivery. It could easily be called one of my favorite Allman Brothers songs. That being said I have to say I absolutely love the Molly Hatchet version. They didn't just cover it, they made it reflect their own musical dreams. The vocal deliveries of the 2 differing versions really makes the feel of the entire song. Gregg Allman seems to channel the haunted feeling of a man far beyond his young years at the time he recorded the original. Molly Hatchet lead vocalist Danny Joe Brown's delivery is that of a young man not yet bent by the odds against his dreams fruition. One summons a character devoid of hope almost ready to pack it in. The other summons the image of a young man, fist tightly clenched saying not today damn it. The song itself was written with so much passion built in it every rendition is bound to pull you in somehow.

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Ozzy Osbourne - Phoenix Rising ~ Desert Skies Pavillion: Phoenix, Arisona, USA April 13, 1996 (FM)

Ozzy Osbourne
Phoenix Rising - (1996 OSA/BONG ~ SBC 002/003)
Desert Skies Pavillion
Phoenix, Arisona, USA
April 13, 1996
FM Broadcast Recording
Flac Level 8 & MP3 320kbps
Cover Art Included

Rosebud's Pick

Lineage: Siver CDs > E.A.C. (Secure) > Flac

CD1

01 - Flying High Again 5:56
02 - Goodbye To Romance 6:36
03 - Perry Mason 6:07
04 - No More Tears 7:50
05 - I Just Want You 5:20
06 - I Don`t Want To Change The World 4:43
07 - Suicide Solution 7:39

CD2

01 - Sabbath Bloody Sabbath 4:42
02 - Iron Man 3:12
03 - Sweet Leaf 3:03
04 - Children Of The Grave 5:34
05 - Mr. Crowley 6:49
06 - War Pigs 9:21
07 - Crazy Train 6:01
08 - Mama I'm Coming Home 5:29
09 - Bark At The Moon 4:15

Ozzy Osbourne - vocals
Joe Holmes - guitar
Robert Trujillio - bass
Mike Bordin - drums
John Sinclair - keyboards

It's a nice sounding boot from the Prince Of Darkness. I like this line-up as well, I've seen them at a few Ozzfests, they are a great live unit. They used to play a medley of Ozzy era Black Sabbath songs in the middle of "Suicide Solution". It was kind of Ozzy's idea, he told the band that he didn't want a featured guitar solo. Hence the medley was invented. It had a funky beat ala Faith No More or Infectious Groves, Joe Holmes is Ozzy's under rated guitar player for the way he played Ozzy Sabbath material across those funky rhythms. Everyone was into it so hey Ozzy was right on that. The guitar solo did come back after Zakk Wylde returned to the fold.

One could argue that the set list is a little stale for this tour. The only non Ozzy live staple is "Sabbath Bloody Sabbath". It is not a usual choice for Ozzy since the high pitch vocal is hard on/for Ozzy's voice. Ozzy was on the road a lot between Ozzmosis and Down To Earth. Six years between studio albums is a long time. I do remember Ozzy and the band playing around with the sets because of the lack of new material. I remember one Ozzfest the keyboard player (not sure which one) was visible on stage, stage right front, in the top of a skull. The set list that night (I'm sure every night of that tour) was keyboard heavy. I swear as I was lighting a big doobie the show opened to "Diary Of A Madman". It was quite some time ago so it's blurry but I am pretty sure they actually played it. None of Mine and Rosebud's friends were there that night so I can't verify the memory.....

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Led Zeppelin - Georgia On My Mind ~ The Salt Palace: Salt Lake City, Utah, USA May 26th, 1973 (SBD)

Led Zeppelin
Georgia On My Mind - (Empress Valley ~ #EVSD 201/202) 2CD Set
The Salt Palace
Salt Lake City, Utah, USA
May 26th, 1973
Stereo Soundboard
Flac Level 8 & MP3 320kbps
Cover Art Included

Lineage: Silver CD > Flac 8

Disc 1
01 - Rock And Roll (cuts in) 1:18
02 - Celebration Day 3:47
03 - Bring It On Home / Black Dog 6:18
04 - Over The Hills And Far Away 8:40
05 - Georgia On My Mind 1:30
06 - Misty Mountain Hop > 5:06
07 - Since I’ve Been Loving You 8:34
08 - No Quarter 12:07
09 - The Song Remains The Same 5:44
10 - The Rain Song 9:36

Disc 2
01 - Dazed And Confused 32:07
02 - Stairway To Heaven 11:17
03 - Heartbreaker 7:44
04 - Whole Lotta Love 4:44

- "Rock And Roll" starts when the song is almost over.
- Jimmy Page breaks a string during "Over The Hills And Far Away" which delays the start of "Misty Mountain Hop".
- The transition between "Misty Mountain Hop" & "Since I’ve Been Loving You" is a little rough.
- Recording is missing "Moby Dick" and what ever the encore may have been.

It's been a little while since we posted any Led Zeppelin on the blog so here you are. This is a pretty good sounding recording from Zeppelin's 1973 Tour of North America. I haven't listened to any shows from this tour in a while so that's why I picked this show. The fact that "The Song Remains The Same" is not the show opener was weird but that's the way the 1973 tour went. I think it may have changed by the end but I may be wrong. John Paul Jones also keeps his solo vehicle, "No Quarter" to 12 minutes, kind of short. It remains my favorite song from the Houses Of The Holy album. The acoustic part of the show has also been side lined for this tour. No worries though "Dazed And Confused" is it's normal half hour beast.

The one thing that bothers me about Led Zeppelin is Jimmy Page & Robert Plant's complete disavowing of their influence on Heavy Metal. They point at some of the mindless dibble that posers put out during the Heavy Metal domination of the industry. As always there are a lot of bands that jump on a band wagon and put out sub par music. Happened to the Grunge and Alternative scenes. Rap and Country Music have not been immune to the same over saturation. But I digress, if Led Zeppelin had not been, Heavy Metal may very well have ended up the mindless dibble they pointed out. Because of Led Zeppelin Heavy Metal/Hard Rock has melody and texture. The light and heavy ethos of Zeppelin created the power ballad. Heavy Metal music can have texture if you will, such as Metallica slowing to a crawl in the middle of "Master Of Puppets" only to speed up to a face melting end. Every guitar player I worked with in my decades in Heavy Metal has given Jimmy Page as much credit as Tony Iommi. I don't want to forget that Led Zeppelin may have helped to invent Progressive Heavy Metal as much as Rush (since Rush was influenced by  Led Zeppelin), with "Kashmir" alone (not to mention "Achilles Last Stand").

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Van Halen - Sloppy Seconds Live! ~ West Palm Beach Auditorium West Palm Beach, Florida, USA July 6, 1979 (SBD)

Van Halen
Sloppy Seconds Live! - (MH)
West Palm Beach Auditorium
West Palm Beach, Florida, USA
July 6, 1979
Soundboard Recording
Flac Level 8 & MP3 320kbps
Cover Art Included

Lineage: CD-R > E.A.C. > Wave > Trader's Little Helepr > Flac Level 8

CD1
01 - Light Up The Sky 3:49
02 - Somebody Get Me A Doctor 3:14
03 - Runnin With The Devil 3:09
04 - Dance The Night Away 3:42
05 - Beautiful Girls 3:21
06 - Dave Raps / On Fire 5:57
07 - Your're No Good 2:50
08 - Jamie's Cryin 3:54
09 - Feel Your Love 6:03
10 - Outta Love 4:49
11 - Ice Cream Man 6:17

CD2
01 - Ain't Talkin Bout Love 8:07
02 - Eddie's Solo / You Really Got Me 13:37
03 - Bottoms Up / Story Of Joe 7:47
04 - Atomic Punks 3:55
05 - Dance The Night Away * / Beautiful Girls * 7:14

*Bonus Tracks from 1979 tour rehearsals (these 2 songs are recorded too hot they clip a lot)

Total Playing Time CD1: 47mn 3sc
Total Playing Time CD2: 40mn 39sc
Total Playing Time Both CDs: 1hr 27mn 42sc

David Lee Roth – lead vocals, acoustic guitar
Eddie Van Halen (R.I.P.) – guitar, keyboards, backing vocals
Michael Anthony – bass guitar, backing vocals (all those beautiful high notes)
Alex Van Halen – drums, percussion

I have been looking for another Van Halen soundboard that dosen't sound like crap other than The US Festival boot. I mean just the David Lee Roth era not the Sammy Hagar era. Sammy's time in Van Halen is well documented with a few nice sounding boots as well as a live album. The David Lee Roth era is pretty undocumented in comparison. Almost every soundboard bootleg that I have come across to me sounded like crap. This is a soundboard I have been waiting to hear. I have actually heard some bad copies of this show so was surprised. It sounds pretty good, however this brings up a different discussion.

David Lee Roth has always been a sloppy live vocalist. I wouldn't put him in the category of say present day Vince Neil. Dave could enunciate the words that came out of his mouth, when remembered. Vince Neil has recently been fired by a once again re-united Motley Crue for his sloppy singing. Vince has always been a little sloppy but he's gotten bad. Check him out on Youtube some embarrassing stuff. David Lee Roth wasn't always too drunk to remember the words ala US Festival 1983. He danced around so much that he wasn't singing on cue or missing verses. Now I'm not saying that Sammy Hagar era Van Halen was better live than the Roth era. That's like comparing Syd Barrett Pink Floyd to Gilmour/Waters Pink Floyd live, two very separate beasts. Sammy and David are two very different performers. Now my 1st chance seeing Van Halen was opening for Black Sabbath on Ozzy's last tour with them in 1976. I don't remember Dave being sloppy that night but I do remember Black Sabbath sounded stale after Van Halen's set. The rest as they say is history...

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Tool - Lollapalooza In Texas: Dallas Broadcast 1993 ~ Lollapalooza Music Festival, Starplex Amphitheatre: Dallas, TX. August 1, 1993 (FM)

Tool
Lollapalooza In Texas - Dallas Broadcast 1993 - (Sutra Records – SUCD121)
Lollapalooza Music Festival
Starplex Amphitheatre
Dallas, Texas, U.S.A.
August 1, 1993
FM Broadcast Recording
Flac & MP3 320kbps
Cover Art Included

01 - Intolerance
02 - Undertow
03 - Sober
04 - Prison Sex
05 - Opiate (w/ Lane Staley)
06 - Bottom
07 - Jerk-Off
08 - Maynard James Keenan Interview 1993

Maynard James Keenan – vocals
Adam Jones – guitars
Paul D'Amour – bass
Danny Carey – drums, percussion

Rosebud & I have had the pleasure of catching TOOL in concert a few times together. We saw them play at Ozzfest two nights in a row. Both nights they had King Buzzo from The Melvins guest with them. They would get into this long jam in the middle of their set. A large silver grey dome would come down and cover the whole band as the jam would wind up in a fury. A bunch of lasers were then shot at the dome that reflected them like a disco ball all over. Now we had seats in the pavilion, the same seats for both nights, box seats for Rosebud's job. The same couple was next to us both nights and the girl grabbed my arm both nights and said "My God what are they trying to do summon the mother ship?". The second night I said to her.."You asked that yesterday...I think they are the mothership."

This great performance comes from TOOL's appearance on the Alternative Rock Tour Lollapalooza 1993. I think it's a little too ironic that Layne Staley of Alice In Chains guests on "Opiate". By this time in Alice In Chains career Michael Starr had already been kicked out of the band for his growing drug habit. In 1994 Layne Staley would enter rehab for heroin. After getting out the band entered rehearsals for their delayed tour. Layne started using again during rehearsals, the tour was canceled. Layne's final live performance would be only 3 years later. July 3, 1996, Alice In Chains opened for Kiss. After the show Layne overdosed on heroin ending up in hospital. The band never toured again and Layne died from an overdose of heroin and cocaine on April 5, 2002.

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Paul Butterfield Blues Band - Concertgebouw: Amsterdam, Netherlands January 18, 1969 (FM) - Longer Version

Paul Butterfield Blues Band
Concertgebouw
Amsterdam, Netherlands
January 18, 1969
FM Broadcast Recording
Flac & MP3 320kbps
No Coevr Art

Lineage: FM Radio Broadcast > 2nd Generation Casstte > Edirol USB UA-1EX Audio Interface > Cool Edit > CD Wave Editor > Trader's Little Helper > Flac

01 Tuning/Band Intros
02 Drown In My Own Tears
03 Everything Gonna Be Alright
04 Run Out Of Time
05 Band Intros
06 Living In My Own Dream
07 Trouble Been Here And Gone
08 Get Out Of My Life Woman
09 One More Heartache (fades in)
10 I Got A Mind To Give Up Livin'
11 All Your Love

Paul Butterfield (R.I.P.) – vocals, harmonica
Buzz Feiten – guitar, keyboards, vocals
Bugsy Maugh – bass, vocals
Phillip Wilson – drums, vocals
Gene Dinwiddie – saxophone, flute, vocals
David Sanborn – saxophone
Keith Johnson – trumpet, piano

My first exposure to the music of Paul Butterfield was on the Woodstock Soundtrack Album. It was a song called "Love March". It was actually not one of my favorite tracks on the album. The jam in the song was good enough I figured that there had to be something to him. So I decide to ask the lady at The Fox Hole Record Store. My Mom says this woman had been there since the 1960s, you could just hum a small bit of a song or say a small bit of lyric, she was able to find it for you! So I asked about Paul Butterfield's music. She walked to a bin, pulled out The Paul Butterfield Blues Band (their first album) I took it home, listened, then bought another when I earned enough money. It wasn't just that Butterfield could blow on the harp, the band was great too. Everyone plays something real tasty on that album. It's the same on this live recording, it definitely satisfies!

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